LEADER 01098nam--2200373---450- 001 990005779010203316 005 20121113100216.0 010 $a978-0-52015-134-4 035 $a000577901 035 $aUSA01000577901 035 $a(ALEPH)000577901USA01 035 $a000577901 100 $a20121113d2011----km-y0itay50------ba 101 1 $aita$ceng 102 $aIT 105 $a||||||||001yy 200 1 $aNicolas Flagello$eun irrefrenabile impulso creativo$fWalter Simmons$gtraduzione di Emiliano Giannetti 210 $aEboli$cVigor Music$d2011 215 $a109 p.$d24 cm 225 2 $aLibrarte$v135 410 0$12001$aLibrarte$v135 600 1$aFlagello,$bNicolas$2BNCF 676 $a785 700 1$aSIMMONS,$bWalter$0616027 702 1$aGIANNETTI,$bEmiliano 801 0$aIT$bsalbc$gISBD 912 $a990005779010203316 951 $aXIII.3.D. 532$b238614 L.M.$cXIII.3.D.$d00317378 959 $aBK 969 $aUMA 979 $aPASSARO$b90$c20121113$lUSA01$h0959 979 $aPASSARO$b90$c20121113$lUSA01$h1002 996 $aNicolas Flagello$91081637 997 $aUNISA LEADER 03783oam 2200649I 450 001 9910831869503321 005 20240505165906.0 010 $a9781315472157 010 $a1315472155 010 $a9781315472171 010 $a1315472171 010 $a9781315472164 010 $a1315472163 024 7 $a10.4324/9781315472171 035 $a(CKB)4340000000023770 035 $a(MiAaPQ)EBC4766877 035 $a(OCoLC)967740455 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/30328 035 $a(ScCtBLL)324029d0-b3fa-4254-9e8a-fc40f16e290c 035 $a(oapen)doab30328 035 $a(EXLCZ)994340000000023770 100 $a20180706d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aMaterializing memory in art and popular culture /$fedited by Laszlo Muntean, Liedeke Plate, and Anneke Smelik 205 $a1st ed. 210 $cTaylor & Francis$d2017 210 1$aNew York :$cRoutledge,$d2017. 215 $a1 online resource (237 pages) $cillustrations 225 1 $aRoutledge research in cultural and media studies ;$v102 311 08$a9780367890230 311 08$a0367890232 311 08$a9781138203235 311 08$a1138203238 320 $aIncludes bibliographical references and index. 327 $apt. I. Material remains : ruins and souvenirs -- pt. II. Entangled memories -- pt. III. Reenactment, affect, and remembrance -- pt. IV. Corporeality and objects of trauma. 330 $aMemory matters. It matters because memory brings the past into the present, and opens it up to the future. But it also matters literally, because memory is mediated materially. Materiality is the stuff of memory. Meaningful objects that we love (or hate) function not only as aide-mémoire but are integral to memory. Drawing on previous scholarship on the interrelation of memory and materiality, this book applies recent theories of new materialism to explore the material dimension of memory in art and popular culture. The book?s underlying premise is twofold: on the one hand, memory is performed, mediated, and stored through the material world that surrounds us; on the other hand, inanimate objects and things also have agency on their own, which affects practices of memory, as well as forgetting. Chapter 1 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license. https://s3-us-west-2.amazonaws.com/tandfbis/rt-files/docs/Open+Access+Chapters/9781138203235_oachapter1.pdf Chapter 4 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license. https://s3-us-west-2.amazonaws.com/tandfbis/rt-files/docs/Open+Access+Chapters/9781138203235_oachapter4.pdf Chapter 5 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license. https://s3-us-west-2.amazonaws.com/tandfbis/rt-files/docs/Open+Access+Chapters/9781138203235_oachapter5.pdf 410 0$aRoutledge research in cultural and media studies ;$v102. 606 $aMemory$xSocial aspects 606 $aMaterial culture 615 0$aMemory$xSocial aspects. 615 0$aMaterial culture. 676 $a153.1/2 700 $aMuntean$b Laszlo$4edt$01786221 701 $aMuntean$b Laszlo$01786221 701 $aPlate$b Liedeke$01786222 701 $aSmelik$b Anneke$0841713 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910831869503321 996 $aMaterializing memory in art and popular culture$94317620 997 $aUNINA