LEADER 01284nam0-2200397---450 001 990005773380203316 005 20200821180521.0 035 $a000577338 035 $aUSA01000577338 035 $a(ALEPH)000577338USA01 035 $a000577338 100 $a20110111d2006----|||y0itaa50------ba 101 $aita 102 $ait 105 $a0 00||| 200 1 $a<> fantastico in arte e letteratura dal realismo al simbolismo$fRomolo Runcini$gIconografia a cura di Bruna C. Mancini 210 $aNapoli$cLa città del sole$d2006 215 $a107 p.$d21 cm 225 2 $aTestimonianze$v52 300 $aIn testa alla cop.: Istituto italiano per gli studi filosofici. 410 0$12001$aTestimonianze$v52 606 $aArte [e] Letteratura$xTemi [:] Fantastico$2F 620 $dNAPOLI 676 $a700.47 700 1$aRUNCINI,$bRomolo$0154299 702 1$aMANCINI,$bC. Bruna 801 0$aIT$bSA$c20111219 912 $a990005773380203316 950 0$aDipar.to di Filosofia - Salerno$dDFCC 700.47 RUN$e9409 FIL 951 $aCC 700.47 RUN$b9409 FIL 959 $aBK 969 $aFIL 979 $c20121027$lUSA01$h1526 979 $c20121027$lUSA01$h1616 996 $aFantastico in arte e letteratura dal realismo al simbolismo$91081922 997 $aUNISA LEADER 04204nam 2200685 450 001 9910788199203321 005 20201023111955.0 010 $a1-4725-0828-9 010 $a1-4725-0518-2 024 7 $a10.5040/9781472506658 035 $a(CKB)2670000000587107 035 $a(EBL)1894994 035 $a(SSID)ssj0001382303 035 $a(PQKBManifestationID)12586474 035 $a(PQKBTitleCode)TC0001382303 035 $a(PQKBWorkID)11458014 035 $a(PQKB)10921244 035 $a(MiAaPQ)EBC1894994 035 $a(MiAaPQ)EBC6162469 035 $a(OCoLC)1201426924 035 $a(CaBNVSL)mat72506658 035 $a(CaBNVSL)9781472506658 035 $a(EXLCZ)992670000000587107 100 $a20201023d2020 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aApplied theatre $edevelopment /$fTim Prentki 210 1$aLondon, England :$cBloomsbury Methuen Drama,$d2020. 210 2$aLondon, England :$cBloomsbury Publishing,$d2020 215 $a1 online resource (305 p.) 225 1 $aApplied theatre 300 $aIncludes index. 311 $a1-322-49754-0 311 $a1-4725-0986-2 320 $aIncludes bibliographical references and index. 327 $aOne. A Conceptual Framework for Theatre for Development: 1. History and Origins of Theatre for Development ; 2. Fool's Play or Juggling with Neoliberalism -- Two. Case Studies: 3. Capacity Building Theatre (and Vice Versa) ; 4. Isolation in Community Theatre ; 5. The Game of Identities: Intercultural Theatre in the Peruvian Amazon ; 6. Imizamo Yethu - 'our efforts' to Engage Through Theatre ; 7. Theatre in Crisis: Moments of Beauty in Applied Theatre ; 8. Exploring Theatre as a Pedagogy for 'Developing Citizens' in an English Primary School ; 9. The Ludic Box: Playful Alternatives from Guatemala for the World ; Afterword: What Next for Theatre for Development?. 330 $a"At once both guide book and provocation, this is an indispensable companion for students and practitioners of applied theatre. It addresses all key aspects: principles, origins, politics and aesthetics in a concise and accessible style designed to appeal both to those who have recently discovered this sub-discipline and to experienced practitioners and academics. Part 1 is divided into two chapters. The first introduces the sub-discipline of Theatre for Development, covering its origins, principles and history, and providing an overview of theatre for development in Western contexts as well as in Africa, Asia, the Indian Subcontinent and Latin America. The second focuses upon theoretical and philosophical issues confronting the discipline and its relationship to contemporary politics, as well as considering its future role. Part 2 consists of seven chapters contributed by leading figures and current practitioners from around the world and covering a diverse range of themes, methodologies and aesthetic approaches. One chapter offers a series of case studies concerned with sexual health education and HIV prevention, drawn from practitioners working in Vietnam, Papua New Guinea, Southern Africa, and China. Other chapters include studies of intercultural theatre in the Peruvian Amazon; a programme of applied theatre conducted in schools in Canterbury, New Zealand, following the 2010 earthquake; an attempt to reinvigorate a community theatre group in South Brazil; and an exchange between a Guatemalan arts collective and a Dutch youth theatre company, besides others"--$cProvided by publisher. 410 0$aApplied theatre. 517 3 $aDevelopment 606 $aTheater and society 606 $aCommunity theater 606 $aTheatre studies$2bicssc 615 0$aTheater and society. 615 0$aCommunity theater. 615 7$aTheatre studies 676 $a792.02/2 686 $aPER011020$2bisacsh 700 $aPrentki$b Tim$01495207 702 $aBalfour$b Michael$f1966- 702 $aPreston$b Sheila$f1968- 801 0$bN 801 1$bCaBNVSL 801 2$bCaBNVSL 906 $aBOOK 912 $a9910788199203321 996 $aApplied theatre$93820702 997 $aUNINA LEADER 05341nam 22005653a 450 001 9910557157703321 005 20231108184551.0 010 $a9783832551971 010 $a3832551972 024 8 $ahttps://doi.org/10.30819/5197 035 $a(CKB)4950000000290118 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/64407 035 $a(OCoLC)1249169558 035 $a(ScCtBLL)87395728-b0de-4392-a3e6-a474a6cdb479 035 $a(oapen)doab64407 035 $a(oapen)doab84256 035 $a(EXLCZ)994950000000290118 100 $a20231108i20212021 uu 101 0 $ager 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aDispositiv-Erkundungen | Exploring Dispositifs$fBirte Kleine-Benne 210 $aBerlin/Germany$cLogos Verlag Berlin$d2021 210 1$a[s.l.] :$cLogos Verlag Berlin,$d2021. 215 $a1 electronic resource (300 p.) 330 $aWill man die Linien eines Dispositivs entwirren, so muss man in jedem Fall eine Karte anfertigen, man muss kartographieren, unbekannte Länder ausmessen - eben das, was er [Foucault] als 'Arbeit im Gelände' bezeichnet hat", formulierte Gilles Deleuze 1988. Mit der vorliegenden Publikation soll ein kartographierendes Aus- und Vermessen eines komplexen, verzweigten, unübersichtlichen, zum Teil auch uneinsichtigen und übercodierten Geländes geleistet werden. Als Effekt könn(t)en fortgesetzte Klärungen von Begriffen, Konzepten und Operationsweisen dessen stattfinden, was als Kunst bezeichnet wird. 18 Autor*innen nehmen ihre Dispositiv-Erkundungen vor, so dass eine Anthologie von ausgewählten Stimmen entsteht. Die Autor*innen und ihre Texte erkunden multiperspektivisch, disparat, forensisch und komplexierend, in verschiedenen Sprachen, in ihren Entstehungskontexten und Entstehungszeiten, mit ihren stilistischen Mitteln und in einigen Fällen eng mit ihren früheren Publikationszusammenhängen verbunden. Sie sind damit im besten Fall in der Lage, je eigene Denkräume aufzufalten, die ermöglichen, Einzelbestandteile der beschriebenen oder analysierten Dispositive -- und dabei kann es sich offenbar um Einzeloperationen, Prozesse, Prozeduren, Blicke, Lücken, Aufspaltungen, Implikationen, Vorbedingungen etc. handeln -- zu unterscheiden und in einem nächsten Schritt strategische Formationen dieser heterogenen Ensembles zu diagnostizieren. Darüber hinaus ermöglichen die zusammengestellten Texte, unterschiedliche Varianten, Ausgangs-, Ansatz- und Schwerpunkte wie auch Stile von Dispositiv-Erkundungen nachvollziehen zu können. As Gilles Deleuze has argued in 1988, "[u]ntangling these lines within a social apparatus [dispositif] is, in each case, like drawing up a map, doing cartography, surveying unknown landscapes, and this is what he [Foucault] calls 'working on the ground.'" This publication intends to provide a cartographic mapping of a complex, multi-branched, often obscure, sometimes inaccessible and overly encoded terrain. Such a mapping could and can lead to a further clarification of terms, concepts and modes of operation of that which is called art. This volume comprises 18 authors whose explorations of the dispositif have generated an anthology of select, distinct voices. Their texts are marked by multiple perspectives, they are disparate, forensic and complex, they are written in different languages, stem from different contexts and points in time, are endowed with different styles and, in some cases, also stand in close relationship with other, earlier publication contexts. This means that they are ideally positioned to unfold diverse spaces of thought, allowing them to differentiate between individual components of the dispositifs they discuss or dissect -- this may include individual operations, processes, procedures, glances, lacunae, splits, implications, preconditions, et cetera -- and allowing them, in a next step, to diagnose the strategic formations such heterogeneous ensembles might take. Beyond that, the texts assembled here allow us to discern the different variations, starting points, approaches and emphases as well as different styles of dispositif exploration. Beiträge von / Contributions by: Elke Bippus, Luis Camnitzer, Ibou Coulibaly Diop, Thomas Oberender, Andrea Fraser, erwin GeheimRat, Siri Hustvedt, Silvia Jonas, Birte Kleine-Benne, Michael Lingner, Lucy Lippard, Adelheid Mers, Brian O'Doherty, Julia Pelta Feldman, Adrian Piper, Stefan Römer, Thorsten Schneider, Ruth Sonderegger 606 $aTheory of art$2bicssc 606 $aLiterary theory$2bicssc 606 $aSociety & culture: general$2bicssc 606 $aSociology & anthropology$2bicssc 606 $aSocial & political philosophy$2bicssc 610 $aKunst 610 $aKunstgeschichte 610 $aÄsthetisches Regime 610 $aDekonstruktion 610 $aInstitutionskritik 615 7$aTheory of art 615 7$aLiterary theory 615 7$aSociety & culture: general 615 7$aSociology & anthropology 615 7$aSocial & political philosophy 702 $aKleine-Benne$b Birte 801 0$bScCtBLL 801 1$bScCtBLL 906 $aBOOK 912 $a9910557157703321 996 $aDispositiv-Erkundungen | Exploring Dispositifs$93025067 997 $aUNINA