LEADER 01311nam0-22004331i-450- 001 990005458460203316 005 20010829120000.0 035 $a000545846 035 $aUSA01000545846 035 $a(ALEPH)000545846USA01 035 $a000545846 100 $a20010829d1982-------|0itac50------ba 101 $aita 102 $aIT 105 $a|||| ||||| 200 1 $a<> rinascita del 12. secolo$fCharles H. Haskins 210 $aBologna$cIl mulino$d1982.. 215 $a370 p.$d22 cm 225 2$aCollezione di testi e di studi: Storiografia 300 $atrad. di Paola Marziale Bartole 410 1$12001$aCollezione di testi e di studi: Storiografia 606 $aCultura$xSec. 12.$2FI 606 $aLetteratura latina$xSec. 12.$2FI 606 $aStoria medievale$2FI 620 $dBologna 676 $a901.9$v21 700 1$aHASKINS,$bCharles H.$0525187 801 $aIT$bSOL$c20120104 912 $a990005458460203316 950 $aDIP.TO SCIENZE ECONOMICHE - (SA)$dDS 900 901.9 HAS$ecn28 DISES 951 $a900 901.9 HAS$b8 DISES 959 $aBK 969 $aDISES 979 $c20121027$lUSA01$h1532 979 $c20121027$lUSA01$h1613 979 $aPATRY$b90$c20130312$lUSA01$h1700 996 $aRinascita del 12. secolo$9823271 997 $aUNISA NUM $aUSA5881 LEADER 02586nam 2200577 450 001 9910784798503321 005 20230331005423.0 010 $a0-19-772938-X 010 $a1-280-52474-X 010 $a9786610524747 010 $a0-19-536259-4 035 $a(CKB)1000000000398943 035 $a(EBL)4702648 035 $a(SSID)ssj0000299380 035 $a(PQKBManifestationID)12113215 035 $a(PQKBTitleCode)TC0000299380 035 $a(PQKBWorkID)10240784 035 $a(PQKB)11058412 035 $a(Au-PeEL)EBL4702648 035 $a(CaPaEBR)ebr11273678 035 $a(OCoLC)870243672 035 $a(MiAaPQ)EBC4702648 035 $a(EXLCZ)991000000000398943 100 $a20161012h19881988 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe imperfect art $ereflections on jazz and modern culture /$fTed Gioia 210 1$aNew York ;$aOxford, [England] :$cOxford University Press,$d1988. 210 4$dİ1988 215 $a1 online resource (175 p.) 300 $aDescription based upon print version of record. 311 $a0-19-506328-7 320 $aIncludes bibliographical references and index. 327 $aContents; 1 Louis Armstrong and Furniture Music; 2 Jazz and the Primitivist Myth; 3 The Imperfect Art; 4 Neoclassicism in Jazz; 5 What Has Jazz to Do with Aesthetics?; 6 Boredom and Jazz; 7 Jazz as Song; Notes; About the Author; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Credits 330 $aTaking a wide-ranging approach rare in jazz criticism, Ted Gioia draws upon fields as disparate as literary criticism, art history, sociology, and aesthetic philosophy in order to place jazz within the turbulent cultural environment of the twentieth century. He argues that because improvisation--the essence of jazz--must often fail under the pressure of on-the-spot creativity, we should view jazz as an ""imperfect art"" and base our judgments of it on an ""aesthetics of imperfection."" Incorporating the thought of such seminal thinkers as Walter Benjamin, Jose? Ortega y Gasset, and Roland Barth 606 $aJazz$xHistory and criticism 606 $aMusic$xPhilosophy and aesthetics 615 0$aJazz$xHistory and criticism. 615 0$aMusic$xPhilosophy and aesthetics. 676 $a785.42/09 700 $aGioia$b Ted$0600174 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910784798503321 996 $aThe imperfect art$93725211 997 $aUNINA