LEADER 00984nam1 2200337 450 001 990003497720203316 005 20110216110850.0 035 $a000349772 035 $aUSA01000349772 035 $a(ALEPH)000349772USA01 035 $a000349772 100 $a20110216d--------km-y0itay50------ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $aDizionario medico$fdiretto dal prof. Emanuele Lauricella 210 $aVenezia; Roma$cIstituto per la collaborazione culturale 215 $a2 v.$d29 cm 463 \1$1001990003497730203316$12001 $a<> A-L 463 \1$1001990003497740203316$12001 $a<> M-Z 606 0 $aMedicina$xDizionari$2BNCF 676 $a610 700 1$aLAURICELLA,$bEmanuele$090199 801 0$aIT$bsalbc$gISBD 912 $a990003497720203316 951 $aFDC 11/$cFDC 959 $aBK 969 $aMED 979 $aMANCUSO$b90$c20110216$lUSA01$h1108 996 $aDizionario medico$91111391 997 $aUNISA LEADER 04966 am 22007573u 450 001 996210785403316 005 20221206093247.0 010 $a1-906924-33-3 010 $a2-8218-1712-6 010 $a1-906924-35-X 035 $a(CKB)2670000000370056 035 $a(EBL)3384098 035 $a(SSID)ssj0000801502 035 $a(PQKBManifestationID)11518378 035 $a(PQKBTitleCode)TC0000801502 035 $a(PQKBWorkID)10793510 035 $a(PQKB)10733724 035 $a(Au-PeEL)EBL3384098 035 $a(CaPaEBR)ebr10715013 035 $a(OCoLC)923317961 035 $a(MiAaPQ)EBC3384098 035 $a(FrMaCLE)OB-obp-903 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/29762 035 $a(PPN)182831787 035 $a(EXLCZ)992670000000370056 100 $a20130614d2011 uy 0 101 0 $aeng 135 $aurmn#---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aWhy do we quote?$b[electronic resource] $ethe culture and history of quotation /$fRuth Finnegan 210 $aCambridge $cOpen Book Publishers$d2011 215 $a1 online resource (xvi, 327 pages.) $cillustrations; digital, PDF file(s) 311 $a1-906924-34-1 320 $aIncludes bibliographical references and index. 327 $gI.$tSETTING THE PRESENT SCENE --$g1.$tPrelude: A Dip in Quoting's Ocean --$g2.$tTastes of the Present: The Here and Now of Quoting --$t'Here and now'? --$tWhat are people quoting today? --$tGathering and storing quotations --$g3.$tPutting Others' Words on Stage: Arts and Ambiguities of Today's Quoting --$tSignalling quotation --$tWhen to quote and how --$tTo quote or not to quote --$tSo why quote? --$gII.$tBEYOND THE HERE AND NOW --$g4.$tQuotation Marks: Present, Past, and Future --$tWhat are quote marks and where did they come from? --$tWhat do they mean? --$tDo we need them? --$g5.$tHarvesting Others' Words: The Long Tradition of Quotation Collections --$tA present-day example: The Oxford Dictionary of Quotations --$g6.$tQuotation in Sight and Sound --$tQuoting and writing -- inseparable twins? --$tThe wealth of oral quotation --$tQuoting blossoms in performance --$tMusic, script and image --$g7.$tArts and Rites of Quoting --$tFrames for others' words and voices --$tNarrative and its plural voices --$tPoetry --$tExposition and rhetoric --$tRitual and sacred texts --$tPlay --$tDisplayed text --$tAn array of quoting arts --$tHow do the thousand flowers grow and who savours them? --$g8.$tControlling Quotation: The Regulation of Others' Words and Voices --$tWho plants and guards the flowers? Imitation, authorship, and plagiarism --$tConstraining and allowing quotation: flower or weed? --$tThe fields where quoting grows --$gIII.$tDISTANCE AND PRESENCE --$g9.$tWhat Is Quotation and Why Do We Do It? --$tSo what is it? --$tThe far and near of quoting --$tWhy quote? --$gAppendices --$tQuoting the Academics Background to this study: citing the authorities Academics quoting ---$tList of the Mass Observation Writers. 330 $a"Quoting is all around us. But do we really know what it means? How do people actually quote today, and how did our present systems come about? This book brings together a down-to-earth account of contemporary quoting with an examination of the comparative and historical background that lies behind it and the characteristic way that quoting links past and present, the far and the near. Drawing from anthropology, cultural history, folklore, cultural studies, sociolinguistics, literary studies and the ethnography of speaking, Ruth Finnegan's fascinating study sets our present conventions into cross-cultural and historical perspective. She traces the curious history of quotation marks, examines the long tradition of quotation collections with their remarkable recycling across the centuries, and explores the uses of quotation in literary, visual and oral traditions. The book tracks the changing definitions and control of quoting over the millennia and in doing so throws new light on ideas such as 'imitation', 'allusion', 'authorship', 'originality' and 'plagiarism'."--Publisher's website. 606 $aQuotation 608 $aHistory.$2fast 610 $acultural anthropology 610 $aimitation 610 $aoral traditions 610 $aquotation 610 $acultural history 610 $afolklore 610 $aquotation marks 610 $aenglish 610 $aplagiarism 610 $alanguage 610 $aquoting 610 $asociolinguistics 610 $aoriginality 610 $aoral literature 610 $aErasmus 610 $aLatin 615 0$aQuotation. 676 $a080.9 700 $aFinnegan$b Ruth H.$01093904 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a996210785403316 996 $aWhy do we quote$92613066 997 $aUNISA LEADER 01289nam0-2200385-i-450 001 990005867250403321 005 20240614102725.0 035 $aFED01000586725 035 $a(Aleph)000586725FED01 035 $a000586725 100 $a20000421d1974----km-y0itay50------ba 101 1 $aita$cger 102 $aIT 105 $ay-------001yy 200 1 $aIntroduzione alle scienze dello spirito$ericerca di una fondazione per lo studio della società e della storia$fWilhelm Dilthey$gpresentazione e traduzione di Gian Antonio De Toni 210 $aFirenze$cLa Nuova Italia$d1974 215 $aXXXVI, 557 p.$d21 cm 225 1 $aClassici della filosofia$v9 454 0$12001$aEinleitung in die geisteswissenschaften$913749 610 0 $aStoriografia$aTeorie 610 0 $aScienze umane$aSec. 19. 676 $a110$v22$zita 676 $a193$v22$zita 700 1$aDilthey,$bWilhelm$f<1833-1911>$033995 702 1$aDe Toni,$bGian Antonio 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990005867250403321 952 $aDIC / DIL 12$fBFS 952 $aP.1 8D DILT 13$bBibl. 29586$fFLFBC 952 $aDAM A92.13 DILW 04$b2024/5264$fFLFBC 959 $aFLFBC 959 $aBFS 996 $aEinleitung in die geisteswissenschaften$913749 997 $aUNINA