LEADER 01235nam--2200361---450- 001 990003441850203316 005 20100915130207.0 010 $a978-88-217-3198-3 035 $a000344185 035 $aUSA01000344185 035 $a(ALEPH)000344185USA01 035 $a000344185 100 $a20100915d2010----km-y0itay50------ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $aMassime notarili in materia societaria$felaborate dalla commissione per i principi uniformi in tema di società$gprefazione di Piergaetano Marchetti 205 $a4. ed aggiornata a giugno 2010 210 $aMilanofiori, Assago$cIpsoa$d2010 215 $aXVII, 429 p.$d24 cm 300 $aIn testa al front.: Consiglio notarile di Milano 606 0 $aSocietà $xLegislazione$xMassimari 676 $a346.066 702 1$aMARCHETTI,$bPiergaetano 710 02$aCommissione per i principi uniformi in tema di società$0601085 801 0$aIT$bsalbc$gISBD 912 $a990003441850203316 951 $aXXV.3.A 133$b68568 G.$cXXV.3.A$d00282123 959 $aBK 969 $aGIU 979 $aCHIARA$b90$c20100915$lUSA01$h1302 996 $aMassime notarili in materia societaria$91019113 997 $aUNISA LEADER 02498nam 22006014a 450 001 9910450300703321 005 20200520144314.0 010 $a1-280-53215-7 010 $a0-19-534903-2 010 $a1-4237-2006-7 035 $a(CKB)1000000000245577 035 $a(EBL)439057 035 $a(OCoLC)61329794 035 $a(SSID)ssj0000152154 035 $a(PQKBManifestationID)11910638 035 $a(PQKBTitleCode)TC0000152154 035 $a(PQKBWorkID)10339179 035 $a(PQKB)10287718 035 $a(MiAaPQ)EBC439057 035 $a(Au-PeEL)EBL439057 035 $a(CaPaEBR)ebr10103609 035 $a(CaONFJC)MIL53215 035 $a(EXLCZ)991000000000245577 100 $a20031023d2004 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe expert versus the object$b[electronic resource] $ejudging fakes and false attributions in the visual arts /$fedited by Ronald D. Spencer ; [foreward by Eugene Victor Thaw] 210 $aNew York $cOxford University Press$d2004 215 $a1 online resource (260 p.) 300 $aDescription based upon print version of record. 311 $a0-19-514735-9 320 $aIncludes bibliographical references and index. 327 $aContents; Foreword; Introduction; Part I: Authentication and Connoisseurship; Part II: Authentication and the Law; Index 330 $aThe authenticity of visual art has always commanded the attention of experts, dealers, collectors, and the art-minded public. Is it ""real"" or ""original"" is a way of asking what am I buying? What do I own? What am I looking at? And today more sophisticated questions are being asked: How is authenticity determined and what weight does this determination have in court? This book of essays proposes to answer those questions. Three lines of inquiry are basic to determining authenticity: a connoisseur's evaluation, historical documentation or provenance, and scientific testing. A connoisseur is 606 $aArt$xForgeries 606 $aArt$xExpertising 606 $aLaw and art 608 $aElectronic books. 615 0$aArt$xForgeries. 615 0$aArt$xExpertising. 615 0$aLaw and art. 676 $a702/.8/7 701 $aSpencer$b Ronald D$0914693 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910450300703321 996 $aThe expert versus the object$92049948 997 $aUNINA