LEADER 01235nam2-2200349---450- 001 990003328290203316 005 20091008085819.0 010 $a978-3-642-03554-8 035 $a000332829 035 $aUSA01000332829 035 $a(ALEPH)000332829USA01 035 $a000332829 100 $a20091008d2009----km-y0itay0103----ba 101 0 $aeng 102 $aDE 105 $aa|||||||001yy 200 1 $aDatabase and XML technologies$e6th International XML database symposium, XSym 2009$eLyon, France, august 24, 2009$eproceedings$fZohra Bellahséne... [et. al.] (Eds.) 210 $aBerlin [etc.]$cSpringer$dcopyr. 2009 215 $aX, 187 p.$cill.$d24 cm. 225 2 $aLecture notes in computer science$v5679 410 1$1001000314960$12001$aLecture notes in computer science$v5679 606 0 $aDatabase$xCongressi$yLyon$z2009 702 1$aBELLAHSENE,$bZohra 710 12$aInternational XML Database Symposium, XSym 2009$d<6.;$f2009;$eLyon>$0606301 801 0$aITA$bsalbc$gISBD 912 $a990003328290203316 951 $a001 LNCS 5679$b38751/CBS$c001$d00335244 959 $aBK 969 $aSCI 979 $aRSIAV7$b90$c20091008$lUSA01$h0858 996 $aDatabase and XML technologies$91120276 997 $aUNISA LEADER 05793nam 22005293 450 001 9911019831903321 005 20240220080208.0 010 $a9781394276721 010 $a1394276729 010 $a9781394276707 010 $a1394276702 035 $a(MiAaPQ)EBC31166547 035 $a(Au-PeEL)EBL31166547 035 $a(CKB)30404936100041 035 $a(Exl-AI)31166547 035 $a(Perlego)4341027 035 $a(OCoLC)1422744680 035 $a(EXLCZ)9930404936100041 100 $a20240220d2024 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSynthesizers and Subtractive Synthesis 1 $eTheory and Overview 205 $a1st ed. 210 1$aNewark :$cJohn Wiley & Sons, Incorporated,$d2024. 210 4$d©2024. 215 $a1 online resource (288 pages) 311 08$a9781786309242 311 08$a1786309246 327 $aCover -- Title Page -- Copyright Page -- Contents -- Preface -- Introduction -- Chapter 1. Sound Synthesis -- 1.1. The art of creating sound -- 1.2. Some reminders -- 1.2.1. Sound: a bit of theory -- 1.2.2. Intensity -- 1.2.3. Pitch of a sound -- 1.2.4. Timbre -- 1.2.5. The ear -- 1.3. Sound typology -- 1.3.1. Sounds and periods -- 1.3.2. Simple and complex sounds -- 1.4. Spectral analysis -- 1.4.1. The sound spectrum -- 1.4.2. Sonogram and spectrogram -- 1.5. Waveforms -- 1.5.1. Sine wave -- 1.5.2. Square wave -- 1.5.3. Rectangular wave -- 1.5.4. Pulse wave -- 1.5.5. Triangular wave -- 1.5.6. Sawtooth wave -- 1.6. Timbre -- 1.6.1. Transient phenomena -- 1.6.2. Range -- 1.6.3. Mass of musical objects -- 1.6.4. Classification of sounds -- 1.7. Sound propagation -- 1.7.1. Dispersion -- 1.7.2. Interference -- 1.7.3. Diffraction -- 1.7.4. Reflection -- 1.7.5. Reverberation (reverb) -- 1.7.6. Absorption -- 1.7.7. Refraction -- 1.7.8. Doppler effect -- 1.7.9. Phase and beat -- 1.8. Noise -- 1.8.1. White noise -- 1.8.2. Pink noise -- 1.8.3. Red noise -- 1.8.4. Blue noise -- 1.8.5. Purple noise -- 1.8.6. Gray noise -- 1.8.7. Other noise -- 1.9. History of sound synthesis -- 1.10. Conclusion -- Chapter 2. The Different Types of Synthesis -- 2.1. Subtractive synthesis -- 2.2. Additive synthesis -- 2.3. FM synthesis -- 2.4. Digital synthesis, sampling and wavetables -- 2.5. Physical modeling synthesis -- 2.6. Granular synthesis -- 2.7. Amplitude modulation synthesis -- 2.8. Phase distortion synthesis -- 2.9. Other types of sound synthesis -- Chapter 3. Components, Processing Techniques and Tools -- 3.1. Oscillators -- 3.1.1. Voltage-controlled oscillators -- 3.1.2. Digitally controlled oscillators -- 3.1.3. Digital oscillators -- 3.1.4. Low-frequency oscillators -- 3.2. Filters -- 3.2.1. Low-pass filters -- 3.2.2. High-pass filters. 327 $a3.2.3. Band-pass filters -- 3.2.4. Band-stop filters -- 3.2.5. Resonance -- 3.2.6. Other filters -- 3.3. The envelope generator -- 3.3.1. Attack -- 3.3.2. Decay -- 3.3.3. Sustain -- 3.3.4. Release -- 3.3.5. Other parameters -- 3.4. Amplifiers -- 3.5. Sample and hold -- 3.6. Ring modulator -- 3.7. Waveshaping -- 3.8. Special effects -- 3.8.1. Pitchbend -- 3.8.2. Glide -- 3.8.3. Keyboard tracking -- 3.8.4. Reverb and delay -- 3.8.5. Phaser, chorus and flanger -- 3.9. From monody to polyphony -- 3.10. Controllers -- 3.10.1. Modwheel -- 3.10.2. Breath controller -- 3.10.3. Expression switch and pedal -- 3.10.4. Keytar -- 3.10.5. Other controllers -- Chapter 4. Work Environment -- 4.1. Materials -- 4.1.1. ARP 2600 -- 4.1.2. The Minimoog -- 4.1.3. The Behringer Neutron -- 4.1.4. The Novation Bass Station II -- 4.1.5. The Arturia MatrixBrute -- 4.2. Software -- 4.2.1. Native Instruments Reaktor -- 4.2.2. VCV Rack 2 -- 4.2.3. Cycling '74 Max/MSP -- 4.2.4. Pure Data -- 4.3. Conclusion -- Chapter 5. CV/Gate and MIDI -- 5.1. CV/Gate -- 5.1.1. Overview -- 5.1.2. Operation -- 5.1.3. Note definition -- 5.1.4. Operation of the gate (or trigger) -- 5.2. Musical Instrument Digital Interface -- 5.2.1. MIDI version 1.0 -- 5.2.2. MIDI Version 2.0 -- 5.2.3. Principle -- 5.2.4. The hardware -- 5.2.5. The software -- 5.2.6. MIDI Control Change -- 5.2.7. Examples of MIDI transmission -- 5.2.8. MIDI implementation chart -- 5.2.9. General MIDI standard -- 5.2.10. The General MIDI 2 standard -- 5.2.11. The GS format -- 5.2.12. The XG format -- 5.2.13. MIDI file structure -- 5.2.14. An example of a MIDI file -- 5.3. MIDI CV/Gate converters -- Conclusion -- Appendix 1. General MIDI 1 and 2 Instruments -- Appendix 2. MIDI Box, Merger and Patcher -- Glossary -- References -- Index. 330 $aThis book, authored by Jean-Michel Réveillac, provides an in-depth exploration of synthesizers and subtractive synthesis. It covers the theory and practical applications of sound synthesis, addressing key concepts such as sound creation, spectral analysis, and waveform types. The text is divided into chapters that discuss various synthesis methods, including additive, FM, digital, and physical modeling synthesis, as well as noise and sound propagation. The book is intended for readers with an interest in music technology, sound engineering, and electronic music production, offering detailed insights into the components, processing techniques, and tools involved in synthesizer technology.$7Generated by AI. 606 $aElectronic music$7Generated by AI 606 $aSoftware synthesizers$7Generated by AI 615 0$aElectronic music 615 0$aSoftware synthesizers 676 $a786.74 700 $aRéveillac$b Jean-Michel$0877405 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911019831903321 996 $aSynthesizers and Subtractive Synthesis 1$94420788 997 $aUNINA