LEADER 01294nam--2200397---450- 001 990002812930203316 005 20151002124740.0 035 $a000281293 035 $aUSA01000281293 035 $a(ALEPH)000281293USA01 035 $a000281293 100 $a20060914h1990----km-y0itay50------ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $a<> farse, il trionfo, il lamento$fGiosué Capasso$ga cura di Milena Montanile 210 $aNapoli$cPresso l'Istituto$d1990 215 $a79 p.$d21 cm 225 2 $aIstituto nazionale di studi sul Rinascimento meridionale$iStudi$v6. 410 0$12001$aIstituto nazionale di studi sul Rinascimento meridionale$iStudi 676 $a851.3 700 1$aCAPASSO,$bGiosué$0425515 702 1$aMONTANILE,$bMilena 801 0$aIT$bsalbc$gISBD 912 $a990002812930203316 951 $aVI.3.B. 3351$b187593 L.M.$cVI.3.B.$d00125177 951 $aXV.9.M. 1342$b2953 MAR$cXV.9.M.$d00347039 959 $aBK 969 $aUMA 969 $aMAR 979 $aPAOLA$b90$c20060914$lUSA01$h1052 979 $aPAOLA$b90$c20060914$lUSA01$h1102 979 $aIANNONE$b90$c20151002$lUSA01$h1245 979 $aIANNONE$b90$c20151002$lUSA01$h1247 996 $aFarse, il trionfo, il lamento$9722747 997 $aUNISA LEADER 03246nam 22005535 450 001 9910735786703321 005 20251008150427.0 010 $a9783031346989 010 $a303134698X 024 7 $a10.1007/978-3-031-34698-9 035 $a(MiAaPQ)EBC30656979 035 $a(Au-PeEL)EBL30656979 035 $a(DE-He213)978-3-031-34698-9 035 $a(CKB)27675005100041 035 $a(EXLCZ)9927675005100041 100 $a20230719d2023 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aConflict Cinemas in Northern Ireland and Brazil /$fby Ketlyn Mara Rosa 205 $a1st ed. 2023. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2023. 215 $a1 online resource (222 pages) 311 08$aPrint version: Rosa, Ketlyn Mara Conflict Cinemas in Northern Ireland and Brazil Cham : Springer International Publishing AG,c2023 9783031346972 327 $a1. Introduction -- 2. ­­Unspeakable acts: embodiment and perception in Bloody Sunday and ?71 -- 3. Embodied violation in Tropa de Elite and A Divisão: the spectacle of torture and violence in Rio?s favelas -- 4. Corporeal navigation of carceral spaces in Northern Ireland: the sensorial geography of limitation in Maze and Silent Grace -- 5. Marginalized bodies and violated senses: representations of inhumane confinement in Carandiru and Quase Dois Irmãos -- 6. Final Thoughts. 330 $aThis book focuses on the analysis of sensorial representations of violent images in contemporary films that portray embodied violation in urban environments of street clashes and prisons in Northern Ireland and Brazil during the late twentieth century. There is an emphasis on the representation of senses and how they play a significant role in structuring narratives and mapping the cinematic landscapes of conflict. Whether on the streets and prisons of Belfast, Derry, São Paulo or Rio, the attention is on the endangered body and its fragility or strength. Analyzing films through the novel framework of sensorial perspective enables the understanding of urban and prison landscapes as part of a somatic geography that affects the corporeal engagement of the participants. As a multicultural study, this is an essential book for those interested in the relationship between cinema and history while taking into consideration the interactive roles of the senses and perception. 606 $aMotion pictures 606 $aMotion picture plays, European 606 $aMotion pictures, American 606 $aFilm Studies 606 $aEuropean Film and TV 606 $aLatin American Film and TV 615 0$aMotion pictures. 615 0$aMotion picture plays, European. 615 0$aMotion pictures, American. 615 14$aFilm Studies. 615 24$aEuropean Film and TV. 615 24$aLatin American Film and TV. 676 $a791.4309416 700 $aRosa$b Ketlyn Mara$01379136 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910735786703321 996 $aConflict Cinemas in Northern Ireland and Brazil$93418585 997 $aUNINA