LEADER 01071nam1-22003491n-450- 001 990002673090203316 005 20060529150856.0 010 $a88-87457-14-X 035 $a000267309 035 $aUSA01000267309 035 $a(ALEPH)000267309USA01 035 $a000267309 100 $a20051017-2001----m||y0itay0103----ba 101 0 $aita 102 $aIT 105 $ay|||z|||001yy 200 1 $aFilmakers$ele storie del cinema indipendente$fMaria Debora Farina 210 $aFaenza$cEditrice cinetecnica$d2001 215 $a270 p.$cill.$d21 cm. 606 0 $aCinematografo$yStati Uniti d'America$z1950-1970 606 0 $aIndustria cinematografica$yStati Uniti d'America$z1950-1970 676 $a791.43 700 1$aFARINA,$bMaria Debora$0591866 801 0$aIT$bsalbc$gISBD 912 $a990002673090203316 951 $aXIII.2. 1826(XVI M 125)$b161529 L.M.$cXVI M$d00080303 959 $aBK 969 $aUMA 979 $aRENATO$b90$c20051017$lUSA01$h1316 979 $aCOPAT1$b90$c20060529$lUSA01$h1508 996 $aFilmakers$91002100 997 $aUNISA LEADER 04897nam 22007455 450 001 9910482972903321 005 20250610110246.0 010 $a9781349959754 010 $a1349959758 024 7 $a10.1057/978-1-349-95975-4 035 $a(CKB)4100000011558556 035 $a(MiAaPQ)EBC6386036 035 $a(DE-He213)978-1-349-95975-4 035 $a(Perlego)3480773 035 $a(MiAaPQ)EBC29092928 035 $a(EXLCZ)994100000011558556 100 $a20201105d2020 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aApplied Theatre and Sexual Health Communication $eApertures of Possibility /$fby Katharine E. Low 205 $a1st ed. 2020. 210 1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2020. 215 $a1 online resource (XXV, 323 p.) 225 1 $aContemporary Performance InterActions,$x2634-5889 311 08$a9781349959747 311 08$a134995974X 327 $aIntroduction -- Part I Context -- Chapter 1 HIV/AIDS and the Challenge for Socially Engaged Theatre-Making -- Chapter 2 The Context for Our Place, Our Stage -- Part II Practice -- Chapter 3 Applied Theatre: A Space 'Safe Enough' to Take Risks? -- Chapter 4 'If You Want to Be Safe, You Must Stay at Home': Dialogical Spaces and Repressive Outcomes -- Chapter 5 Apertures of Possibility: A Subtle Form of Resistance? -- Conclusion. 330 $aThis book analyses the partnership between applied theatre and sexual health communication in a theatre-making project in Nyanga, a township in South Africa. By examining the bridges and schisms between the two fields as they come together in the project, an alternative way of approaching sexual health communication is advocated. This alternative considers what it is that applied theatre does, and could become, in this context. Moments of value which lie around the margins of the practice emerge as opportunities that can be overlooked. These somewhat ephemeral, intangible moments, which appear on the edges, are described as 'apertures of possibility' and occur when one takes a step back and realises something unnoticed in the moment. This book offers an invitation to pause and notice the seemingly insignificant moments that often occurs tangentially to the practice. The book also calls for more outcry about sexual health and sexual violence, arguing for theatre-making as a route to multitudes of voices, nuanced understandings, and diverse spaces in which discussions of sexuality and sexual health are shared, felt, and experienced. 1. Endorsement Kim Solga, Professor of Theatre Studies, Western University Applied Theatre and Sexual Health Communication demonstrates our community-engaged labour at its best. Low reveals the processes through which our work with individuals comes to impact whole communities, and to shape informal pedagogical networks that have significant social impact. Asking at what price we value "measurement" of our outcomes above all else, Low simultaneously reveals the risks of closing off other ways to assess the value of what we do. This is urgent work. Dr. Katharine E. Low is a practitioner and researcher in socially engaged theatre making and sexual health communication. Her work and research focuses on the intersections of health, labour and care in applied practice, and motherhood and academia. Katharine has written about her practice research in a number of journals and co-edited Applied Theatre: Performing Health and Wellbeing for Methuen Bloomsbury (2017). She is a Senior Lecturer in Applied Theatre and Community Performance at the Royal Central School of Speech and Drama. 410 0$aContemporary Performance InterActions,$x2634-5889 606 $aPerforming arts 606 $aTheater 606 $aMedicine, Preventive 606 $aHealth promotion 606 $aEthnology$zAfrica 606 $aCulture 606 $aActors 606 $aTheatre and Performance Arts 606 $aHealth Promotion and Disease Prevention 606 $aAfrican Culture 606 $aApplied Theatre 606 $aPerformers and Practitioners 615 0$aPerforming arts. 615 0$aTheater. 615 0$aMedicine, Preventive. 615 0$aHealth promotion. 615 0$aEthnology 615 0$aCulture. 615 0$aActors. 615 14$aTheatre and Performance Arts. 615 24$aHealth Promotion and Disease Prevention. 615 24$aAfrican Culture. 615 24$aApplied Theatre. 615 24$aPerformers and Practitioners. 676 $a792.0968 700 $aLow$b Katharine E.$0867486 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910482972903321 996 $aApplied theatre and sexual health communication$91936236 997 $aUNINA