LEADER 02491nam 2200349 450 001 9910580299203321 005 20230430151325.0 010 $a1-68571-047-6 035 $a(CKB)5600000000474036 035 $a(NjHacI)995600000000474036 035 $a(EXLCZ)995600000000474036 100 $a20230430d2022 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDis/cord $eThinking Sound through Agential Realism /$fKevin Tokso?z Fairbairn 210 1$aBrooklyn, New York :$cPunctum Books,$d2022. 215 $a1 online resource (xiv, 146 pages) 330 $adis/cord is an experiment in reading sound. Embarking from Karen Barad's early work on agential realism, it diffracts quantum physics through sound art, finding the sympathetic resonances that allow them to speak together. dis/cord believes in the materialism of sound, and strives not to understand it, but to become entangled with it. It asserts that impartial observation is impossible and understands immersion as a participatory and collaborative act. Sound art pieces provide the backdrop for a series of reflections on space, time, and matter. They trace the "marks on bodies" that sound leaves behind in its ephemeral vibration, finding new forms of sensation and interpretation through the pain and hearing loss that a life devoted to sound can cause. Drifting between sound studies, artistic research, musicology, and craftsmanship, dis/cord uses agential realism as a platform to approach thinking with, through, and about sound. Following Barad's commitment to diffraction as a form of critique, it superposes a variety of sounds and ideas in the hope that their consonances and dissonances can provoke new ways of engaging with sound as a cultural and material agent. It is neither an appeal to scientist positivism nor a mystical immersion in listening. Rather, it builds from the intertwined physical and metaphysical curiosities that characterize Barad's work, proposing a corporeal engagement with the disjointed temporal and spacial (dis)continuities that sonic materialism helps to build, understand, and create. 517 $aDis/cord 606 $aSound art 615 0$aSound art. 676 $a709.04074 700 $aFairbairn$b Kevin Tokso?z$01352699 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910580299203321 996 $aDis$93195202 997 $aUNINA LEADER 01653nam--2200481---450- 001 990002456590203316 005 20050728152505.0 010 $a92-825-6796-6 035 $a000245659 035 $aUSA01000245659 035 $a(ALEPH)000245659USA01 035 $a000245659 100 $a20050728d1987----km-y0itaa50------ba 101 0 $aeng 102 $aLU 105 $ay---z---001yy 200 1 $aMultilateral conventions and agreements$esignatures and/or conclusions by the European communities$fCommission of the European communities 210 $aLuxembourg$cOffice for official publications of the European communities$d1987 215 $aCXIV, 361 p.$d30 cm 225 2 $aDocument 410 0$12001$aDocument 454 1 $12001 461 1$1001------$12001 606 0 $aUnione europea$xConvenzioni 676 $a382.91 699 $a01.11$bDiritto delle CE - Convenzioni - Trattati - Tassazione 710 02$aCommissione europea$0333284 801 0$aIT$bsalbc$gISBD 912 $a990002456590203316 951 $aCDE 01.11 (XVII)$bCDE 929$cCDE 01.11$d00147830 959 $aBK 969 $aCDE 979 $aIANNONE$b90$c20050728$lUSA01$h1525 979 $aMARIAS$b90$c20080220$lUSA01$h1101 979 $aMARIAS$b90$c20080221$lUSA01$h1130 979 $aMARIAS$b90$c20080221$lUSA01$h1151 979 $aMARIAS$b90$c20080221$lUSA01$h1321 979 $aMARIAS$b90$c20080703$lUSA01$h1023 979 $aMARIAS$b90$c20080703$lUSA01$h1027 979 $aMARIAS$b90$c20080703$lUSA01$h1031 979 $aBATCH-UPD$b90$c20111212$lUSA01$h1715 996 $aMultilateral conventions and agreements$91057060 997 $aUNISA