LEADER 01358nam2-2200409---450- 001 990001905700203316 005 20050805130235.0 035 $a000190570 035 $aUSA01000190570 035 $a(ALEPH)000190570USA01 035 $a000190570 100 $a20040804d1967----km-y0itay0103----ba 101 $ager 102 $aDE 105 $aa|||||||001yy 200 1 $a<<2.1>> : Charakteristiken und Kritiken$e(1796-1801)$fFriedrich Schlegel$gherausgegeben und eingeleitet von Hans Eichner 210 $aPadenborn$cSchoningh$d1967 215 $aCXX, 450 p.$cill.$d23 cm 300 $aNella pagina contro il front.: 1. Abt.: Kritische Neuausgabe 410 0$12001 454 1$12001 461 1$1001000190559$12001$aKritische Friedrich-Schlegel-Ausgabe 676 $a838.6 700 1$aSCHLEGEL,$bFriedrich$0444001 702 1$aEICHNER,$bHans 801 0$aIT$bsalbc$gISBD 912 $a990001905700203316 951 $aII.1.D. 3616/2.1(II t A 194/2)$b39446 L.M.$cII t A 951 $aII.1.D. 3616/2.1a(II t A 194/2 bis)$b33142 L.M.$cII t A 959 $aBK 969 $aUMA 979 $aSIAV5$b10$c20040804$lUSA01$h1404 979 $aSIAV5$b10$c20040804$lUSA01$h1405 979 $aSIAV5$b10$c20040804$lUSA01$h1406 979 $aCOPAT6$b90$c20050805$lUSA01$h1302 996 $aCharakteristiken und Kritiken$9954477 997 $aUNISA LEADER 02997nam 2200565 450 001 9910808847603321 005 20191015111955.0 010 $a0-85772-874-1 010 $a1-350-98500-7 010 $a0-85772-827-X 024 7 $a10.5040/9781350985001 035 $a(CKB)3840000000334847 035 $a(MiAaPQ)EBC5718622 035 $a(OCoLC)1003289720 035 $a(CaBNVSL)9781350985001 035 $a(CaBNVSL)mat50985001 035 $a(EXLCZ)993840000000334847 100 $a20191015e20192017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$a3D Warhol $eAndy Warhol and sculpture /$fThomas Morgan Evans 205 $aFirst edition. 210 1$aLondon, England :$cI.B. Tauris & Co. Ltd,$d2017. 210 2$aLondon, England :$cBloomsbury Publishing,$d2019. 215 $a1 online resource (242 pages, 16 unnumbered pages of plates) $cillustrations 225 1 $aInternational library of modern and contemporary art ;$v24 311 $a1-78453-428-5 311 $a1-78453-427-7 320 $aIncludes bibliographical references (pages 199-205) and index. 327 $aIntroduction: Portraits -- Locating the sculptural -- 'Sublime but compulsive negation': Brillo boxes -- Atmosphere -- The artwork across the street -- A waste of space -- Conclusion: One dimensional man - in 3D! 330 $a"Rain machines; alarmed kosher pickle jars filled with gemstones; replica corn flakes boxes; 'disco decor'; time capsules; art bombs; birthday presents; perfume bottles and floating silver pillows that are clouds; paintings that are also films; museum interventions; collected and curated projects; expanded performance environments; holograms. This is a book about the vast array of sculptural work made by Andy Warhol between 1954 and 1987 - a period that begins long before the first Pop paintings and ends in the year of his death. In 3D Warhol, Thomas Morgan Evans argues that Warhol's engagement with sculpture, and traditional notions of sculpture, produced 'trespasses', his sculptural work bisected the expectations, allegiances and values within art historical, and ultimately social sites of investitute (or territories). This groundbreaking, original book brings to the forefront a major, but overlooked aspect of Warhol's oeuvre, providing an essential new perspective on the artist's legacy."--$cPublisher's website. 410 0$aInternational library of modern and contemporary art ;$v24. 517 3 $aThree-dimensional Warhol 606 $aPop art$zUnited States 606 $2Art & design styles: from c 1960 615 0$aPop art 676 $a700.92 686 $aJ057.12$2clc 700 $aMorgan Evans$b Thomas$01698371 712 02$aBloomsbury (Firm), 801 0$bUKUOY 801 1$bCaBNVSL 801 2$bCaBNVSL 906 $aBOOK 912 $a9910808847603321 996 $a3D Warhol$94079774 997 $aUNINA