LEADER 01031nam--2200361---450- 001 990001691130203316 005 20050120131704.0 035 $a000169113 035 $aUSA01000169113 035 $a(ALEPH)000169113USA01 035 $a000169113 100 $a20040524d1963----km-y0itay0103----ba 101 0 $aita 102 $aIT 105 $a||||||||001yy 200 1 $aPoesie$fPierre Jean Jouve$gtraduzione, introduzione, bio-bibliografia a cura di Nelo Risi 210 $aMilano$cLerici$d1963 215 $a340 p.$d20 cm 225 2 $aPoeti Europei$v12 410 0$12001$aPoeti Europei$v12 454 1$12001 461 1$1001-------$12001 700 1$aJOUVE,$bPierre Jean$0188907 702 1$aRISI,$bNelo 801 0$aIT$bsalbc$gISBD 912 $a990001691130203316 951 $aVI.4.A. 92(Varie coll.237/12)$b16789 L.M.$cVarie coll. 959 $aBK 969 $aUMA 979 $aSIAV3$b10$c20040524$lUSA01$h1234 979 $aCOPAT3$b90$c20050120$lUSA01$h1317 996 $aPoesie$9309273 997 $aUNISA LEADER 05996nam 2200709Ia 450 001 9910778354003321 005 20230721031857.0 010 $a1-282-26556-3 010 $a9786612265563 010 $a94-012-0486-1 010 $a1-4356-1247-7 024 7 $a10.1163/9789401204866 035 $a(CKB)1000000000480550 035 $a(EBL)556577 035 $a(OCoLC)182847729 035 $a(SSID)ssj0000112591 035 $a(PQKBManifestationID)12026662 035 $a(PQKBTitleCode)TC0000112591 035 $a(PQKBWorkID)10087769 035 $a(PQKB)10936916 035 $a(MiAaPQ)EBC556577 035 $a(OCoLC)182847729$z(OCoLC)666984309$z(OCoLC)712988524$z(OCoLC)714567304$z(OCoLC)748599172$z(OCoLC)764535863$z(OCoLC)816321045$z(OCoLC)847068521$z(OCoLC)889057140$z(OCoLC)988454174$z(OCoLC)992059652 035 $a(nllekb)BRILL9789401204866 035 $a(Au-PeEL)EBL556577 035 $a(CaPaEBR)ebr10380163 035 $a(CaONFJC)MIL226556 035 $a(EXLCZ)991000000000480550 100 $a20070911d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aBirth and death in nineteenth-century French culture$b[electronic resource] /$fedited by Nigel Harkness ... [et al.] 210 $aAmsterdam ;$aNew York $cRodopi$d2007 215 $a1 online resource (261 p.) 225 1 $aFaux titre,$x0167-9392 ;$v301 300 $a"The essays contained in this volume were first presented at the third annual conference of the Society of Dix-Neuvie?mistes, which took place at Queen's University Belfast in April 2005."--Acknowledgments. 311 $a90-420-2260-4 320 $aIncludes bibliographical references and index. 327 $tPreliminary Material --$tAcknowledgments --$tIntroduction /$rLisa Downing , Nigel Harkness , Sonya Stephens and Tim Unwin --$tGeorge Sand: la genèse des fins de romans /$rClaudine Grossir --$tFlaubert, Apuleius and Ovid: The Genesis of a Recurring Theme /$rStephen Goddard --$tPerdue en traduction: Translation, Betrayal and Death in Mérimée?s Carmen /$rLarry Duffy --$tLe Tombeau de la Poésie: Strategies of Textual Resurrection in Mallarmé and Banville /$rDavi Devans --$tWilde?s Salomé: Tenses, Tension and Progression in Salomé?s Final Monologue /$rPeter Cogman --$tFigures de l?artiste et comédiens du réel: de la difficile naissance à l?implacable mort dans La Comédie humaine /$rIsabelle Michelot --$tSoeur Philomène ou comment la mort s?invite à l?hôpital /$rBarbara Giraud --$tDeath for Beginners: Nineteenth-Century Katabatic Narratives for Young Readers /$rKiera Vaclavik --$tStendhal?s Rebellious Mothers and the Fight Against Death-by-Maternity /$rMaria Scott --$tLa Mort de Madame de Vernon et les deux dénouements de Delphine: invention romanesque et réminiscences maternelles chez Madame de Staël /$rCatherine Dubeau --$tMidwifery and Malpractice in Fécondité: Zola?s Fictional History of Problematical Maternities /$rCarmenk. Mayer-Robin --$tL?érotisme cristallin de Théophile Gautier: étude de la figure de la ?morte amoureuse? dans les contes fantastiques /$rNathalie Dumas --$tL?Évangile de la pourriture selon Saint Huysmans: Lydwine de Schiedam /$rPhilippe Berthier --$tUne esthétique de la mort au dix-neuvième siècle: Alphonse Daudet /$rIsabelle Droit --$tSelon Max Nordau: le poème naturel du corps de Mallarmé /$rPascal Caron --$tThe Aesthetics of Self-Skeletonization in James Ensor /$rClaire Moran --$tNotes on Contributors --$tIndex. 330 $aThis volume draws contributors from around the globe who represent the full range of approaches to scholarship in nineteenth-century French studies: historical, literary, cultural, art historical, philosophical, and comparative. The theme of the volume ? Birth and Death ? is one with particular resonance for nineteenth-century French studies, since the nineteenth century is commonly perceived as an age of new life and renovation. It is the epoch that witnessed an efflorescence of industrial and artistic progress, the birth of the individual and the birth of the novel, and the creation of an urban population in the major demographic shift from the rural provinces to Paris. At the same time, however, it is the century of Decadence and degeneration theory, marked by a prominent morbid aesthetic in the artistic sphere and a fascination with criminality, moral decay and the pathologization of racial and sexual minorities in the scientific discourses. It is also the century in which reflection on processes of artistic creation begins to problematize concepts of mimetic representation, the function of the author and the status of the text. In the context of the dialectical quality of nineteenth-century French culture, caught between an obsession with the new and innovative and a paranoid sense of its own encroaching decay, the twin themes of birth and death open onto a variety of issues ? literary, social, historical, artistic ? which are explored, interrogated and reassessed in the essays contained in this volume. 410 0$aFaux titre ;$vno. 301. 606 $aChildbirth in literature 606 $aDeath in literature 606 $aFrench literature$y19th century$xHistory and criticism$vCongresses 606 $aWomen in literature 607 $aFrance$xCivilization$y19th century$vCongresses 615 0$aChildbirth in literature. 615 0$aDeath in literature. 615 0$aFrench literature$xHistory and criticism 615 0$aWomen in literature. 676 $a392.1209 701 $aHarkness$b Nigel$f1967-$01292211 712 02$aSociety of Dix-Neuvie?mistes.$bAnnual Conference$d(3rd :$f2005 :$eBelfast, Northern Ireland) 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910778354003321 996 $aBirth and death in nineteenth-century French culture$93834524 997 $aUNINA