LEADER 01170nam--2200361---450- 001 990001623450203316 005 20070518150342.0 035 $a000162345 035 $aUSA01000162345 035 $a(ALEPH)000162345USA01 035 $a000162345 100 $a20040430d1969----km-y0itay0103----ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $aPagine autobiografiche$eAntologia$fFrancesco Domenico Guerrazzi$ga cura di Gaetano Ragonese 210 $aBologna$cCappelli$d1969 215 $a287 p.$d22 cm 225 2 $aBiblioteca Italiana dell'Ottocento$fdiretta da Gaetano Mariani$v13 410 0$12001$aBiblioteca Italiana dell'Ottocento$fdiretta da Gaetano Mariani$v13 454 1$12001 461 1$1001-------$12001 700 1$aGUARRAZZI,$bFrancesco Domenico$0561237 702 1$aRAGONESE,$bGaetano 801 0$aIT$bsalbc$gISBD 912 $a990001623450203316 951 $aVI.3. 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Morgan 210 1$aBerkeley :$cUniversity of California Press,$d2009. 215 $a1 online resource (329 pages) $cillustrations 311 0 $a0-520-26044-9 311 0 $a0-520-26043-0 320 $aIncludes bibliographical references (p. 257-297) and index. 327 $tFront matter --$tContents --$tIllustrations --$tPreface --$t1. A Skeleton in the Closet and Fetuses in the Basement --$t2. Embryo Visions --$t3. Building a Collection --$t4. Inside the Embryo Production Factory --$t5. Traffic in "Embryo Babies" --$t6. Embryo Tales --$t7. From Dead Embryos to Icons of Life --$t8. From Dead Embryos to Icons of Life --$tNotes --$tReferences --$tIndex 330 $aIcons of Life tells the engrossing and provocative story of an early twentieth-century undertaking, the Carnegie Institution of Washington's project to collect thousands of embryos for scientific study. Lynn M. Morgan blends social analysis, sleuthing, and humor to trace the history of specimen collecting. In the process, she illuminates how a hundred-year-old scientific endeavor continues to be felt in today's fraught arena of maternal and fetal politics. Until the embryo collecting project-which she follows from the Johns Hopkins anatomy department, through Baltimore foundling homes, and all the way to China-most people had no idea what human embryos looked like. But by the 1950's, modern citizens saw in embryos an image of "ourselves unborn," and embryology had developed a biologically based story about how we came to be. Morgan explains how dead specimens paradoxically became icons of life, how embryos were generated as social artifacts separate from pregnant women, and how a fetus thwarted Gertrude Stein's medical career. By resurrecting a nearly forgotten scientific project, Morgan sheds light on the roots of a modern origin story and raises the still controversial issue of how we decide what embryos mean. 606 $aEmbryology, Human$xSocial aspects 606 $aTissue culture$xSocial aspects 606 $aHuman reproductive technology$xSocial aspects 606 $aMedical anthropology 610 $a20th century american history. 610 $a20th century scientific history. 610 $abaltimore foundling homes. 610 $abiology. 610 $acarnegie institute of washington. 610 $aembryo babies. 610 $aembryo collection. 610 $aembryo production factory. 610 $aembryology. 610 $afetal politics. 610 $agertrude stein. 610 $ahealthcare. 610 $aicons of life. 610 $ajohns hopkins anatomy department. 610 $amaternal politics. 610 $amedial treatment. 610 $amedical care. 610 $amount holyoke collection. 610 $aourselves unborn. 610 $apregnancy. 610 $apregnant women. 610 $ascience. 610 $ascientific study. 610 $asocial artifacts. 610 $aspecimen collecting. 610 $aunited states of america. 615 0$aEmbryology, Human$xSocial aspects. 615 0$aTissue culture$xSocial aspects. 615 0$aHuman reproductive technology$xSocial aspects. 615 0$aMedical anthropology. 676 $a612.6/4 700 $aMorgan$b Lynn Marie$01545761 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910780435403321 996 $aIcons of life$93800848 997 $aUNINA