LEADER 01357nam--2200421---450- 001 990001485580203316 005 20150701120914.0 035 $a000148558 035 $aUSA01000148558 035 $a(ALEPH)000148558USA01 035 $a000148558 100 $a20040308d1964----km-y0itay0103----ba 101 0 $afre 102 $aFR 105 $a||||||||001yy 200 1 $aDeux dialogues christologiques$fCyrille d'Alexandrie$gintroduction, texte critique, traduction et notes par G. M. de Durand 210 $aParis$cEditions du Cerf$d1964 215 $a548 p.$d20 cm 225 2 $aSources chrétiennes$v97 300 $aTesto orig. a fronte 410 0$12001$aSources chrétiennes$v97 454 1$12001 461 1$1001-------$12001 676 $a232 700 1$aCYRILLUS :$cAlexandrinus$c$0330511 702 1$aDURAND,$bGeorges Matthieu : de 801 0$aIT$bsalbc$gISBD 912 $a990001485580203316 951 $aV.4. 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[ii]. 311 $a0-520-25100-8 311 $a0-520-22774-3 320 $aIncludes bibliographical references (p. 319-329) and index. 320 $aIncludes filmography: p. 239-240. 327 $tFrontmatter --$tContents --$tIllustrations --$tAcknowledgments --$tIntroduction --$t1. "'Taint What You Was, It's What You Is Today": Hallelujah and the Politics of Racial Authenticity --$t2. "'De Lawd' a Natchel Man": The Green Pastures in the American Cultural Imagination --$t3. "A Mighty Epic of Modern Morals": Black-Audience Religious Films --$t4. "Saturday Sinners and Sunday Saints": Urban Commercial Culture and the Reconstruction of Black Religious Leadership --$t5. "A Long, Long Way": Religion and African American Wartime Morale --$t6. "Why Didn't They Tell Me I'm a Negro?": Lost Boundaries and the Moral Landscape of Race --$tConclusion --$tFilmography --$tNotes --$tSelect Bibliography --$tIndex 330 $aFrom the earliest years of sound film in America, Hollywood studios and independent producers of "race films" for black audiences created stories featuring African American religious practices. In the first book to examine how the movies constructed images of African American religion, Judith Weisenfeld explores these cinematic representations and how they reflected and contributed to complicated discourses about race, the social and moral requirements of American citizenship, and the very nature of American identity. Drawing on such textual sources as studio production files, censorship records, and discussions and debates about religion and film in the black press, as well as providing close readings of films, this richly illustrated and meticulously researched book brings religious studies and film history together in innovative ways. 410 0$aGeorge Gund Foundation imprint in African American studies. 606 $aAfrican Americans in motion pictures 606 $aReligion in motion pictures 606 $aMotion pictures$zUnited States 610 $aafrican american films. 610 $aafrican american religion. 610 $aafrican american religious practices. 610 $aamerican citizenship. 610 $aamerican film culture. 610 $aamerican film history. 610 $aamerican identity. 610 $acensorship records. 610 $acinema. 610 $acultural studies. 610 $afilm history. 610 $afilm studies. 610 $afilm. 610 $ahistory. 610 $ahollywood studios. 610 $ahollywood. 610 $aindependent filmmakers. 610 $amoral landscape. 610 $amovie history. 610 $amovie studies. 610 $amovies. 610 $arace films. 610 $arace in america. 610 $aracial authenticity. 610 $areligion and film. 610 $areligious. 610 $asound film. 610 $astudio production films. 610 $awartime. 615 0$aAfrican Americans in motion pictures. 615 0$aReligion in motion pictures. 615 0$aMotion pictures 676 $a791.43/652996073 686 $aAP 59783$2rvk 700 $aWeisenfeld$b Judith$0859038 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910780637503321 996 $aHollywood be thy name$92372276 997 $aUNINA