LEADER 00948nam--2200349---450- 001 990001423750203316 005 20050713085233.0 035 $a000142375 035 $aUSA01000142375 035 $a(ALEPH)000142375USA01 035 $a000142375 100 $a20040213d1941----km-y0itay0103----ba 101 0 $aita 102 $aIT 105 $a||||||||001yy 200 1 $aGerard Manley Hopkins$fSergio Baldi 210 $aBrescia$cMarcellina$d1941 215 $a260 p.$d19 cm 410 0$12001 454 1$12001 461 1$1001-------$12001 700 1$aBALDI,$bSergio$0159765 801 0$aIT$bsalbc$gISBD 912 $a990001423750203316 951 $aVII.3.B. 677(II i C 466)$b374 L.M.$cII i C 959 $aBK 969 $aUMA 979 $aSIAV5$b10$c20040213$lUSA01$h1711 979 $aPATRY$b90$c20040406$lUSA01$h1740 979 $aCOPAT5$b90$c20050713$lUSA01$h0852 996 $aGerard Manley Hopkins$9931620 997 $aUNISA LEADER 00939nam0 22003133i 450 001 996313549603316 005 20191202125853.0 010 $a978-88-3282-197-0 100 $a20190913d2019----||||0itac50 ba 101 $aita$cspa 102 $aIT 200 1 $a<> nostro Gramsci$fHoracio Gonzalez$gsaggio introduttivo e cura di Pasquale Serra$gtraduzione di Massimo De Pascale 210 $aRoma$cCastelvecchi$d2019 215 $a102 p.$d21 cm 225 $aVortici 410 0$aVortici 454 0$aPara nosotros, Antonio Gramsci 600 1 $aGramsci,$bAntonio$xFortuna$yArgentina$2BNCF 676 $a335.4092 700 1$aGONZÁLEZ,$bHoracio$0769310 702 1$aSERRA,$bPasquale 702 1$aDE PASCALE,$bMassimo 801 0$aIT$bsalbc$gISBD 912 $a996313549603316 951 $aX.3.B. 8417$b23221 E.C.$cX.3.B.$d00155631 959 $aBK 969 $aUMA 996 $aNostro Gramsci$91568188 997 $aUNISA LEADER 05211nam 22015253a 450 001 9910674374103321 005 20250203235436.0 010 $a9783039215577 010 $a3039215574 024 8 $a10.3390/books978-3-03921-557-7 035 $a(CKB)4100000010106140 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/43975 035 $a(ScCtBLL)1a469088-5cd4-4126-b74e-f2110fbf368e 035 $a(OCoLC)1163806294 035 $a(oapen)doab43975 035 $a(EXLCZ)994100000010106140 100 $a20250203i20192019 uu 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aContemporary Nostalgia$fNiklas Salmose 210 $cMDPI - Multidisciplinary Digital Publishing Institute$d2019 210 1$aBasel, Switzerland :$cMDPI,$d2019. 215 $a1 electronic resource (194 p.) 311 08$a9783039215560 311 08$a3039215566 330 $aSome of the most pressing contemporary issues (ecological crisis, migration and integration, fragmented worldviews, social media, fake news, extremist politics and terrorism) can be understood more profoundly through how they interact with both individual and collective forces of nostalgia. Nostalgia is politics, but these politics are also interwoven with media and culture. Notwithstanding how nostalgia is used or contextualized in terms of politics and social practices, commodification or personal development, its power is primarily situated within its efficacy as a governing, influential human emotion. The vast and luminous contributions to this special issue on contemporary nostalgia are all investigating the role different aesthetic media formats (film, music, literature, computer games) plays in nostalgic negotiations with style, history, migration, love, nationalism, diaspora, irony, modernity, colonial and postcolonial discourses, and adoption. Mutually, these essays stand out as important, original, critical contributions to the expanding field of nostalgia studies and offer a valued insight on our world. 606 $aFilms, cinema$2bicssc 606 $aTelevision$2bicssc 610 $aillustrations 610 $atropic reinvention 610 $asimulation 610 $ae?migre? writers 610 $amotherhood 610 $anostalgic spaces 610 $aimagery 610 $aNaumann 610 $acontemporary nostalgia 610 $agrotesque 610 $adisplacement 610 $aintermediality 610 $anostalgic experience 610 $aF. Scott Fitzgerald 610 $aSecond World War 610 $aNorth Africa Campaign 610 $apost-communism 610 $arailways 610 $aostalgia 610 $aPartition fiction 610 $aretro aesthetics 610 $aIndia 610 $aHollywood 610 $aNubia 610 $arestorative nostalgia 610 $anarrative modes 610 $aIan McEwan 610 $aLars Gustafsson 610 $apost-Yugoslav music 610 $aRickardsson 610 $acosmopolitanism 610 $aidealisation 610 $anostalgic dystopias 610 $aheritage cinema 610 $aadvertisements 610 $apartition 610 $aresponsibility 610 $a"The Rich Boy" 610 $aheterotopia 610 $achildhood 610 $amyths 610 $aspatial production 610 $anostalgic narrative 610 $apopular literature 610 $arefugees 610 $acommodification of feelings and memories 610 $amodernism 610 $aethics 610 $afirst-person narrative 610 $atransnational adoption 610 $aFinland-Swedish literature 610 $aimperial nostalgia 610 $aRed Book Magazine 610 $aAmerican literature 610 $aAtonement 610 $amodernity 610 $adisembodied territoriality 610 $aexpatriation 610 $athe concept of love 610 $aindependent style 610 $anarrative mediation 610 $aF.R. Gruger 610 $anation-state 610 $asouthern gothic 610 $avideo games 610 $aCzech history 610 $ahistorical recreation 610 $amemory 610 $aEgypt 610 $amedia 610 $aautobiography 610 $aRichard Ford 610 $acollective memory 610 $aCzech film 610 $anormalisation 610 $aPakistan 610 $aNiklas Salmose 610 $areflective nostalgia 610 $atext-image relations 610 $aFoucault 610 $apoetry 610 $anostalgia 610 $aYugonostalgia 610 $anostalgic strategies 610 $ametanostalgia 610 $alost ideal 610 $acolonial nostalgia 610 $apastoral 610 $alandscape 610 $aterritory 615 7$aFilms, cinema 615 7$aTelevision 700 $aSalmose$b Niklas$01337935 801 0$bScCtBLL 801 1$bScCtBLL 906 $aBOOK 912 $a9910674374103321 996 $aContemporary Nostalgia$93057639 997 $aUNINA