LEADER 01627nam0-2200445---450- 001 990000970280203316 005 20100623090107.0 010 $a88-13-16244-8 035 $a0097028 035 $aUSA010097028 035 $a(ALEPH)000097028USA01 035 $a0097028 100 $a20020219d1987----km-y0ITAy01------ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $a"Principi fondamentali" e leggi statali nelle materie di competenza regionale$fRosanna Tosi 210 $aPadova$cCEDAM$d1987. 215 $aVI, 252 p.$d24 cm 225 $aPubblicazioni della Facoltą di giurisprudenza dell'Universitą di Padova$v107 410 1$12001$aPubblicazioni della Facolta di giurisprudenza dell'Universitą di Padova$v107 606 0 $aLegislazione regionale$yItalia 606 0 $aRegione$xPotesta' legislativa$yItalia 676 $a342.4509 700 1$aTOSI,$bRosanna$0230635 801 0$aIT$bsalbc$gISBD 912 $a990000970280203316 951 0$aXXX.A. Coll. 128/ 79 (X 14 I 107)$b28007 EC$cXXX.A. Coll. 128/ 79 (X 14 I)$d00271780 951 0$aXXIV.2.E 31 (X 14 I 107)$b103665 LM$cX 14 I$d00205536 959 $aBK 969 $agiu 979 $aPATTY$b90$c20020219$lUSA01$h1604 979 $c20020403$lUSA01$h1739 979 $aPATRY$b90$c20040406$lUSA01$h1707 979 $aRSIAV2$b90$c20090414$lUSA01$h1357 979 $aRSIAV1$b90$c20090429$lUSA01$h1516 979 $aCHIARA$b90$c20100409$lUSA01$h1213 979 $aRSIAV4$b90$c20100623$lUSA01$h0901 996 $aPrincipi fondamentali e leggi statali nelle materie di competenza regionale$9577125 997 $aUNISA LEADER 04410nam 2200901 450 001 9910780565703321 005 20230912130056.0 010 $a1-282-01439-0 010 $a9786612014390 010 $a1-4426-7876-3 024 7 $a10.3138/9781442678767 035 $a(CKB)2420000000004294 035 $a(OCoLC)666906260 035 $a(CaPaEBR)ebrary10218751 035 $a(SSID)ssj0000306929 035 $a(PQKBManifestationID)11238178 035 $a(PQKBTitleCode)TC0000306929 035 $a(PQKBWorkID)10308420 035 $a(PQKB)11760215 035 $a(CaBNvSL)thg00600140 035 $a(DE-B1597)464776 035 $a(OCoLC)1013955915 035 $a(OCoLC)944177550 035 $a(DE-B1597)9781442678767 035 $a(Au-PeEL)EBL4671855 035 $a(CaPaEBR)ebr11257545 035 $a(CaONFJC)MIL201439 035 $a(OCoLC)958565091 035 $a(OCoLC)1320935383 035 $a(MdBmJHUP)musev2_105120 035 $a(VaAlCD)20.500.12592/vqwzrn 035 $a(schport)gibson_crkn/2009-12-01/6/418169 035 $a(MiAaPQ)EBC4671855 035 $a(MiAaPQ)EBC3254846 035 $a(EXLCZ)992420000000004294 100 $a20160923h20012001 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPrivate interests $ewomen, portraiture, and the visual culture of the English novel, 1709-1791 /$fAlison Conway 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2001. 210 4$d©2001 215 $a1 online resource (334 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8020-3526-4 320 $aIncludes bibliographical references and index. 327 $aThe novel and the portrait in eighteenth-century England -- Envisioning literary interest: Manley's The New Atalantis -- "Ravished sight": picturing Clarissa -- Refiguring virtue: The history of Miss Betsy Thoughtless and Amelia -- "Paint her to your own mind": Sterne's concupiscible narratives -- Portraits of the woman artist: Kauffman, Wollstonecraft, and Inchbald. 330 $aThis ambitious interdisciplinary study undertakes a new definition of the eighteenth-century novel's investment in vision and visual culture, tracing the relationship between the development of the novel and that of the equally contentious genre of the portrait, particularly as represented in the novel itself. Working with the novels of Richardson, Fielding, Haywood, Manley, Sterne, Wollstonecraft and Inchbald, and the portraits of Reynolds, Gainsborough, Highmore, Hudson, Hogarth, and others, Private Interests points to the intimate connections between the literary works and the paintings. Arguing that the novel's representation of the portrait sustains a tension between competing definitions of private interests, Conway shows how private interests are figured as simultaneously decorous and illicit in the novel, with the portrait at once an instrument of propriety and of scandal. Examining women's roles as both authors of and characters in the novel and the novel's encounters with the portrait, the author provides a new definition of private interests, one which highlights the development of women's agency as both spectacles and spectators. 606 $aEnglish fiction$y18th century$xHistory and criticism 606 $aArt and literature$zEngland$xHistory$y18th century 606 $aWomen and literature$zEngland$xHistory$y18th century 606 $aVisual perception in literature 606 $aPortraits in literature 606 $aWomen in literature 607 $aEnglisch$2swd 607 $aEngland$2fast 608 $aLivres numeriques. 608 $aHistory. 608 $aCriticism, interpretation, etc. 608 $ae-books. 608 $aElectronic books. 615 0$aEnglish fiction$xHistory and criticism. 615 0$aArt and literature$xHistory 615 0$aWomen and literature$xHistory 615 0$aVisual perception in literature. 615 0$aPortraits in literature. 615 0$aWomen in literature. 676 $a823/.509357 700 $aConway$b Alison Margaret$01511275 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910780565703321 996 $aPrivate interests$93787621 997 $aUNINA