LEADER 01255nam--2200397---450- 001 990000947380203316 005 20090204153346.0 010 $a88-256-0757-1$bv.1 010 $a88-256-0758-X$bv.2 035 $a0094738 035 $aUSA010094738 035 $a(ALEPH)000094738USA01 035 $a0094738 100 $a20020206d1994----km-y0ITAy01------ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $aTasse nei paesi del mondo$f[a cura di Eugenio Filograna] 210 $aMilano$cA.Mondadori$d1994 215 $a2 v.$d23 cm 327 1 $aVol.1 : Paesi C.E.E. e paesi industrializzati. - Vol.2. : Paesi a tassazione nulla o ridotta 606 0 $aTributi$xStudio comparato 676 $a336.2 700 1$aFILOGRANA,$bEugenio$0381105 801 0$aIT$bsalbc$gISBD 912 $a990000947380203316 951 $a336.2 FIL 1/1 (IRA 29 109 1)$b3430 EC$cIRA$d00012419 951 $a336.2 FIL 1/2 (IRA 29 109 2)$b3431 EC$cIRA$d00012424 959 $aBK 969 $aECO 979 $aPATTY$b90$c20020206$lUSA01$h0919 979 $c20020403$lUSA01$h1737 979 $aPATRY$b90$c20040406$lUSA01$h1705 979 $aRSIAV2$b90$c20090204$lUSA01$h1533 996 $aTasse nei paesi del mondo$9973903 997 $aUNISA LEADER 02095nam 2200361 450 001 9910477185003321 005 20230223201115.0 024 7 $a10.1515/9789048515059 035 $a(CKB)2550000001170071 035 $a(NjHacI)992550000001170071 035 $a(EXLCZ)992550000001170071 100 $a20230223d2012 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAudiences $eDefining and Researching Screen Entertainment Reception /$fIan Christie 210 1$aAmsterdam :$cAmsterdam University Press,$d2012. 215 $a1 online resource (332 pages) 311 $a1-306-20805-X 330 $aMoving away from the recent prevalence of text-based analysis in the field of film studies, Audience tackles one of the most important issues in cinema-how the audience engages with film. Ian Christie has assembled contributions from many of the major figures in media studies, including Gregory Waller, John Sedgwick, and Martin Baker, in order to provide a wide-ranging survey of viewers' relationships with the screen. Audiences utilizes psychoanalysis and psychology, which dominated early academic examinations of film, to parse and explain modern film-viewing habits. This wide-ranging volume also takes advantage of new technology to gain access to important data on audiences, from traditional box office studies to information on digital access to movies in the home. With a particular interest in individual consumers and their motivations, this timely collection spans the spectrum of contemporary audience studies.As the film experience fragments across multiple formats, Audiences studies a broad range of viewers, andis essential reading for scholars and lovers of cinema. 517 $aAudiences 606 $aFilm criticism 615 0$aFilm criticism. 676 $a791.4301071 700 $aChristie$b Ian$0704082 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910477185003321 996 $aAudiences$93016326 997 $aUNINA