LEADER 01257nam0 2200313 i 450 001 SUN0034997 005 20140625025023.238 010 $a01-985629-6-9 100 $a20050331d1994 |0engc50 ba 101 $aeng 102 $aGB 105 $a|||| ||||| 200 1 $aConvective boiling and condensation$fJohn G. Collier, John R. 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Strachey?s Way, or All?s Well That Ends Welles --$t2. Rembrandt (1936) --$t3. Citizen Kane and the Biopic --$t4. Lawrence of Arabia: ?But does he really deserve a place in here?? --$t5. Nixon, Oliver Stone, and the Unmaking of the Self-Made Man --$t6. Thirty Two Short Films About Glenn Gould: Ghost Picture --$t7. Ed Wood: The Biopic of Someone Undeserving --$t8. Spike Lee?s Malcolm X: Appropriation or Assimilation? --$t9. Raoul Peck?s Lumumba: Drama, Documentary, and Postcolonial Appropriation --$t10. Prologue --$t11. Superstar: The Karen Carpenter Story: Toying with the Genre --$t12. I Want to Live! Criminal Woman, Male Discourses --$t13. Barbra and Julie at the Dawning of the Age of Aquarius --$t14. Hacked: Gorillas in the Mist and Other Female Biopics of the 1980's --$t15. An Angel at My Table: Re-Framing the Female Biography --$t16. Erin Brockovich: Hollywood Feminist Revisionism, after a Fashion --$t17. Twenty-First-Century Women --$t18. I?m Not There: Some Conclusions on a Book Concerning Biopics --$tWorks Cited --$tIndex --$tAbout the Author 330 $aThe biopic presents a profound paradox?its own conventions and historical stages of development, disintegration, investigation, parody, and revival have not gained respect in the world of film studies. That is, until now. Whose Lives Are They Anyway? boldly proves a critical point: The biopic is a genuine, dynamic genre and an important one?it narrates, exhibits, and celebrates a subject's life and demonstrates, investigates, or questions his or her importance in the world; it illuminates the finer points of a personality; and, ultimately, it provides a medium for both artist and spectator to discover what it would be like to be that person, or a certain type of person. Through detailed analyses and critiques of nearly twenty biopics, Dennis Bingham explores what is at their core?the urge to dramatize real life and find a version of the truth within it. The genre's charge, which dates back to the salad days of the Hollywood studio era, is to introduce the biographical subject into the pantheon of cultural mythology and, above all, to show that he or she belongs there. It means to discover what we learn about our culture from the heroes who rise and the leaders who emerge from cinematic representations. Bingham also zooms in on distinctions between cinematic portrayals of men and women. Films about men have evolved from celebratory warts-and-all to investigatory to postmodern and parodic. At the same time, women in biopics have been burdened by myths of suffering, victimization, and failure from which they are only now being liberated. To explore the evolution and lifecycle changes of the biopic and develop an appreciation for subgenres contained within it, there is no better source than Whose Lives Are They Anyway? 606 $aBiographical films -- History and criticism 606 $aBiographical films$xHistory and criticism 608 $aElectronic books. 615 4$aBiographical films -- History and criticism. 615 0$aBiographical films$xHistory and criticism 676 $a791.4365 700 $aBingham$b Dennis$4aut$4http://id.loc.gov/vocabulary/relators/aut$01047349 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910458273003321 996 $aWhose Lives Are They Anyway$92474861 997 $aUNINA LEADER 01761nam 2200385Ia 450 001 996392623803316 005 20200824132300.0 035 $a(CKB)3810000000004138 035 $a(EEBO)2264211210 035 $a(OCoLC)ocm9269060e 035 $a(OCoLC)9269060 035 $a(EXLCZ)993810000000004138 100 $a19830301d1677 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 14$aThe poor man's family book$b[electronic resource] $ein plain familiar conferences between a teacher and a learner : with a form of exhortation to the sick, two catechisms, a profession of Christianity, forms of prayer, for various uses, and some Psalms and hymns for the Lords day : with a request to landlords and rich men to give to their tenants and poor neighbours either this or some fitter book /$fwritten by Rich. Baxter 205 $aThe third edition. 210 $aLondon $cPrinted by Robert White for Nevill Simmons$d1677 215 $a[11], 541 p 300 $a"1. teaching him how to become a true Christian, 2. how to live as a Christian towards God, himself, and others, in all his relations, especially in his family, 3. how to die as a Christian in hope and comfort, and so to be glorified with Christ for ever." 300 $aReproduction of original in the Harvard University Library. 330 $aeebo-0062 606 $aChristian life 606 $aDevotional literature 606 $aFamily$xReligious life 615 0$aChristian life. 615 0$aDevotional literature. 615 0$aFamily$xReligious life. 700 $aBaxter$b Richard$f1615-1691.$0615285 801 1$bEEU 801 2$bWaOLN 906 $aBOOK 912 $a996392623803316 996 $aThe poor man's family book$92318156 997 $aUNISA