LEADER 01088nam2 2200361 450 001 990000863860203316 035 $a0086386 035 $aUSA010086386 035 $a(ALEPH)000086386USA01 035 $a0086386 100 $a20020110d1982----km-y0itay0103----ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $a<> comunicazione$fdi Lucia Lumbelli$v1 210 $aBologna$cIl mulino$d1982 215 $a250$d22 cm 225 2 $aLa nuova scienza$iIstituzioni di psicologia 410 $12001$aLa nuova scienza$iIstituzioni di psicologia 461 1$10010086386$12001$aLa psicologia dell'educazione 606 0 $aPsicologia infantile$xStudi 676 $a155.4 801 0$aIT$bsalbc$gISBD 912 $a990000863860203316 951 $aVI PS A COLL 29/13 I$b95223 LM$cVI PS A COLL 959 $aBK 969 $aUMA 979 $aPATTY$b90$c20020110$lUSA01$h1354 979 $aPATTY$b90$c20020110$lUSA01$h1356 979 $c20020403$lUSA01$h1731 979 $aPATRY$b90$c20040406$lUSA01$h1659 996 $aComunicazione$963867 997 $aUNISA LEADER 01039cam0-2200325---450- 001 990004449580403321 005 20161006113709.0 035 $a000444958 035 $aFED01000444958 035 $a(Aleph)000444958FED01 035 $a000444958 100 $a19990604d1956----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $a--------001yy 200 1 $a<>uomo, la vita e Dio$ela letteratura della ricerca (1850-1950)$fGianni Nicoletti 210 $aRoma$cCasini$d1956 215 $aXX, 982 p.$d19 cm 225 1 $aDiorama$v2 300 $aSul front.: Sono comprese le seguenti letterature: Francese, Spagnola, Italiana, Greca, Rumena, Ungherese, Tedesca, Scandinava, Inghese, Americana. 610 0 $aPoesia$aEuropa$aSec. 19.-20 676 $a809.1$v21$zita 700 1$aNicoletti,$bGianni$0177400 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990004449580403321 952 $a809.1 NIC 1$bBibl.29663$fFLFBC 959 $aFLFBC 996 $aUomo, la vita e Dio$9544674 997 $aUNINA LEADER 04965nam 2200901Ia 450 001 9910788213803321 005 20230803032526.0 010 $a0-8232-4551-9 010 $a0-8232-5252-3 010 $a0-8232-5033-4 024 7 $a10.1515/9780823245512 035 $a(CKB)3170000000060566 035 $a(EBL)3239785 035 $a(SSID)ssj0000782882 035 $a(PQKBManifestationID)11431266 035 $a(PQKBTitleCode)TC0000782882 035 $a(PQKBWorkID)10751667 035 $a(PQKB)10289018 035 $a(StDuBDS)EDZ0000124821 035 $a(MiAaPQ)EBC3239785 035 $a(MiAaPQ)EBC5294670 035 $a(OCoLC)859687445 035 $a(MdBmJHUP)muse19493 035 $a(OCoLC)847125510 035 $a(MdBmJHUP)muse58832 035 $a(DE-B1597)555244 035 $a(DE-B1597)9780823245512 035 $a(MiAaPQ)EBC1132255 035 $a(Au-PeEL)EBL3239785 035 $a(CaPaEBR)ebr10632674 035 $a(OCoLC)1162293025 035 $a(Au-PeEL)EBL1132255 035 $a(EXLCZ)993170000000060566 100 $a20120830d2013 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aCinepoetry$b[electronic resource] $eimaginary cinemas in French poetry /$fChristophe Wall-Romana 205 $a1st ed. 210 $aNew York $cFordham University Press$d2013 215 $a1 online resource (504 p.) 225 0 $aVerbal arts: studies in poetics 300 $aDescription based upon print version of record. 311 0 $a0-8232-4549-7 311 0 $a0-8232-4548-9 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tList of Illustrations --$tAcknowledgments --$tList of Abbreviations --$tIntroduction: Cinema as Imaginary Medium in French Poetry --$t1. Mallarmé Unfolds the Cinématographe --$t2. The Pen-Camera: Raymond Roussel?s Freeze-Frame Panorama --$t3. Le Film surnaturel: Cocteau?s Immersive Writing --$t4. Jean Epstein?s Invention of Cinepoetry --$t5. Breton?s Surrealism, or How to Sublimate Cinepoetry --$t6. Doing Filmic Things with Words: On Chaplin --$t7. The Poem-Scenario in the Interwar (1917?1928) --$t8. Reembodied Writing: Lettrism and Kinesthetic Scripts (1946?1959) --$t9. Postlyricism and the Movie Program: From Jarry to Alferi --$t10. Cine-Verse: Decoupage Poetics and Filmic Implicature --$t11. Max Jeanne?s Western: Eschatological Sarcasm in the Postcolony --$t12. Maurice Roche?s Compact: Word-Tracks and the Body Apparatus --$t13. Nelly Kaplan?s Le Collier de ptyx: Mallarmé as Political McGuffin --$tConclusion: The Film to Come in Contemporary Poetry --$tNotes --$tBibliography --$tIndex 330 $aCinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital. In showing the cinematic consciousness of Mallarmé and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins. What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids. 410 0$aVerbal arts--studies in poetics. 606 $aFrench poetry$y19th century$xHistory and criticism 606 $aFrench poetry$y20th century$xHistory and criticism 606 $aMotion pictures and literature$zFrance 606 $aMotion pictures in literature 610 $aAndré Breton. 610 $aCharles Chaplin. 610 $aJean Epstein. 610 $aStéphane Mallarmé. 610 $across media studies. 610 $aearly cinema. 610 $afilm studies. 610 $aliterary criticism. 610 $amodern French literature. 610 $apoetry. 615 0$aFrench poetry$xHistory and criticism. 615 0$aFrench poetry$xHistory and criticism. 615 0$aMotion pictures and literature 615 0$aMotion pictures in literature. 676 $a841/.91209357 700 $aWall-Romana$b Christophe$01133968 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910788213803321 996 $aCinepoetry$93759589 997 $aUNINA