LEADER 01064nam--2200349---450- 001 990000715470203316 005 20090706110855.0 010 $a88-13-23264-0 035 $a0071547 035 $aUSA010071547 035 $a(ALEPH)000071547USA01 035 $a0071547 100 $a20011102d2000----km-y0itay0103----ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $a<> commercio elettronico$eprofili di diritto comunitario$fLuca Marini 210 $aPadova$cCEDAM$dcopyr.2000 215 $aXIII, 185 p.$d24 cm 606 0 $aInternet $xImpiego nel commercio 676 $a380.10285 700 1$aMARINI,$bLuca$0266024 912 $a990000715470203316 951 $aXXIII.4.K 77 (IG VIII 12 IT 525)$b31197 G.$cIG VIII 12$d00077462 959 $aBK 969 $aGIU 979 $aPAOLA$b40$c20011102$lUSA01$h1125 979 $c20020403$lUSA01$h1720 979 $aPATRY$b90$c20040406$lUSA01$h1649 979 $aRSIAV4$b90$c20090706$lUSA01$h1108 996 $aCommercio elettronico$9662981 997 $aUNISA LEADER 03773nam 2200649 450 001 9910465222503321 005 20200520144314.0 010 $a1-317-15891-1 010 $a1-4724-2107-8 035 $a(CKB)2560000000141690 035 $a(EBL)1678743 035 $a(SSID)ssj0001181273 035 $a(PQKBManifestationID)12553043 035 $a(PQKBTitleCode)TC0001181273 035 $a(PQKBWorkID)11143682 035 $a(PQKB)11526448 035 $a(MiAaPQ)EBC1678743 035 $a(Au-PeEL)EBL1678743 035 $a(CaPaEBR)ebr10861718 035 $a(CaONFJC)MIL622020 035 $a(OCoLC)878524436 035 $a(EXLCZ)992560000000141690 100 $a20140430h20142014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aCountercultures and popular music /$fedited by Sheila Whiteley and Jedediah Sklower ; contributors Gina Arnold [and seventeen others] 210 1$aFarnham, England ;$aBurlington, Vermont :$cAshgate,$d2014. 210 4$dİ2014 215 $a1 online resource (316 p.) 225 1 $aAshgate Popular and Folk Music Series 300 $aDescription based upon print version of record. 311 $a1-4724-2106-X 320 $aIncludes bibliographical references, filmography and index. 327 $aCover; Contents; List of Figures; General Editors' Preface; Notes on Contributors; Preface: Dissent within Dissent; Introduction; Countercultures and Popular Music; Reappraising 'Counterculture'; Part I Theorising Countercultures; 1 Break on Through: The Counterculture and the Climax of American Modernism; 2 The Banality of Degradation: Andy Warhol, the Velvet Underground and the Trash Aesthetic; 3 Were British Subcultures the Beginning of Multitude?; Part II Utopias, Dystopias and the Apocalyptic 327 $a4 The Rock Counterculture from Modernist Utopianism to the Development of an Alternative Music Scene 5 'Helter Skelter' and Sixties Revisionism; 6 Apocalyptic Music: Reflections on Countercultural Christian Influence; 7 Nobody's Army: Contradictory Cultural Rhetoric in Woodstock and Gimme Shelter; Part III Sonic Anarchy and Freaks; 8 The Long Freak Out: Unfinished Music and Countercultural Madness in Avant-Garde Rock of the 1960's and 1970's; 9 The Grateful Dead and Friedrich Nietzsche: Transformation in Music and Consciousness; 10 Scream from the Heart: Yoko Ono's Rock and Roll Revolution 327 $a11 From Countercultures to Suburban Cultures: Frank Zappa after 1968 Part IV Countercultural Scenes - Music and Place; 12 Countercultural Space Does Not Persist: Christiania and the Role of Music; 13 A Border-Crossing Soundscape of Pop: The Auditory Traces of Subcultural Practices in 1960's Berlin; 14 Music and Countercultures in Italy: The Neapolitan Scene; Bibliography; Discography; Filmography; Index 330 $a'Counterculture' emerged as a term in the late 1960's and has been re-deployed in more recent decades in relation to other forms of cultural and socio-political phenomena. This volume provides an essential new academic scrutiny of the concept of 'counterculture' and a critical examination of the period and its heritage. 410 0$aAshgate popular and folk music series. 606 $aPopular music$xSocial aspects 606 $aCounterculture 608 $aElectronic books. 615 0$aPopular music$xSocial aspects. 615 0$aCounterculture. 676 $a306.4/8424 702 $aWhiteley$b Sheila$f1941- 702 $aSklower$b Jedediah 702 $aArnold$b Gina 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465222503321 996 $aCountercultures and popular music$92133371 997 $aUNINA LEADER 05146nam 22010575 450 001 9910786578603321 005 20230325014559.0 010 $a0-8147-9546-3 024 7 $a10.18574/9780814795460 035 $a(CKB)2670000000299552 035 $a(EBL)866134 035 $a(OCoLC)819603536 035 $a(SSID)ssj0000607488 035 $a(PQKBManifestationID)11370526 035 $a(PQKBTitleCode)TC0000607488 035 $a(PQKBWorkID)10584781 035 $a(PQKB)10417997 035 $a(StDuBDS)EDZ0001326146 035 $a(MiAaPQ)EBC866134 035 $a(OCoLC)794701112 035 $a(MdBmJHUP)muse10187 035 $a(DE-B1597)547499 035 $a(DE-B1597)9780814795460 035 $a(OCoLC)1156822517 035 $a(EXLCZ)992670000000299552 100 $a20200723h20092009 fg 0 101 0 $aeng 135 $aurnn#---|un|u 181 $ctxt 182 $cc 183 $acr 200 10$aNeither Fugitive nor Free $eAtlantic Slavery, Freedom Suits, and the Legal Culture of Travel /$fEdlie L. Wong 210 1$aNew York, NY :$cNew York University Press,$d[2009] 210 4$dİ2009 215 $a1 online resource (348 p.) 225 0 $aAmerica and the Long 19th Century ;$v8 300 $aDescription based upon print version of record. 311 0 $a0-8147-9456-4 311 0 $a0-8147-9455-6 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tAcknowledgments --$tIntroduction --$t1 Emancipation after ?the Laws of Englishmen? --$t2 Choosing Kin in Antislavery Literature and Law --$t3 The Gender of Freedom before Dred Scott --$t4 The Crime of Color in the Negro Seamen Acts --$tConclusion --$tNotes --$tIndex --$tAbout the Author 330 $aNeither Fugitive nor Free draws on the freedom suit as recorded in the press and court documents to offer a critically and historically engaged understanding of the freedom celebrated in the literary and cultural histories of transatlantic abolitionism. Freedom suits involved those enslaved valets, nurses, and maids who accompanied slaveholders onto free soil. Once brought into a free jurisdiction, these attendants became informally free, even if they were taken back to a slave jurisdiction?at least according to abolitionists and the enslaved themselves. In order to secure their freedom formally, slave attendants or others on their behalf had to bring suit in a court of law. Edlie Wong critically recuperates these cases in an effort to reexamine and redefine the legal construction of freedom, will, and consent. This study places such historically central anti-slavery figures as Frederick Douglass, Olaudah Equiano, and William Lloyd Garrison alongside such lesser-known slave plaintiffs as Lucy Ann Delaney, Grace, Catharine Linda, Med, and Harriet Robinson Scott. Situated at the confluence of literary criticism, feminism, and legal history, Neither Fugitive nor Free presents the freedom suit as a "new" genre to African American and American literary studies. 410 0$aAmerica and the long 19th century. 606 $aLaw in literature 606 $aSlavery in literature 606 $aLaw and literature$zUnited States$xHistory$y19th century 606 $aSlavery$xLaw and legislation$zUnited States$xHistory$y19th century 606 $aAntislavery movements$zUnited States$xHistory$y19th century 606 $aEnslaved persons$xLegal status, laws, etc$zUnited States$xHistory$y19th century 606 $aAmerican literature$xAfrican American authors$xHistory and criticism 606 $aAmerican literature$y19th century$xHistory and criticism 606 $aSlave narratives$xHistory and criticism 606 $aBlack people$xTravel$xHistory$y19th century 606 $aEnslaved persons$xTravel$xHistory$y19th century 610 $aAfrican. 610 $aAmerican. 610 $aFree. 610 $aFugitive. 610 $aNeither. 610 $aSituated. 610 $aconfluence. 610 $acriticism. 610 $afeminism. 610 $afreedom. 610 $agenre. 610 $ahistory. 610 $alegal. 610 $aliterary. 610 $anew. 610 $apresents. 610 $astudies. 610 $asuit. 615 0$aLaw in literature. 615 0$aSlavery in literature. 615 0$aLaw and literature$xHistory 615 0$aSlavery$xLaw and legislation$xHistory 615 0$aAntislavery movements$xHistory 615 0$aEnslaved persons$xLegal status, laws, etc.$xHistory 615 0$aAmerican literature$xAfrican American authors$xHistory and criticism. 615 0$aAmerican literature$xHistory and criticism. 615 0$aSlave narratives$xHistory and criticism. 615 0$aBlack people$xTravel$xHistory 615 0$aEnslaved persons$xTravel$xHistory 676 $a810.93552 700 $aWong$b Edlie L.$4aut$4http://id.loc.gov/vocabulary/relators/aut$01461865 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910786578603321 996 $aNeither Fugitive nor Free$93670700 997 $aUNINA