LEADER 01314nam--2200421---450- 001 990000382590203316 005 20091006092222.0 010 $a0-145-11120-X 035 $a0038259 035 $aUSA010038259 035 $a(ALEPH)000038259USA01 035 $a0038259 100 $a20010329d1998----km-y0itay0103----ba 101 $aeng 102 $aGB 105 $a||||||||001yy 200 1 $aAkehurst's modern introduction to international law$fedited by Peter Malanczuk 205 $a7 ed. 210 $aLondon$cRoutledge$d1998 215 $aXXII, 449 p.$d25 cm 410 $12001 461 1$1001-------$12001 606 0 $aDiritto internazionale 676 $a341 700 1$aAKEHURST,$bMichael$0132684 702 1$aMALANCZUK,$bPeter 801 0$aIT$bsalbc$gISBD 912 $a990000382590203316 951 $aXXIII.1.B. 243 (IG VIII 1 594)$b19595 G$cXXIII.1.B. 243 (IG VIII)$d00243176 951 $aXXIII.1.B. 243 a (IG VIII 1 594)$b19952 G$cXXIII.1.B. 243 a (IG VIII)$d00243178 959 $aBK 969 $aGIU 979 $aPATTY$b90$c20010329$lUSA01$h1549 979 $c20020403$lUSA01$h1646 979 $aPATRY$b90$c20040406$lUSA01$h1626 979 $aRSIAV2$b90$c20091006$lUSA01$h0922 996 $aAkehurst's modern introduction to international law$9875478 997 $aUNISA LEADER 03150nam 2200697 450 001 9910787343003321 005 20230220050111.0 010 $a1-4426-8629-4 024 7 $a10.3138/9781442686298 035 $a(CKB)3710000000356553 035 $a(EBL)3297001 035 $a(SSID)ssj0001436739 035 $a(PQKBManifestationID)12538841 035 $a(PQKBTitleCode)TC0001436739 035 $a(PQKBWorkID)11442564 035 $a(PQKB)11369067 035 $a(MiAaPQ)EBC4672458 035 $a(CEL)433555 035 $a(OCoLC)905361886 035 $a(CaBNVSL)slc00235515 035 $a(MiAaPQ)EBC3297001 035 $a(DE-B1597)464107 035 $a(OCoLC)1013952325 035 $a(OCoLC)944176969 035 $a(DE-B1597)9781442686298 035 $a(Au-PeEL)EBL4672458 035 $a(CaPaEBR)ebr11258125 035 $a(OCoLC)958565228 035 $a(OCoLC)1056544696 035 $a(MdBmJHUP)musev2_104283 035 $a(EXLCZ)993710000000356553 100 $a20160923h20032003 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBetween Renaissance and Baroque $eJesuit art in Rome, 1565-1610 /$fGauvin Alexander Bailey 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2003. 210 4$dİ2003 215 $a1 online resource (515 p.) 225 0 $aHeritage 311 $a0-8020-3721-6 311 $a1-4426-1030-1 320 $aIncludes bibliographical references and index. 327 $g1$tIntroduction: A Time without Art?$g3 --$g2$tThe Novitiate of S. Andrea al Quirinale$g38 --$g3$tThe Novitiate Infirmary$g74 --$g4$tThe Jesuit Collegiate Foundations of the Collegio Romano, the Seminario Romano, and the German-Hungarian College$g107 --$g5$tThe Collegiate Church of S. Tommaso di Canterbury and the Novitiate Church of S. Vitale$g153 --$g6$tThe Church of the Gesu in Rome: Documents$g187 --$g7$tThe Church of the Gesu in Rome: Description and Interpretation$g224 --$g8$tConclusion: A New Sacred Art for a New Era$g261. 330 1 $a"Between Renaisance and Baroque is a stunning achievement - the first book to be written about the original painting commissions of the Jesuits in Rome. Offering a uniquely comprehensive and comparative analysis of the paintings and stuccoes which adorned all of the Jesuit foundations in the city during their first half century of existence, the study treats some of the most crucial monuments of late Renaissance painting including the original decorations of the church of the Gesu and the Collegio Romano, and the martyrdom frescoes at S. Stefano Rotondo."--Jacket 606 $aArt, Italian$zItaly$zRome$y16th century 606 $aJesuit art$zItaly$zRome 607 $aItaly$zRome$2fast 615 0$aArt, Italian 615 0$aJesuit art 676 $a704.9/482/09456309031 700 $aBailey$b Gauvin A.$0674399 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910787343003321 996 $aBetween Renaissance and Baroque$91421609 997 $aUNINA