LEADER 01473nam--2200409---450- 001 990000380680203316 005 20091216160221.0 035 $a0038068 035 $aUSA010038068 035 $a(ALEPH)000038068USA01 035 $a0038068 100 $a20010329d1998----km-y0itay0103----ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $a<> fondo di garanzia per le vittime della strada$3guida teorico-pratica$fM. Agujari, C. Cigliana, P. Sanna$ga cura di Mario Zana 210 $aMilano$cGiuffrè$d1998 215 $aXII, 231 p.$d22 cm 225 2 $aTeoria e pratica del diritto$iSez. 1, Diritto e procedura civile$v88 410 $12001$aTeoria e pratica del diritto$iSez. 1, Diritto e procedura civile$v88 606 0 $aAssicurazioni di responsabilità civile autoveicoli 606 0 $aIncidenti stradali$xDanni$xRisarcimento 700 1$aAGUJARI,$bM.$0544096 701 1$aCIGLIANA,$bC.$0544097 701 1$aSANNA,$bP.$0544098 702 1$aZANA,$bMario 801 0$aIT$bsalbc$gISBD 912 $a990000380680203316 951 $aXXV.1. Coll. 15/ 96 (COLL. ZJ I/88)$b19890 G.$cXXV.1. Coll. 15/ 96 (COLL. ZJ)$d00253807 959 $aBK 969 $aGIU 979 $aPATTY$b90$c20010329$lUSA01$h0959 979 $c20020403$lUSA01$h1646 979 $aPATRY$b90$c20040406$lUSA01$h1626 979 $aRSIAV4$b90$c20091216$lUSA01$h1602 996 $aFondo di garanzia per le vittime della strada$9875583 997 $aUNISA LEADER 03109oam 2200529I 450 001 9910149374703321 005 20230810001253.0 010 $a1-315-46901-4 010 $a1-315-46899-9 010 $a1-315-46900-6 024 7 $a10.4324/9781315469010 035 $a(CKB)3710000000933675 035 $a(MiAaPQ)EBC4732778 035 $a(OCoLC)962266146 035 $a(OCoLC-P)962266146 035 $a(FlBoTFG)9781315469010 035 $a(EXLCZ)993710000000933675 100 $a20161108d2017 uy 0 101 0 $aeng 135 $aurcnu---unuuu 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aEmbodiment of musical creativity $ethe cognitive and performative causality of musical composition /$fZvonimir Nagy 210 1$aAbingdon, Oxon :$cRoutledge,$d2017. 215 $a1 online resource (247 pages) $cillustrations 225 1 $aSEMPRE Studies in The Psychology of Music 300 $a"An Ashgate Book"--cover. 311 $a1-4724-5679-3 320 $aIncludes bibliographical references and index. 327 $apt. I. Towards the embodiment of musical creativity -- pt. II. The embodied creativity of musical composition -- pt. III. Conceptualization and contextualization of musical creativity. 330 $aEmbodiment of Musical Creativity offers an innovative look at the interdisciplinary nature of creativity in musical composition. Using examples from empirical and theoretical research in creativity studies, music theory and cognition, psychology and philosophy, performance and education studies, and the author's own creative practice, the book examines how the reciprocity of cognition and performativity contributes to our understanding of musical creativity in composition. From the composer's perspective the book investigates the psychological attributes of creative cognition whose associations become the foundation for an understanding of embodied creativity in musical composition. The book defines the embodiment of musical creativity as a cognitive and performative causality: a relationship between the cause and effect of our experience when composing music. Considering the theoretical, practical, contextual, and pedagogical implications of embodied creative experience, the book redefines aspects of musical composition to reflect the changing ways that musical creativity is understood and evaluated. Embodiment of Musical Creativity provides a comparative study of musical composition, in turn articulating a new perspective on musical creativity. 410 0$aSEMPRE studies in the psychology of music. 606 $aComposition (Music)$xPsychological aspects 606 $aMusical perception 606 $aCreative ability 615 0$aComposition (Music)$xPsychological aspects. 615 0$aMusical perception. 615 0$aCreative ability. 676 $a781.1/1 700 $aNagy$b Zvonimir$f1978-$0958997 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910149374703321 996 $aEmbodiment of musical creativity$92172764 997 $aUNINA