LEADER 01195nam--2200397---450- 001 990000352320203316 005 20060221150522.0 010 $a88-207-1987-8 035 $a0035232 035 $aUSA010035232 035 $a(ALEPH)000035232USA01 035 $a0035232 100 $a20010308d1990----km-y0itay0103----ba 101 0 $aita 102 $aIT 105 $a||||||||001yy 200 1 $aGoya$earte e condizione umana$fAlfredo De Paz 210 $aNapoli$cLiguori$dcopyr. 1990 215 $a490 p.$d21 cm 225 2 $aStoria dell'arte e della critica d'arte$v1 410 0$12001$aStoria dell'arte e della critica d'arte$v1 676 $a759.6 700 1$aDE PAZ,$bAlfredo$039939 801 0$aIT$bsalbc$gISBD 912 $a990000352320203316 951 $aXII.2.C. 1156(VII E COLL. 93/1)$b28471 G.$cVII E COLL.$d00071573 959 $aBK 969 $aUMA 979 $aTAMI$b40$c20010308$lUSA01$h1034 979 $aTAMI$b40$c20010308$lUSA01$h1034 979 $aTAMI$b40$c20010309$lUSA01$h1252 979 $c20020403$lUSA01$h1643 979 $aPATRY$b90$c20040406$lUSA01$h1625 979 $aCOPAT6$b90$c20060221$lUSA01$h1505 996 $aGoya$9878335 997 $aUNISA LEADER 01893nam 2200553 a 450 001 9910791678503321 005 20230725015909.0 010 $a989-8265-24-8 035 $a(CKB)2560000000053354 035 $a(EBL)3571623 035 $a(SSID)ssj0000978704 035 $a(PQKBManifestationID)11498889 035 $a(PQKBTitleCode)TC0000978704 035 $a(PQKBWorkID)10937077 035 $a(PQKB)10772412 035 $a(MiAaPQ)EBC3571623 035 $a(Au-PeEL)EBL3571623 035 $a(CaPaEBR)ebr10387246 035 $a(OCoLC)932326596 035 $a(EXLCZ)992560000000053354 100 $a20101120d2010 uy 0 101 0 $apor 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aHisto?rias da Luz e das Cores$b[electronic resource] $eLenda-- Superstic?a?o-- Magia-- Histo?ria-- Cie?ncia-- Te?cnica. 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[233]-249) and index. 327 $a"How to tell the difference between a Matisse painting and a Spanish omelette" : Dorothy Parker, Vogue, and Vanity fair -- "Brains are really everything" : Anita Loos's Gentlemen prefer blondes -- "A plumber's idea of Cleopatra" : Mae West as author -- "Astronomers located her in the latitude of Prince Edward Island" : L. M. Montgomery, Anne of Green Gables, and early Hollywood -- "The best product of this century" : Margaret Kennedy's The constant nymph -- "Literature or just sheer flapdoodle?": Stella Gibbons's Cold Comfort Farm -- "Wildest hopes exceeded" : E. M. Delafield's Diary of a provincial lady. 330 $aAs mass media burgeoned in the years between the first and second world wars, so did another phenomenon?celebrity. Beginning in Hollywood with the studio-orchestrated transformation of uncredited actors into brand-name stars, celebrity also spread to writers, whose personal appearances and private lives came to fascinate readers as much as their work. Women, Celebrity, and Literary Culture between the Wars profiles seven American, Canadian, and British women writers?Dorothy Parker, Anita Loos, Mae West, L. M. Montgomery, Margaret Kennedy, Stella Gibbons, and E. M. Delafield?who achieved literary celebrity in the 1920s and 1930s and whose work remains popular even today. Faye Hammill investigates how the fame and commercial success of these writers?as well as their gender?affected the literary reception of their work. She explores how women writers sought to fashion their own celebrity images through various kinds of public performance and how the media appropriated these writers for particular cultural discourses. She also reassesses the relationship between celebrity culture and literary culture, demonstrating how the commercial success of these writers caused literary elites to denigrate their writing as "middlebrow," despite the fact that their work often challenged middle-class ideals of marriage, home, and family and complicated class categories and lines of social discrimination. The first comparative study of North American and British literary celebrity, Women, Celebrity, and Literary Culture between the Wars offers a nuanced appreciation of the middlebrow in relation to modernism and popular culture. 410 0$aLiterary modernism series. 606 $aAmerican literature$xWomen authors$xHistory and criticism 606 $aEnglish literature$xWomen authors$xHistory and criticism 606 $aWomen and literature$xHistory$y20th century 606 $aWomen authors, American$y20th century$vBiography 606 $aWomen authors, English$y20th century$vBiography 606 $aFame$xEconomic aspects$xHistory$y20th century 606 $aAuthorship$xEconomic aspects$xHistory$y20th century 606 $aAuthors and readers$xHistory$y20th century 606 $aPopular culture$xHistory$y20th century 615 0$aAmerican literature$xWomen authors$xHistory and criticism. 615 0$aEnglish literature$xWomen authors$xHistory and criticism. 615 0$aWomen and literature$xHistory 615 0$aWomen authors, American 615 0$aWomen authors, English 615 0$aFame$xEconomic aspects$xHistory 615 0$aAuthorship$xEconomic aspects$xHistory 615 0$aAuthors and readers$xHistory 615 0$aPopular culture$xHistory 676 $a820.9/928709042 700 $aHammill$b Faye$0607507 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910778110003321 996 $aWomen, celebrity, and literary culture between the wars$93806341 997 $aUNINA