LEADER 01209nam--2200397---450- 001 990000325590203316 005 20040628090848.0 010 $a0-7167-3268-8 035 $a0032559 035 $aUSA010032559 035 $a(ALEPH)000032559USA01 035 $a0032559 100 $a20010118d1999----km-y0itay0103----ba 101 $aeng 102 $aUS 105 $a||||||||001yy 200 1 $aStructure and mechanism in protein science$ea guide to enzyme catalysis and protein folding$fAlain Fersht 210 $aNew York$cW.H. Freeman and c.$dc1999 215 $aXXI,631 p$cill.$d20 cm 461 1$1001-------$12001 610 0 $aProteine 610 0 $aEnzimi 676 $a547.75 700 1$aFERSHT,$bAlan$062951 801 0$aIT$bsalbc$gISBD 912 $a990000325590203316 951 $a547.75 FER$bCBS 0025405$c547.75$d00100362 951 $a547.75 FER (A)$b0029276/CBS$c547.75$d00113940 959 $aBK 969 $aSCI 979 $aTAMI$b40$c20010118$lUSA01$h1103 979 $c20020403$lUSA01$h1640 979 $aPATRY$b90$c20040406$lUSA01$h1623 979 $aRIVELLI$b90$c20040628$lUSA01$h0908 996 $aStructure and mechanism in protein science$9879864 997 $aUNISA LEADER 04788nam 2200781Ia 450 001 9910971871803321 005 20251125122448.0 010 $a9781136514722 010 $a1136514724 010 $a9781283851169 010 $a1283851164 010 $a9781136514739 010 $a1136514732 010 $a9780203149454 010 $a0203149459 024 7 $a10.4324/9780203149454 035 $a(CKB)2550000000096907 035 $a(PPN)291664342 035 $a(EBL)957262 035 $a(OCoLC)798532913 035 $a(SSID)ssj0000688319 035 $a(PQKBManifestationID)11437273 035 $a(PQKBTitleCode)TC0000688319 035 $a(PQKBWorkID)10761436 035 $a(PQKB)11550269 035 $a(OCoLC)782916522 035 $a(Au-PeEL)EBL957262 035 $a(CaPaEBR)ebr10542250 035 $a(CaONFJC)MIL416366 035 $a(MiAaPQ)EBC957262 035 $a(EXLCZ)992550000000096907 100 $a20110608d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe cultural study of music $ea critical introduction /$fedited by Martin Clayton, Trevor Herbert, Richard Middleton 205 $a2nd ed. 210 $aNew York $cRoutledge$d2012 215 $a1 online resource (481 p.) 300 $aDescription based upon print version of record. 311 08$a9780415881906 311 08$a0415881900 311 08$a9780415881913 311 08$a0415881919 320 $aIncludes bibliographical references and index. 327 $aCover ; The Cultural Study of Music: A Critical Introduction; Copyright ; Contents ; Preface to the Second Edition ; Notes of Contributors ; Introduction: Music Studies and the Idea of Culture; Part 1: When? Musical Histories ; Chapter 1. Music and Biocultural Evolution ; Chapter 2. Music and Culture: Historiographies of Disjuncture, Ethnographies of Displacement ; Chapter 3. Historical Musicology: Is It Still Possible? ; Chapter 4. Social History and Music History ; Chapter 5. Musicology, Anthropology, History ; Part 2: Where? Locations of Music 327 $aChapter 6. Textual Analysis or Thick Description? Chapter 7. Comparing Music, Comparing Musicology ; Chapter 8. The Destiny of "Diaspora" in Ethnomusicology ; Chapter 9. Globalization and the Politics of World Music ; Chapter 10. Contesting Difference: A Critique of Africanist Ethnomusicology ; Chapter 11. What a Difference a Name Makes: Two Instances of African-American Popular Music ; Chapter 12. Music, Space, and Place: The Geography of Music ; Chapter 13. Music and Everyday Life ; Part 3: How? Processes, Practices, and Institutions of Music ; Chapter 14. Music, Culture, and Creativity 327 $aChapter 15. Musical Autonomy Revisited Chapter 16. Music as Performance ; Chapter 17. The Cultural Study of Musical Instruments ; Chapter 18. Music Education, Cultural Capital, and Social Group Identity ; Chapter 19. Music Technology, or Technologies of Music? ; Chapter 20. Music and Material Culture ; Part 4: Whose? Social Forces and Musical Belongings ; Chapter 21. Music and Social Categories ; Chapter 22. Music and Mediation: Toward a New Sociology of Music ; Chapter 23. Music and the Social ; Chapter 24. Locating the People: Music and the Popular 327 $aChapter 25. Music and the Market: The Economics of Music in the Modern World Chapter 26. Music, Sound, and Religion ; Chapter 27. Music, Race, and the Fields of Public Culture ; Chapter 28. Music, Gender, and Sexuality ; Part 5: Who? Musical Subjectivities ; Chapter 29. What's Going On: Music, Psychology, and Ecological Theory ; Chapter 30. Musical Materials, Perception, and Listening ; Chapter 31. Music, Experience, and the Anthropology of Emotion ; Chapter 32. Towards a Political Aesthetics of Music ; Chapter 33. Music and the Subject: Three Takes 327 $aChapter 34. Of Mice and Dogs: Music, Gender, and Sexuality at the Long Fin-de-Sie?cle Chapter 35. Subjectivity Unbound: Music, Language, Culture ; References ; Index 330 $aWhat is the relationship between music and culture? Including contributions from scholars of music, cultural studies, anthropology, sociology, and psychology, this anthology provides a comprehensive introduction to the study of music and culture. 606 $aMusic$xSocial aspects 606 $aMusicology 615 0$aMusic$xSocial aspects. 615 0$aMusicology. 676 $a306.4/842 701 $aClayton$b Martin$0326850 701 $aHerbert$b Trevor$01202940 701 $aMiddleton$b Richard$0481492 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910971871803321 996 $aThe cultural study of music$94349490 997 $aUNINA