LEADER 01157nam0-2200397---450 001 990000274340203316 005 20200430085204.0 010 $a88-459-1400-3 035 $a0027434 035 $aUSA010027434 035 $a(ALEPH)000027434USA01 035 $a0027434 100 $a20001010d1998----y0itay0103 ba 101 0 $aita 102 $aIT 105 $a00||| 200 1 $aShakespeare$eil teatro dell'invidia$fRenáe Girard$gtraduzione di Giovanni Luciani 210 $aMilano$cAdelphi$d1998 215 $a578 p.$d22 cm 225 2 $aSaggi$iN. S.$v28. 410 0$12001$aSaggi$iN. S.$v28. 454 1$12001$aA theater of envy$927095 600 1$aShakespeare,$bWilliam 676 $a822.33 700 1$aGIRARD,$bRenáe$0541809 702 1$aLUCIANI,$bGiovanni 801 0$aIT$bBNI$c19990707$gRICA 912 $a990000274340203316 951 $aVII.3.B. 994(II i C 1559)$b153801 L.M.$cII i C$d00005628 951 $aVII.3.B. 994a(II i C 1559Bis)$b157923 L.M.$cII i 951 $aXVII A. 1769$b3012 DLAS$cXVII A.$d00349518 959 $aBK 969 $aCAS 969 $aUMA 996 $aA theater of envy$927095 997 $aUNISA LEADER 02375 am 22004813u 450 001 9910255444903321 005 20200626164235.0 010 $a1-78680-179-5 010 $a1-78680-178-7 035 $a(CKB)4100000001796128 035 $a(MiAaPQ)EBC5391078 035 $a(WaSeSS)IndRDA00124968 035 $a(OCoLC)1024051104 035 $a(ScCtBLL)4ded4785-f5b1-4fd4-b535-d3434bdf0c05 035 $a(EXLCZ)994100000001796128 100 $a20200626d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe message is murder $esubstrates of computational capital /$fJonathan Beller 210 1$aLondon :$cPluto Press,$d2018. 215 $a1 online resource (225 pages) 300 $aIncludes index. 311 $a0-7453-3730-9 311 $a0-7453-3731-7 320 $aIncludes bibliographical references and index. 330 $aThe Message is Murder analyses the violence bound up in the everyday functions of digital media. At its core is the concept of 'computational capital' - the idea that capitalism itself is a computer, turning qualities into quantities, and that the rise of digital culture and technologies under capitalism should be seen as an extension of capitalism's bloody logic. Engaging with Borges, Turing, Claude Shannon, Hitchcock and Marx, this book tracks computational capital to reveal the lineages of capitalised power as it has restructured representation, consciousness and survival in the twentieth and twenty-first centuries. Ultimately The Message is Murder makes the case for recognising media communications across all platforms - books, films, videos, photographs and even language itself - as technologies of political economy, entangled with the social contexts of a capitalism that is inherently racial, gendered and genocidal. 606 $aViolence in mass media 606 $aDigital media$xSocial aspects 606 $aCapitalism$xSocial aspects 615 0$aViolence in mass media. 615 0$aDigital media$xSocial aspects. 615 0$aCapitalism$xSocial aspects. 676 $a303.6 700 $aBeller$b Jonathan$0705855 801 0$bWaSeSS 801 1$bWaSeSS 906 $aBOOK 912 $a9910255444903321 996 $aThe message is murder$92106475 997 $aUNINA