LEADER 01142nam0-2200385li-450 001 990000268250203316 005 20180312154823.0 010 $a0-471-95419-5 035 $a0026825 035 $aUSA010026825 035 $a(ALEPH)000026825USA01 035 $a0026825 100 $a2001996021995-------y0itay0103----ba 101 0 $aeng 102 $aUS 200 1 $aStereoselective synthesis$fRobert S. Atkinson 210 $aChichester [etc.]$cJohn Wiley & Sons$dcopyr. 1995 215 $aXII, 529 p.$cill.$d23 cm 610 1 $acomposti organici 610 1 $asintesi organica 610 1 $astereochimica 676 $a5472$9. 700 1$aAtkinson,$bRobert S.$0144243 801 $aSistema bibliotecario di Ateneo dell' Università di Salerno$gRICA 912 $a990000268250203316 951 $a547.2 ATK$b18362/CBS$c547.2$d00325564 959 $aBK 969 $aSCI 979 $c19960202 979 $c20001110$lUSA01$h1716 979 $c20020403$lUSA01$h1635 979 $aPATRY$b90$c20040406$lUSA01$h1619 979 $aRSIAV6$b90$c20090731$lUSA01$h1251 996 $aStereoselective synthesis$91502580 997 $aUNISA LEADER 03365nam 22006373 450 001 9910875595503321 005 20240710123449.0 010 $a9783839474723 010 $a3839474728 024 7 $a10.1515/9783839474723 035 $a(CKB)32249905800041 035 $a(MiAaPQ)EBC31465799 035 $a(Au-PeEL)EBL31465799 035 $a(DE-B1597)690941 035 $a(DE-B1597)9783839474723 035 $a(OCoLC)1443531727 035 $a(ScCtBLL)4acc981e-a9ab-4aaf-8121-527d2dd43c94 035 $a(Perlego)4418278 035 $a(EXLCZ)9932249905800041 100 $a20240617d2024 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aArt Intelligence $eHow Generative AI Relates to Human Art-Making 205 $a1st ed. 210 1$aBielefeld :$ctranscript Verlag,$d2024. 210 4$d©2024. 215 $a1 online resource (121 pages) 225 1 $aDigitale Gesellschaft Series 311 08$a9783837674729 311 08$a383767472X 327 $aCover -- INDEX -- it can make them -- the picture -- the role of archives -- interpretation -- anthropomorphizing. -- removing an anthill -- "authenticity" -- "Bored Ape" -- "Bach Faucet" -- artistic quality -- "increasingly obsolete" -- to know who made it -- get away with it -- businessplans -- scraped -- energy consumption -- executing a style -- her name is still part of the creative process -- feedback loops -- "curator" -- Freedom from choice -- inspired by something -- running water -- human friction -- no brooding -- a game between humans -- narrative aspects -- Turing Test -- theater -- enabling new ways of thinking -- "mechanical sympathy" -- "Changer la vie" -- the conditions for satire -- identity -- community -- to touch people -- remote collaboration -- intuitive knowledge -- The art world needs text -- cocooned by culture -- the accused angel quality -- embracing human friction -- that can't be copied. 330 $aArtists always react to the times in which they live. They may celebrate them or criticize them, often trying to change them. But this is the first time in history that technology controlled by private companies is offering to replace the work of writers, musicians, illustrators and visual artists. What impact will generative AI have on how we create art and how we understand what art is for? How will it affect the role of the artist in the future and the conditions under which artists will work? Jan Svenungsson tackles these questions, investigating what AI might do for art, and what it might change, circling the core issue of what it is in human art-making that cannot be replaced. 410 0$aDigitale Gesellschaft Series 606 $aART / Criticism$2bisacsh 610 $aArt. 610 $aContemporary Art. 610 $aFine Arts. 610 $aMedia Philosophy. 610 $aMedia Theory. 610 $aMedia. 610 $aMusic. 610 $aTheory of Art. 610 $aVisual Art. 615 7$aART / Criticism. 700 $aSvenungsson$b Jan$01750878 712 02$aUniversität für angewandte Kunst Wien 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910875595503321 996 $aArt Intelligence$94185632 997 $aUNINA