LEADER 00826nam0-2200289---450- 001 990008876330403321 005 20090713091842.0 035 $a000887633 035 $aFED01000887633 035 $a(Aleph)000887633FED01 035 $a000887633 100 $a20090713f19629999km-y0itay50------ba 101 0 $ager 102 $aIT 105 $ay-------001yy 200 1 $aDiakonia Pneumatos$eder zweite Korintherbrief als Zugang zur apostolischen Botschaft$eauslegung und Theologie$fKarl Prumm 210 $aRom [etc.]$cHerder$d1962- 215 $av.$d25 cm 676 $a227$v21$zita 700 1$aPrumm,$bKarl$0182059 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990008876330403321 952 $aIII N 39$bv. schedone$fFGBC 959 $aFGBC 996 $aDiakonia Pneumatos$9802547 997 $aUNINA LEADER 01201nam0-2200385li-450 001 990000247420203316 005 20180312154715.0 010 $a0-8176-4073-8 035 $a0024742 035 $aUSA010024742 035 $a(ALEPH)000024742USA01 035 $a0024742 100 $a2001999011999-------y0itay0103----ba 101 0 $aeng 102 $aUS 200 1 $a<> concise introduction to the theory of integration$fDaniel W. Stroock 205 $a3rd ed 210 $aBoston [etc.]$cBirkhauser$dcopyr.1999 215 $aXIV, 253 p.$cill.$d26 cm 610 1 $aintegrali 610 1 $ateoria della misura 676 $a5124$9Anelli, campi integrali, ideali 700 1$aStroock,$bDaniel W.$042628 801 $aSistema bibliotecario di Ateneo dell' Università di Salerno$gRICA 912 $a990000247420203316 951 $a512.4 STR (B)$b24280/CBS$c512.4$d00220071 959 $aBK 969 $aSCI 979 $c19990103 979 $c20001110$lUSA01$h1715 979 $c20020403$lUSA01$h1633 979 $aPATRY$b90$c20040406$lUSA01$h1618 979 $aRSIAV6$b90$c20090507$lUSA01$h1125 996 $aConcise introduction to the theory of integration$979460 997 $aUNISA LEADER 04581nam 2200685 450 001 9910789575103321 005 20200520144314.0 010 $a0-292-74536-2 024 7 $a10.7560/745353 035 $a(CKB)3710000000024630 035 $a(EBL)3443703 035 $a(SSID)ssj0001042904 035 $a(PQKBManifestationID)11580831 035 $a(PQKBTitleCode)TC0001042904 035 $a(PQKBWorkID)11059961 035 $a(PQKB)10472015 035 $a(OCoLC)863486146 035 $a(MdBmJHUP)muse32061 035 $a(Au-PeEL)EBL3443703 035 $a(CaPaEBR)ebr10776468 035 $a(OCoLC)932314443 035 $a(MiAaPQ)EBC3443703 035 $a(DE-B1597)588713 035 $a(DE-B1597)9780292745360 035 $a(EXLCZ)993710000000024630 100 $a20130219d2013 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCosmopolitanism in Mexican visual culture /$fby Mari?a Ferna?ndez 210 1$aAustin :$cUniversity of Texas Press,$d2013. 215 $a1 online resource (465 p.) 225 0$aJoe R. and Teresa Lozano Long series in Latin American and Latino art and culture 300 $aDescription based upon print version of record. 311 $a0-292-74535-4 320 $aIncludes bibliographical references and index. 327 $aVernacular cosmopolitanism: Sigu?enza y Go?ngora's Teatro de virtudes poli?ticas -- Castas, monstrous bodies, and soft buildings -- Experiments in the representation of national identity: the Pavilion of Mexico in the 1889 Universal Exposition in Paris and the Palacio de Bellas Artes -- Of ruins and ghosts: the social functions of pre-Hispanic antiquity in nineteenth-century Mexico -- Traces of the past: reevaluating eclecticism in nineteenth-century Mexican architecture -- Visualizing the future: estridentismo, technology, and art -- Re-creating the past: Ignacio Marquina's reconstruction of the Templo Mayor de Tenochtitlan -- Transnational culture at the end of the millennium: Rafael Lozano-Hemmer's "relational architectures". 330 $aSince the colonial era, Mexican art has emerged from an ongoing process of negotiation between the local and the global, which frequently involves invention, synthesis, and transformation of diverse discursive and artistic traditions. In this pathfinding book, María Fernández uses the concept of cosmopolitanism to explore this important aspect of Mexican art, in which visual culture and power relations unite the local and the global, the national and the international, the universal and the particular. She argues that in Mexico, as in other colonized regions, colonization constructed power dynamics and forms of violence that persisted in the independent nation-state. Accordingly, Fernández presents not only the visual qualities of objects, but also the discourses, ideas, desires, and practices that are fundamental to the very existence of visual objects. Fernández organizes episodes in the history of Mexican art and architecture, ranging from the seventeenth century to the end of the twentieth century, around the consistent but unacknowledged historical theme of cosmopolitanism, allowing readers to discern relationships among various historical periods and works that are new and yet simultaneously dependent on their predecessors. She uses case studies of art and architecture produced in response to government commissions to demonstrate that established visual forms and meanings in Mexican art reflect and inform desires, expectations, memories, and ways of being in the world?in short, that visual culture and cosmopolitanism are fundamental to processes of subjectification and identity. 410 0$aJoe R. and Teresa Lozano Long Series in Latin American and Latino Art and Culture 606 $aArt, Mexican$xThemes, motives 606 $aArchitecture$zMexico$xThemes, motives 606 $aEclecticism in art$zMexico 606 $aEclecticism in architecture$zMexico 606 $aNational characteristics, Mexican 615 0$aArt, Mexican$xThemes, motives. 615 0$aArchitecture$xThemes, motives. 615 0$aEclecticism in art 615 0$aEclecticism in architecture 615 0$aNational characteristics, Mexican. 676 $a709.72 700 $aFerna?ndez$b Mari?a$f1956-$01568632 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789575103321 996 $aCosmopolitanism in Mexican visual culture$93840899 997 $aUNINA