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Secret Writing The Bronte Juvenilia And The Myth Of Solitary Genius --$t2. "Something Obscurely Repellent" The Resistance To Double Writing --$t3. Two Of A Trade Partners In Writing (1880-1930) --$t4. Writing At The Margins Collaboration And The Discourse Of Exoticism --$t5. The Scribe And The Lady Automatic Writing And The Trials Of Authorship --$t6. Romancing The Medium The Silent Partnership Of Georgie Yeats --$tAfterword Ghostwriting; Or. The Afterlife Of Authorship /$rYeats, Georgie --$tWorks Cited --$tIndex 330 $aAlthough Roland Barthes and Michel Foucault announced the death of the author several decades ago, critics have been slow to abandon the idea of the solitary writer. Bette London maintains that this notion has blinded us to the reality that writing is seldom an individual activity and that it has led us to overlook both the frequency with which women authors have worked together and the significance of their collaborative undertakings as a form of professional activity. In Writing Double, the first full-length treatment of women's literary partnerships, she goes to the heart of issues surrounding authorial identity. What is an author? Which forms of authorship are sanctioned and which forms marginalized? Which of these forms have particularly attracted women? Such questions are central to London's analysis of the challenge that women's literary collaboration presents to accepted notions of authorship. Focusing on British texts from the nineteenth and twentieth centuries, she considers a fascinating variety of works by largely noncanonical, and in some instances highly unconventional, authors-from the enormously popular novels composed by writing teams at the turn of the century, to the Brontė juvenilia and the occult scripts of Georgie Yeats and W. B. Yeats, to automatic writings produced by mediums purporting to be in communication with the spirit world. 410 0$aReading women writing. 606 $aEnglish literature$xWomen authors$xHistory and criticism 606 $aWomen and literature$zGreat Britain$xHistory$y19th century 606 $aWomen and literature$zGreat Britain$xHistory$y20th century 606 $aAuthorship$xCollaboration$xHistory 606 $aSpirit writings$xAuthorship 606 $aWomen mediums$vBiography 608 $aElectronic books. 615 0$aEnglish literature$xWomen authors$xHistory and criticism. 615 0$aWomen and literature$xHistory 615 0$aWomen and literature$xHistory 615 0$aAuthorship$xCollaboration$xHistory. 615 0$aSpirit writings$xAuthorship. 615 0$aWomen mediums 676 $a820.9/9287 700 $aLondon$b Bette$01043583 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910450378903321 996 $aWriting double$92468657 997 $aUNINA LEADER 01066nam a2200265 i 4500 001 991002730839707536 005 20020508205043.0 008 960628s1966 ||| ||| | eng 035 $ab11052144-39ule_inst 035 $aPARLA167935$9ExL 040 $aDip.to Scienze dell'Antichitą$bita 082 0 $a782 100 1 $aWalpole, Arthur Sumner$0191258 245 10$aEarly latin hymns /$cwith introduction and notes by A. 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