LEADER 00731nam0 2200229 450 001 000020852 005 20081222135830.0 100 $a20081222d1968----km-y0itay50------ba 101 0 $aeng 102 $aUS 105 $ay-------001yy 200 1 $aMoney, flow of funds, and economic policy$fNathaniel Jacjendoff 210 $aNew York$cRonald press$d[1968] 215 $aVIII, 523 p.$d24 cm 500 10$aMoney, flow of funds, and economic policy$947762 610 1 $aPolitica economica 700 1$aJackendoff,$bNathaniel$0632665 801 0$aIT$bUNIPARTHENOPE$c20081222$gRICA$2UNIMARC 912 $a000020852 951 $a113/37$b2761$cNAVA2$d2008 996 $aMoney, flow of funds, and economic policy$947762 997 $aUNIPARTHENOPE LEADER 03907nam 22006135 450 001 9910682584303321 005 20251008153526.0 010 $a9783031259531$b(electronic bk.) 010 $z9783031259524 024 7 $a10.1007/978-3-031-25953-1 035 $a(MiAaPQ)EBC7212697 035 $a(Au-PeEL)EBL7212697 035 $a(CKB)26257615500041 035 $a(DE-He213)978-3-031-25953-1 035 $a(EXLCZ)9926257615500041 100 $a20230310d2023 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBorder Ecology $eArt and Environmental Crisis at the Margins /$fby Ila Nicole Sheren 205 $a1st ed. 2023. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2023. 215 $a1 online resource (232 pages) 311 08$aPrint version: Sheren, Ila Nicole Border Ecology Cham : Springer International Publishing AG,c2023 9783031259524 320 $aIncludes bibliographical references and index. 327 $aChapter one: Introduction -- Chapter two: The Boundaries of the Map -- Chapter three: Landscapes of Slow Violence -- Chapter four: Entanglements -- Chapter five: Border Crossers -- Chapter six: Conclusions and New Directions: Border Art for a Border Ecology. 330 $a?Border Ecology is an important and accessible art historical analysis of mainly digital art and its borderlands references that promises to ignite new conversations in Border Studies, American Studies, Environmental Studies, just to name a few fields. Border Ecology considers both well-known and lesser known artworks, and brilliantly challenges the reader to reconsider what is seen and visible and what is not.? ?John-Michael H. Warner, Kent State University, USA This book analyzes how contemporary visual art can visualize environmental crisis. It draws on Karen Barad?s method of ?agential realism,? which understands disparate factors as working together and ?entangled.? Through an analysis of digital eco art, the book shows how the entwining of new materialist and decolonized approaches accounts for the nonhuman factors shaping ecological crises while understanding that a purely object-driven approach misses the histories of human inequality and subjugation encoded in the environment. The resulting synthesis is what the author terms a border ecology, an approach to eco art from its margins, gaps, and liminal zones, deliberately evoking the idea of an ecotone. This book is suitable for scholarly audiences within art history, criticism and practice, but also across disciplines such as the environmental humanities, media studies, border studies and literary eco-criticism. Ila Nicole Sheren is Associate Professor in the Department of Art History & Archaeology at Washington University in St. Louis, USA. Her first book Portable Borders: Performance Art and Politics on the U.S. Frontera since 1984 (2015), focused on the shifting definition of site-specificity in art of the U.S.-Mexico border region. 606 $aArt, Modern$y21st century 606 $aCommunication in the environmental sciences 606 $aDigital media 606 $aArts 606 $aContemporary Art 606 $aEnvironmental Communication 606 $aDigital and New Media 606 $aArts 615 0$aArt, Modern 615 0$aCommunication in the environmental sciences. 615 0$aDigital media. 615 0$aArts. 615 14$aContemporary Art. 615 24$aEnvironmental Communication. 615 24$aDigital and New Media. 615 24$aArts. 676 $a709.05 676 $a701.03 700 $aSheren$b Ila Nicole$01111142 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910682584303321 996 $aBorder Ecology$93077419 997 $aUNINA