LEADER 00868nam0-22002891i-450- 001 990006525410403321 005 20001010 035 $a000652541 035 $aFED01000652541 035 $a(Aleph)000652541FED01 035 $a000652541 100 $a20001010d--------km-y0itay50------ba 101 0 $aita 105 $ay-------001yy 200 1 $a<>stratificazione sociale nella Repubblica Federale Tedesca$eStudi e ricerche (1945-75)$fWalter Muller, karlUlrich Mayer 210 $aTorino$cFond. G. Agnelli$d1977. 215 $a147 p.$d22 cm 676 $a305.0943 700 1$aMüller,$bWalter$0330808 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990006525410403321 952 $aIX A 53$b5348$fFSPBC 959 $aFSPBC 996 $aStratificazione sociale nella Repubblica Federale Tedesca$9620460 997 $aUNINA DB $aGEN01 LEADER 00697nam0 2200229 450 001 000016164 005 20190102144612.0 100 $a20080915d1949----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay-------001yy 200 1 $a<>tutela e il possesso delle servitù prediali$fSiro Solazzi 210 $aNapoli$cJovene$d1949 215 $a187 p.$d24 cm 610 1 $aServitù prediali$aDiritto romano 676 $a349.6370435$v20 700 1$aSolazzi,$bSiro$0236351 801 0$aIT$bUNIPARTHENOPE$c20080915$gRICA$2UNIMARC 912 $a000016164 951 $a349.371/100$b8843$cNAVA4$d2008 996 $aTutela e il possesso delle servitù prediali$9681325 997 $aUNIPARTHENOPE LEADER 04447oam 2200685Ka 450 001 9910792079303321 005 20190503073412.0 010 $a1-299-22072-X 010 $a0-262-31309-X 035 $a(CKB)2560000000098125 035 $a(EBL)3339572 035 $a(SSID)ssj0000835558 035 $a(PQKBManifestationID)12419348 035 $a(PQKBTitleCode)TC0000835558 035 $a(PQKBWorkID)10997190 035 $a(PQKB)11778779 035 $a(MiAaPQ)EBC3339572 035 $a(OCoLC)829253306 035 $a(OCoLC-P)829253306 035 $a(MaCbMITP)9228 035 $a(Au-PeEL)EBL3339572 035 $a(CaPaEBR)ebr10661915 035 $a(CaONFJC)MIL453322 035 $a(OCoLC)834620399 035 $a(EXLCZ)992560000000098125 100 $a20130307d2013 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aIllusions in motion $emedia archaeology of the moving panorama and related spectacles /$fErkki Huhtamo 210 $aCambridge, Mass. $cMassachusetts Institute of Technology$d©2013 215 $a1 online resource (461 p.) 225 1 $aLeonardo book series 300 $aDescription based upon print version of record. 311 $a0-262-01851-9 320 $aIncludes bibliographical references and index. 327 $aPreface: The Formation of a Panoramaniac -- Introduction: Moving Panorama - a Missing Medium -- The Incubation Era: Antecedents and Anticipations -- Large as Life, and Moving: The Peristrephic Panorama -- Rolling Across the Stage: The Moving Panorama and the Theatre -- Transformed By The Light: The Diorama and the "dioramas" -- The Panoramania, or The Mid-Century Moving Panorama Craze -- Panoramania in Practice: Albert Smith and his Moving Panoramas -- The Moving Panorama Performance: an Excavation -- Intermedial Tug of War, or Panoramas and Magic Lanterns -- Sensory Bombardment: a Medium's Final Fanfares -- The Discursive Transfiguration of the Moving Panorama -- Conclusion: From Panoramas to Media Culture. 330 $aTracing the cultural, material, and discursive history of an early manifestation of media culture in the making.Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved--hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a "window" by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera houses to church halls, creating a market for mediated realities in both city and country. In the first history of this phenomenon, Huhtamo analyzes the moving panorama in all its complexity, investigating its relationship to other media and its role in the culture of its time. In his telling, the panorama becomes a window for observing media in operation. Huhtamo explores such topics as cultural forms that anticipated the moving panorama; theatrical panoramas; the diorama; the "panoramania" of the 1850s and the career of Albert Smith, the most successful showman of that era; competition with magic lantern shows; the final flowering of the panorama in the late nineteenth century; and the panorama's afterlife as a topos, traced through its evocation in literature, journalism, science, philosophy, and propaganda. 410 0$aLeonardo Book 606 $aPanoramas 606 $aPanoramas$xPsychological aspects 606 $aMass media and culture 606 $aPopular culture 610 $aDIGITAL HUMANITIES & NEW MEDIA/General 610 $aARTS/Photography & Film/History, Theory & Criticism 610 $aSOCIAL SCIENCES/Media Studies 615 0$aPanoramas. 615 0$aPanoramas$xPsychological aspects. 615 0$aMass media and culture. 615 0$aPopular culture. 676 $a751.7/4 700 $aHuhtamo$b Erkki$01101010 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910792079303321 996 $aIllusions in motion$93758351 997 $aUNINA