LEADER 00989nam0 2200313 450 001 000008775 005 20080102113338.0 010 $a88-8107-229-7 100 $a20080102d2006----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay-------001yy 200 1 $aE-learning$eteorie dell'apprendimento e modelli della conoscenza$fa cura di Elisa Fruenfelder, Flavia Santoianni 210 $aMilano$cGuerni Scientifica$dc2006 215 $a261 p.$d22 cm 225 2 $aTecnologie apprendimento formazione$v1 410 0$12001$aTecnologie apprendimento formazione 610 1 $aApprendimento 610 1 $aConoscenza 610 1 $aInternet$aImpiego didattico 610 1 $aIstruzione a distanza 676 $a371.3344678$v20 702 1$aFrauenfelder,$bElisa 702 1$aSantoianni,$bFlavia 801 0$aIT$bUNIPARTHENOPE$c20080102$gRICA$2UNIMARC 912 $a000008775 951 $a371-E/1$b40131$cNAVA1$d2007 996 $aE-learning$9733819 997 $aUNIPARTHENOPE LEADER 04833nam 22007453 450 001 9910487546203321 005 20250506080452.0 035 $a(CKB)5590000000517591 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/76270 035 $a(MiAaPQ)EBC31982621 035 $a(Au-PeEL)EBL31982621 035 $a(oapen)doab76270 035 $a(EXLCZ)995590000000517591 100 $a20250506d2021 uy 0 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSelf-Representation in an Expanded Field 205 $a1st ed. 210 $aBasel, Switzerland$cMDPI - Multidisciplinary Digital Publishing Institute$d2021 210 1$aBasel :$cMDPI AG,$d2021. 210 4$d©2021. 215 $a1 electronic resource (228 p.) 225 1 $aState of the Arts-Reflecting Contemporary Cultural Expression Series 311 08$a3-03897-564-8 311 08$a3-03897-565-6 327 $aIntro -- State of the Arts-Reflecting Contemporary Cultural Expression -- Contents -- Acknowledgments -- About the Editor -- About the Authors -- Introduction -- From Self-Portrait to Selfie: Contemporary Art and Self-Representation in the Social Media Age -- Issues in Self-Representation -- Between Our Selves: Conversations on Race and Representation -- Feeling Myself: Loving Gestures and Representation in Mickalene Thomas: Muse -- From Self to #Selfie: An Introduction -- Selfie Shifts -- Race for the Prize: The Proto-Selfie as Endurance Performance Art -- Reflecting on Life on the Internet: Artistic Webcam Performances from 1997 to 2017 -- Selfie-Wars on Social Media -- New Selfie Precedents -- "First Ever Selfie Cover!": Cosmopolitan Magazine, Influencers, and the Mainstreaming of Selfie Style -- Self-Image as Intervention: Travis Alabanza and the New Ontology of Portrait Photography. 330 $aDefined as a self-image made with a hand-held mobile device and shared via social media platforms, the selfie has facilitated self-imaging becoming a ubiquitous part of globally networked contemporary life. Beyond this selfies have facilitated a diversity of image making practices and enabled otherwise representationally marginalized constituencies to insert self-representations into visual culture. In the Western European and North American art-historical context, self-portraiture has been somewhat rigidly albeit obliquely defined, and selfies have facilitated a shift regarding who literally holds the power to self-image. Like self-portraits, not all selfies are inherently aesthetically or conceptually rigorous or avant-guard. But, ?as this project aims to do address via a variety of interdisciplinary approaches? selfies have irreversibly impacted visual culture, contemporary art, and portraiture in particular. Selfies propose new modes of self-imaging, forward emerging aesthetics and challenge established methods, they prove that as scholars and image-makers it is necessary to adapt and innovate in order to contend with the most current form of self-representation to date. The essays gathered herein will reveal that in our current moment it is necessary and advantageous to consider the merits and interventions of selfies and self-portraiture in an expanded field of self-representations. We invite authors to take interdisciplinary global perspectives, to investigate various sub-genres, aesthetic practices, and lineages in which selfies intervene to enrich the discourse on self-representation in the expanded field today. Ace LehnerEditor 410 0$aState of the Arts-Reflecting Contemporary Cultural Expression Series 517 $aSelf-Representation in an Expanded Field 606 $aThe arts$2bicssc 606 $aPainting & paintings$2bicssc 610 $aSelfies 610 $aself-portraiture 610 $asocial media 610 $aart history 610 $arepresentation 610 $aphotography 610 $acontemporary art 610 $aIntersectionality 610 $aintersectional approaches 610 $aidentity 610 $aaesthetics 610 $acontemporary life 610 $aconsumer culture 610 $aavant-guard 615 7$aThe arts 615 7$aPainting & paintings 700 $aLehner$b Ace$01328929 701 $aBhaumik$b Sita Kuratomi$01817511 701 $aZelt$b Natalie$01817512 701 $aLemcke$b Rudy$01817513 701 $aTasman$b Marc$01817514 701 $aSauerlaender$b Tina$01817515 701 $aReichert$b Ramón$0992233 701 $aIqani$b Mehita$01064528 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910487546203321 996 $aSelf-Representation in an Expanded Field$94375353 997 $aUNINA