LEADER 01105nam0 22002771i 450 001 UON00515873 005 20231205105521.338 010 $a34-210-5061-9 100 $a20230714d1996 |0itac50 ba 101 $ager 102 $aDE 105 $a|||| ||||| 200 1 $aˆ"‰Lieber Engel, ich bin ganz dein" aus Goethes Briefen an Frauen$fHerausgegeben Angelika Maass 210 $aStuttgart$cDeutsche Verlag-Anstalt$d1996 215 $a346 p.$cill.$d21 cm 606 $aLETTERE E CARTEGGI$xGermania$x1767-1845$3UONC071554$2FI 620 $aDE$dStuttgart$3UONL003712 676 $a836$cLetteratura tedesca. Lettere$v21 702 1$aMAASS$bAngelika$3UONV291342 712 $aAnstalt$3UONV273927$4650 801 $aIT$bSOL$c20240220$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00515873 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI F. Goethe 830 GOE 2474 $eSI 44154 5 2474 996 $aLieber Engel, ich bin ganz dein" aus Goethes Briefen an Frauen$93903509 997 $aUNIOR LEADER 04658nam 22005895 450 001 9910805585003321 005 20250807132414.0 010 $a9783031470691 010 $a3031470699 024 7 $a10.1007/978-3-031-47069-1 035 $a(CKB)30098029700041 035 $a(MiAaPQ)EBC31084749 035 $a(Au-PeEL)EBL31084749 035 $a(DE-He213)978-3-031-47069-1 035 $a(EXLCZ)9930098029700041 100 $a20240122d2024 u| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aTransnational Memories and Post-Dictatorship Cinema $eBrazil, Chile and Argentina /$fby Tatiana Signorelli Heise 205 $a1st ed. 2024. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2024. 215 $a1 online resource (223 pages) 225 1 $aPalgrave Macmillan Memory Studies,$x2634-6265 311 08$a9783031470684 320 $aIncludes bibliographical references and index. 327 $a1. Introduction: Cinemas of Memory -- 2. Frameworks for Remembering: Dictatorships and Transition in the Southern Cone -- 3. The Rise of the Witness: The Informative Mode of Remembering -- 4. How We Remember: The Reflective Mode of Remembering -- 5. The Screened Self: The Diaristic Mode of Remembering -- 6. Imagined Pasts, Possible Futures: The Playful Mode of Remembering -- 7. Conclusion. 330 $a?Tatiana Signorelli Heise's monograph on post-dictatorship cinema in Argentina, Brazil and Chile convincingly demonstrates the importance of memory studies in understanding how cinema functions as a powerful agent for remembering, processing remembrances, and constructing mnemonic discourses about the horrors of life under dictatorships. This book is also a dizzying display of scholarship at the crossroads of cinema and memory studies as it moves beyond a national framework for remembering, adopting a transnational, interdisciplinary and comparative approach to film.? - Daniel Biltereyst, Professor of Film and Media Studies, Ghent University, Belgium This book investigates the role that cinemas in Brazil, Chile and Argentina have played in reconstructing memories of the most recent military dictatorships. These countries have undergone a distinctive post-dictatorship experience marked by unprecedented debates about human rights violations, the silencing of victims and accountability for state crimes. Meanwhile, politically committed filmmakers have created an extensive body of work addressing the dictatorship and its aftermath. This book employs a transnational and comparative approach to examine the strategies that these filmmakers have used to render visible what has remained hidden, to make reappear what has disappeared, and to reinterpret historical actors and events from a contemporary perspective. Through attention to the specific properties of the medium and the socio-historical context in which films have been made, it describes the different cinematic modes of remembering that emerged in response to wider memory frameworks in South America. Tatiana Signorelli Heise is a senior lecturer at the University of Glasgow?s School of Modern Languages and Cultures. She has published on political cinema, trauma studies, documentary activism and thesociology of film. She is a frequent collaborator with the Havana-Glasgow Film Festival in Glasgow and the IberoDocs Festival in Edinburgh. She holds a PhD from the University of Leeds, an MA in the Sociology of Contemporary Culture from the University of York?s Sociology Department and an MPhil in the Sciences of Communication from the University of São Paulo. She has worked for an environmental and animal welfare organisation in the Amazon region of Brazil and has a prior career as a journalist in São Paulo. 410 0$aPalgrave Macmillan Memory Studies,$x2634-6265 606 $aCommunication 606 $aCollective memory 606 $aMotion pictures, American 606 $aMedia and Communication 606 $aMemory Studies 606 $aLatin American Film and TV 615 0$aCommunication. 615 0$aCollective memory. 615 0$aMotion pictures, American. 615 14$aMedia and Communication. 615 24$aMemory Studies. 615 24$aLatin American Film and TV. 676 $a780.71 700 $aHeise$b Tatiana Signorelli$01472478 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910805585003321 996 $aTransnational Memories and Post-Dictatorship Cinema$94257245 997 $aUNINA