LEADER 00814nam0-2200277 --450 001 9910687098103321 005 20230503123936.0 010 $a978-88-288-4211-8 100 $a20230503d2022----kmuy0itay5050 ba 101 0 $aita 102 $aIT 105 $a 001yy 200 1 $a<>procedure digitali$eprontuario teorico-pratico dei processi telematici$fEmanuele M. Forner 205 $a2. ed. 210 $aMilano$cGiuffrè Francis Lefebvre$d2022 215 $aXV, 428 p.$d24 cm 225 1 $a<>processo telematico 676 $a347.4507$v23$zita 700 1$aForner,$bEmanuele M.$0617660 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a9910687098103321 952 $aVIII O 232$b2023/349$fFGBC 959 $aFGBC 996 $aProcedure digitali$93089882 997 $aUNINA LEADER 01839nam0 22003371i 450 001 UON00504715 005 20231205105430.448 010 $a978-24-06-10043-0 100 $a20210119d2020 |0itac50 ba 101 $aita 102 $aIT 105 $a|||| ||||| 200 1 $aˆLe ‰Corps aux fils de l?écriture : Nietzsche après Derrida$fNibras Chehayed 210 $aParis$cClassiques Garnier$d2020 215 $a287 p.$d22 cm. 330 $aDerrida a pensé l?originalité de l?écriture de Nietzsche, mais sans traiter de son rapport à la corporalité. Le même geste est souvent reproduit dans les études qui analysent son écriture. Ce livre présente une double tentative : corporaliser l?écriture et textualiser le corps en lisant ces deux auteurs. 410 1$1001UON00505588$12001 $aLittérature, histoire, politique$fsous la direction de Catherine Coquin, Lucie Campos et Emmanuel Bouju.$v40 606 $aCorpo$xFilosofia$3UONC051241$2FI 606 $aCorpo nella letteratura$3UONC075556$2FI 606 $aDerrida Jacques$3UONC043422$2FI 606 $aNietzsche Friedrich Wilhem$3UONC041062$2FI 620 $aFR$dParis$3UONL002984 700 1$aChehayed$bNibras$3UONV285228$0793333 712 $aClassiques Garnier$3UONV279024$4650 801 $aIT$bSOL$c20250606$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00504715 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI VI c 8 0521 $eSI 36544 5 0521 951 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$bSI2021537 1J 20210119 996 $aCorps aux fils de l?écriture : Nietzsche après Derrida$91779274 997 $aUNIOR LEADER 04006nam 2200697 a 450 001 9910956353903321 005 20251117062940.0 010 $a9786612239557 010 $a9781282239555 010 $a1282239554 010 $a9780226181684 010 $a0226181685 024 7 $a10.7208/9780226181684 035 $a(CKB)1000000000773699 035 $a(EBL)448509 035 $a(OCoLC)432428883 035 $a(SSID)ssj0000268334 035 $a(PQKBManifestationID)11222174 035 $a(PQKBTitleCode)TC0000268334 035 $a(PQKBWorkID)10236059 035 $a(PQKB)11589126 035 $a(StDuBDS)EDZ0000123121 035 $a(MiAaPQ)EBC448509 035 $a(DE-B1597)524397 035 $a(OCoLC)1135577149 035 $a(DE-B1597)9780226181684 035 $a(Au-PeEL)EBL448509 035 $a(CaPaEBR)ebr10317913 035 $a(CaONFJC)MIL223955 035 $a(Perlego)1852289 035 $a(EXLCZ)991000000000773699 100 $a20080229d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aVoices from Shanghai $eJewish exiles in wartime China /$fedited, translated, & with an introduction by Irene Eber 205 $a1st ed. 210 $aChicago $cUniversity of Chicago Press$d2008 215 $a1 online resource (153 p.) 300 $aDescription based upon print version of record. 311 08$a9780226181660 311 08$a0226181669 320 $aIncludes bibliographical references (p. [133]-140) and index. 327 $tFrontmatter -- $tContents -- $tIntroduction -- $tMeylekh Ravitch. "A Rickshaw Coolie Dies on a Shanghai Dawn" (1935) -- $tAnnie F. Witting. Letter (1939) -- $tAlfred Friedlaender. "Prologue" (1939) -- $tEgon Varro. "Well, That Too Is Shanghai" (1939) -- $tW. Y. Tonn. "Peculiar Shanghai" (1940) -- $tAnnie F. Witting. Letter (1940) -- $tLotte Margot. "The Chinese Woman Dances" (1940) -- $tE. Simkhoni. "Three Countries Spat Me Out" (1941) -- $tKurt Lewin. "More Light" (1941) -- $tYehoshua Rapoport. "And So It Begins . . ." (1941) -- $tYosl Mlotek. "The Lament of My Mother" (1941) -- $tE. Simkhoni. "My God, My God, Why Hast Thou Forsaken Me" (1942) -- $tMordechai Rotenberg. "Sun in a Net" (1942) -- $tYosl Mlotek. "Shanghai" (1942) -- $tKarl Heinz Wolff. "The Diligent Mason" (1942) -- $tHermann Goldfarb. "Wandering" (1942) -- $tJacob H. Fishman. "Miniatures" (1942) -- $tYosl Mlotek. "A Letter . . ." (1943) -- $tYehoshua Rapoport. Diary (excerpts, 1941-1943) -- $tAnonymous. "Pins, Not for Me" (1944) -- $tYoni Fayn. "A Poem About Shanghai Ghetto" (1945) -- $tHerbert Zernik. "A Monkey Turned Human" (1945) -- $tShoshana Kahan. In Fire and Flames: Diary of a Jewish Actress (excerpts, 1941-1945) -- $tKurt Lewin. "The Weekly Salad" (1946) -- $tJacob H. Fishman. "A Wedding" (1947) -- $tAcknowledgments -- $tNotes -- $tIndex of Names 330 $aWhen Hitler came to power and the German army began to sweep through Europe, almost 20,000 Jewish refugees fled to Shanghai. A remarkable collection of the letters, diary entries, poems, and short stories composed by these refugees in the years after they landed in China, Voices from Shanghai fills a gap in our historical understanding of what happened to so many Jews who were forced to board the first ship bound for anywhere. Once they arrived, the refugees learned to navigate the various languages, belief systems, and ethnic traditions they encounte 606 $aJews$zChina$zShanghai$xHistory$vSources 606 $aJewish refugees$zChina$zShanghai$xHistory$vSources 607 $aShanghai (China)$xEthnic relations$vSources 615 0$aJews$xHistory 615 0$aJewish refugees$xHistory 676 $a940.53/181420951132 701 $aEber$b Irene$f1929-2019.$0904322 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910956353903321 996 $aVoices from Shanghai$94359974 997 $aUNINA