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101 0 $aeng
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200 14$aThe defence of tradition in Brazilian popular music$b[electronic resource] $epolitics, culture and the creation of mu?sica popular brasileira /$fSean Stroud
210   $aAldershot, England ;$aBurlington, VT $cAshgate$dc2008
215   $a1 online resource (226 p.)
225 1 $aAshgate popular and folk music series
300   $aDescription based upon print version of record.
311   $a0-7546-6343-4 
320   $aIncludes bibliographical references and index.
327   $aCover; Contents; General Editor's Preface; Acknowledgements; Introduction; 1 Musical Nationalism and the 'Cultural Invasion' Debate; 2 Inventing the Idea of MPB; 3 Television and Popular Music; 4 Cultural Imperialism, Globalization, and the Brazilian Record Industry; 5 The State as Cultural Mediator: The Poli?tica Nacional de Cultura, FUNARTE and the Projecto Pixinguinha; 6 Musical Mapping: Locating and Defending the Regional; 7 Reconsidering Musical Tradition: Mu?sica do Brasil and Rumos Itau? Cultural Mu?sica; Conclusion; Bibliography; Index
330   $aSean Stroud examines how and why Mu?sica Popular Brasileira (MPB) has come to have such a high status, and why the musical tradition (including MPB) within Brazil has been defended with such vigour for so long. He emphasizes the importance of musical nationalism as an underlying ideology to discussions about Brazilian popular music since the 1920's, and the key debate on so-called 'cultural invasion' in Brazil. The roles of those responsible for the construction of the idea of MPB are examined in detail. Stroud goes on to consider the impact of the Brazilian record industry in the light of theory
410  0$aAshgate popular and folk music series.
606   $aPopular music$zBrazil$y20th century$xHistory and criticism
606   $aMusic$xPolitical aspects$zBrazil
606   $aNationalism in music
615  0$aPopular music$xHistory and criticism.
615  0$aMusic$xPolitical aspects
615  0$aNationalism in music.
676   $a781.640981
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996   $aThe defence of tradition in Brazilian popular music$93720167
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200 1 $aˆLos ‰moriscos$fMercedes Garcia Arenal$gintroduccion por Miguel Angel de Bunes
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