LEADER 01870nam 2200397Ia 450 001 996395644903316 005 20210104171739.0 035 $a(CKB)3810000000017036 035 $a(EEBO)2248537221 035 $a(OCoLC)ocn688635753e 035 $a(OCoLC)688635753 035 $a(EXLCZ)993810000000017036 100 $a20101202f16701680 uy 0 101 0 $aeng 135 $aurbn||||a|bb| 200 14$aThe lamentation of Mr. Page's wife of Plimouth who being forced to wed him consented to his murder for the love of G. Strangwidge; for which they suffered at Barnstable in Devonshire. The tune of, Fortune my foe, &c 210 $a[London] $cPrinted by and for Alex Milbourn in Green-arbor-court in the Little Old Baily$d[between 1670 and 1680] 215 $a1 sheet ([1] p.) 300 $aAttributed to Thomas Deloney. Cf. Wing (2nd ed.). 300 $aPlace and date range of publication suggested by Wing (2nd ed.). 300 $aPrinted on a half-sheet; other half of sheet contains "The lamentation of George Strangwidge" and "The complaint of Mrs. Page." 300 $aIn verse. 300 $aFirst line: Unhappy she whom fortune hath forlorn. 300 $aPrinted in four columns. 300 $aReproduction of original in: National Library of Scotland--Crawford Collections. 330 $aeebo-0097 606 $aBallads, English$vEarly works to 1800 608 $aBroadsides$zEngland$y17th century.$2rbgenr 615 0$aBallads, English 700 $aDeloney$b Thomas$f1543?-1600.$0137560 801 0$bUMI 801 1$bUMI 906 $aBOOK 912 $a996395644903316 996 $aThe lamentation of Mr. Page's wife of Plimouth who being forced to wed him consented to his murder for the love of G. Strangwidge; for which they suffered at Barnstable in Devonshire. The tune of, Fortune my foe, &c$92395794 997 $aUNISA LEADER 03080nam 2200601 450 001 9910823144603321 005 20230919171933.0 010 $a0-252-08018-1 010 $a0-252-09651-7 035 $a(CKB)2670000000569081 035 $a(OCoLC)893677128 035 $a(CaPaEBR)ebrary10944473 035 $a(SSID)ssj0001349283 035 $a(PQKBManifestationID)11754051 035 $a(PQKBTitleCode)TC0001349283 035 $a(PQKBWorkID)11399554 035 $a(PQKB)11739655 035 $a(StDuBDS)EDZ0001642674 035 $a(OCoLC)892777784 035 $a(MdBmJHUP)muse35757 035 $a(Au-PeEL)EBL3414406 035 $a(CaPaEBR)ebr10944473 035 $a(CaONFJC)MIL646733 035 $a(OCoLC)891589790 035 $a(MiAaPQ)EBC3414406 035 $a(EXLCZ)992670000000569081 100 $a20141008h20142014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aKiss the blood off my hands $eon classic film noir /$fedited by Robert Miklitsch 210 1$aUrbana, Illinois ;$aChicago, Illinois :$cUniversity of Illinois Press,$d2014. 210 4$d©2014 215 $a1 online resource (265 pages) 300 $aIncludes index. 311 $a0-252-03859-2 311 $a1-322-15478-3 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Independence unpunished: the female detective in classic film noir / Philippa Gates -- Women and film noir: Pulp fiction and the woman's picture / Julie Grossman -- The vanishing love song in film noir / Krin Gabbard -- Radio, film noir, and the aesthetics of auditory spectacle / Neil Verma -- Disney noir: "just drawn that way" / J. P. Telotte -- Detour: driving in a back projection, or forestalled by film noir / Vivian Sobchack -- Producing noir: Wald, Scott, Hellinger / Andrew Spicer -- Refuge England: blacklisted American directors and '50s British noir / Robert Murphy -- A little larceny: labor, leisure, and loyalty in the '50s noir heist film / Mark Osteen -- Periodizing classic noir: from Stranger on the third floor to the "thrillers of tomorrow" / Robert Miklitsch. 330 8 $aConsider the usual view of film noir: endless rainy nights populated by down-at-the-heel boxers, writers, and private eyes stumbling toward inescapable doom while stalked by crooked cops and cheating wives in a neon-lit urban jungle. But a new generation of writers is pushing aside the fog of cigarette smoke surrounding classic noir scholarship. In 'Kiss the Blood Off My Hands', Robert Miklitsch curates a bold collection of essays that reassesses the genre's iconic style, history, and themes. 606 $aFilm noir$xHistory and criticism 615 0$aFilm noir$xHistory and criticism. 676 $a791.43/61 702 $aMiklitsch$b Robert$f1953- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910823144603321 996 $aKiss the blood off my hands$94055063 997 $aUNINA LEADER 00994nam0 22002531i 450 001 UON00495363 005 20231205105350.848 100 $a20190605d1954 |0itac50 ba 101 $ager 102 $aAT 105 $a|||| ||||| 200 1 $aAmmann-Festgabe$eGruppe Sprachwissenschaft$fSchriftleitung Johann Knobloch 210 $aInnsbruck$cUniversität Innsbruck$d1954 215 $a70 p.$d25 cm. 410 1$1001UON00494771$12001 $aInnsbrucker Beiträge zur Kulturwissenschaft$1210 $aInsbruck.$v2, 1 620 $aAT$dInnsbruck$3UONL000862 702 1$aKNOBLOCH$bJohann$3UONV013736 712 $aUniversitat Innsbruck$3UONV260445$4650 801 $aIT$bSOL$c20241115$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00495363 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI Fil.G IX 0249 b $eSI MR 56928/2 5 0249 b 996 $aAmmann-Festgabe$9781736 997 $aUNIOR