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200 1 $aDorogoj Anton Pavlovi?$eOc?erki o korrespondentach A. P. C?echova$fSemen Bukc?in
210   $aMinsk$cNauka i technika$d1973
215   $a143 p.$d16 cm.
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620   $aBY$dMinsk$3UONL003252
676   $a891.703$cLetteratura russa. 1800-1917$v21
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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$a[Temptis]$iUtamaro /$fEdmond de Goncourt ; [translated from the French by Michael & Lenita Locey]
205   $a1st ed.
210  1$aNew York :$cParkstone International,$d[2012]
215   $a1 online resource (256 pages) $cillustrations
225 1 $aTemporis
300   $aDescription based upon print version of record.
311 0 $a9781859956823 
311 0 $a1859956823 
320   $aIncludes bibliographical references and index.
327   $aContents; FOREWORD; I. THE ART OF UTAMARO; II. THE PICTORIAL WORKS; 1. Prints (Nishiki-e); 2. Albums (series of prints in colour); 3. Kakemonos; 4. Surimonos; 5. E-makimonos; III. The Books; 1. Little Yellow Books (Kibyoshi); 2. Small books (Mangas); 3. Erotic Books (Shungas); 4. Books in Colour; Bibliography; Glossary; List OF illustrations
330   $aIf sensuality had a name, it would be without a doubt Utamaro. Delicately underlining the Garden of Pleasures that once constituted Edo, Utamaro, by the richness of his fabrics, the long necks of swans, the mysterious looks, evoke in a few lines the sensual pleasure of the Orient.If some scenes betray discreetly lovers' games, a great number of his shungas recall that love in Japan is first and foremost erotic.
410  0$aTemporis
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700   $aGoncourt$b Edmond de$f1822-1896.$0290295
701   $aLocey$b Michael$0172970
701   $aLocey$b Lenita$0172969
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