LEADER 01008nam0 22002651i 450 001 UON00462610 005 20231205105130.835 100 $a20151218d1954 |0itac50 ba 101 $afre 102 $aFR 105 $a|||| ||||| 200 1 $aˆLes ‰olympiques$fHenry de Montherlant 210 $aParis$cGallimard$d1954 215 $a192 p.$d17 cm. 316 $aValore stimato$5IT-UONSI Francese1 L.P.MONT/07 410 1$1001UON00343600$12001 $aˆLe ‰Livre de poche$1210 $aParis$cÉditions Gallimard.$v1555 620 $aFR$dParis$3UONL002984 700 1$aMONTHERLANT$bHenry de$3UONV114617$0201912 712 $aGallimard$3UONV246610$4650 801 $aIT$bSOL$c20240220$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00462610 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI Francese 1 L.P. MONT 07 $eSI SFR2498 7 07 Valore stimato 996 $aOlympiques$9950432 997 $aUNIOR LEADER 03731nam 22005775 450 001 9910255226603321 005 20260105180903.0 010 $a9781137596109 010 $a1137596104 024 7 $a10.1057/978-1-137-59610-9 035 $a(CKB)3710000000735235 035 $a(DE-He213)978-1-137-59610-9 035 $a(MiAaPQ)EBC4720579 035 $a(Perlego)3492280 035 $a(EXLCZ)993710000000735235 100 $a20160624d2016 u| 0 101 0 $aeng 135 $aurnn#008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDance?s Duet with the Camera $eMotion Pictures /$fedited by Telory D. Arendell, Ruth Barnes 205 $a1st ed. 2016. 210 1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2016. 215 $a1 online resource (XVII, 263 p. 1 illus.) 311 08$a9781137596093 311 08$a1137596090 320 $aIncludes bibliographical references and index. 327 $aChapter 1. Introduction; Telory D. Arendell -- Part I. Site/Sight and the Body -- Chapter 2. Location, Location, Location; Melanie Kloetzel -- Chapter 3. The Feminist Body Reimagined in Two Dimensions; Cara Hagan -- Chapter 4. Hollywood Cinematic Excess; Frances Hubbard -- Part II. Movement Beyond the I/Eye -- Chapter 5. Loïe Fuller and the Poetics of Light, Colour, and Rhythm; Izabella Pruska-Oldenhof -- Chapter 6. Naked Came I/Eye; Peter Sparling -- Part III. Querying Praxis -- Chapter 7. Theoretical Duet; Telory D. Arendell and Ruth Barnes -- Chapter 8. Wrestling the Beast? and Not Getting Too Much Blood on Your Skirt; Heather Coker -- Chapter 9. Turning Around the Gaze in the Age of Technological Proliferation; Ruth Barnes -- Part IV. Bodies, Spaces, Camera -- Chapter 10. Videodance; Angela Kassel -- Chapter 11. Maya Deren; Telory D. Arendell -- Chapter 12. Valentine for Dance Historians; Carol-Lynne Moore -- Part V. New Technologies -- Chapter 13.Moving In(To) 3D; Philip Szporer and Marlene Millar -- Chapter 14. Conclusion; Ruth Barnes. 330 $aDance?s Duet with the Camera: Motion Pictures is a collection of essays written by various authors on the relationship between live dance and film. Chapters cover a range of topics that explore dance film, contemporary dance with film on stage, dance as an ideal medium to be captured by 3D images and videodance as kin to site-specific choreography. This book explores the ways in which early practitioners such as Loïe Fuller and Maya Deren began a conversation between media that has continued to evolve and yet still retains certain unanswered questions. Methodology for this conversation includes dance historical approaches as well as mechanical considerations. The camera is a partner, a disembodied portion of self that looks in order to reflect on, to mirror, or to presage movement. This conversation includes issues of sexuality, race, and mixed ability. Bodies and lenses share equal billing. 606 $aDance 606 $aPerforming arts 606 $aTheater 606 $aMotion picture acting 606 $aDance 606 $aTheatre and Performance Arts 606 $aScreen Performance 615 0$aDance. 615 0$aPerforming arts. 615 0$aTheater. 615 0$aMotion picture acting. 615 14$aDance. 615 24$aTheatre and Performance Arts. 615 24$aScreen Performance. 676 $a792.8 702 $aArendell$b Telory D$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aBarnes$b Ruth$4edt$4http://id.loc.gov/vocabulary/relators/edt 906 $aBOOK 912 $a9910255226603321 996 $aDance?s Duet with the Camera$92533310 997 $aUNINA