LEADER 02600nam 2200613 a 450 001 9910830798403321 005 20231205230453.0 010 $a1-281-30831-5 010 $a9786611308315 010 $a0-470-69419-X 010 $a0-470-69336-3 035 $a(CKB)1000000000413120 035 $a(EBL)351045 035 $a(OCoLC)476170283 035 $a(SSID)ssj0000133404 035 $a(PQKBManifestationID)11142107 035 $a(PQKBTitleCode)TC0000133404 035 $a(PQKBWorkID)10045000 035 $a(PQKB)11580013 035 $a(MiAaPQ)EBC351045 035 $a(EXLCZ)991000000000413120 100 $a20070612d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCultural appropriation and the arts$b[electronic resource] /$fJames O. Young 210 $aMalden, MA $cBlackwell Pub.$d2008 215 $a1 online resource (186 p.) 225 1 $aNew directions in aesthetics ;$v6 300 $aDescription based upon print version of record. 311 $a1-4051-7656-3 320 $aIncludes bibliographical references (p. 159-165) and index. 327 $aWhat is cultural appropriation? -- The aesthetics of cultural appropriation -- Cultural appropriation as theft -- Cultural appropriation as assault -- Profound offence and cultural appropriation -- Conclusion: responding to cultural appropriation. 330 $aNow, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise. Cultural appropriation is a pervasive feature of the contemporary world (the Parthenon Marbles remain in London; white musicians from Bix Beiderbeck to Eric Clapton have appropriated musical styles from African-American culture)Young offers the first systematic philosophical investigation of the moral and aesthetic issues to which cultural appropriation gives riseTackles head on the thorny issues arising from the 410 0$aNew directions in aesthetics ;$v6. 606 $aArts and society 606 $aArts$xMoral and ethical aspects 606 $aCultural property 615 0$aArts and society. 615 0$aArts$xMoral and ethical aspects. 615 0$aCultural property. 676 $a700.1 676 $a700.1/03 676 $a700.103 700 $aYoung$b James O.$f1957-$0849486 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910830798403321 996 $aCultural appropriation and the arts$92025965 997 $aUNINA LEADER 01318nam0 22003251i 450 001 UON00428515 005 20231205104857.323 010 $a37-997070-8-5 100 $a20130704d1980 |0itac50 ba 101 $ager 102 $aDE 105 $a|||| 1|||| 200 1 $aTheorie des Kommentierens$eeine Grundlagenstudie zur Semantik und Pragmatik$fRoland Posner 205 $a2. verbesserte und erweiterte Auflage 210 $aWiesbaden$cAthenaion$d1980 215 $a227 p.$d21 cm. 410 1$1001UON00088248$12001 $aLinguistische Forschungen$fHerausgegeben von Charles J. Fillmore$bet al.]$v9 606 $aLinguistica$xStudi$3UONC019051$2FI 606 $aPragmatica$3UONC029215$2FI 606 $aSEMANTICA$xStudi$3UONC083910$2FI 620 $aDE$dWiesbaden$3UONL003153 676 $a401.43$cLinguaggio e comunicazione. Semantica$v21 700 1$aPOSNER$bRoland$3UONV156302$0449002 712 $aAthenaion Verlag$3UONV260507$4650 801 $aIT$bSOL$c20250606$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00428515 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI TED 11 a POS 01 $eSI LO 13879 5 01 $sBuono 996 $aTheorie des Kommentierens$91337361 997 $aUNIOR