LEADER 03451nam 22005895 450 001 9910483632103321 005 20250610110329.0 010 $a9783030032609 010 $a3030032604 024 7 $a10.1007/978-3-030-03260-9 035 $a(CKB)4100000007746668 035 $a(MiAaPQ)EBC5720226 035 $a(DE-He213)978-3-030-03260-9 035 $a(Perlego)3493990 035 $a(MiAaPQ)EBC30159093 035 $a(EXLCZ)994100000007746668 100 $a20190226d2019 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAusterity and the Public Role of Drama $ePerforming Lives-in-Common /$fby Victor Merriman 205 $a1st ed. 2019. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Pivot,$d2019. 215 $a1 online resource (176 pages) 225 1 $aPalgrave pivot 300 $aIncludes index. 311 08$a9783030032593 311 08$a3030032590 327 $aPart I Neo-liberalism's Political and Moral Economic Project: The End of Public Life? -- 1. Introduction: Austerity and Drama's Public Role -- 2. The Public World: an idea under pressure -- 3. Drama in Public Worlds. -Part II Performance, the Academy, and the Politics of Austerity -- 4. Drama Worlds As Public Worlds -- 5. Confronting Corporate Neo-liberalism in Jim Nolan's Johnny I Hardly Knew Ye (2016) -- 6. (Re)Public Worlds: Drama as Ethical Encounter -- 7. Beyond Deficit Culture: Conceptualising Collectives -- 8. Beyond Repair: A Critical Performance Manifesto. . 330 $aThis book asks what, if any, public role drama might play under Project Austerity - an intensification phase of contemporary liberal political economy. It investigates the erosion of public life in liberal democracies, and critiques the attention economy of deficit culture, by which austerity erodes life-in-common in favour of narcissistic performances of life-in-public. It argues for a social order committed to human flourishing and deliberative democracy, as a counterweight to the political economy of austerity. It demonstrates, using examples from England, Ireland, Italy, and the USA, that drama and the academy pursue shared humane concerns; the one, a critical art form, the other, a social enabler of critical thought and progressive ideas. A need for dialogue with emergent forms of collective consciousness, new democratic practices and institutions, shapes a manifesto for critical performance, which invites universities and cultural workers to join other social actors in imaginingand enabling ethical lives-in-common. 410 0$aPalgrave pivot. 606 $aTheater$xHistory 606 $aTheater 606 $aPerforming arts 606 $aContemporary Theatre and Performance 606 $aNational and Regional Theatre and Performance 606 $aTheatre and Performance Arts 615 0$aTheater$xHistory. 615 0$aTheater. 615 0$aPerforming arts. 615 14$aContemporary Theatre and Performance. 615 24$aNational and Regional Theatre and Performance. 615 24$aTheatre and Performance Arts. 676 $a792 676 $a306.484 700 $aMerriman$b Victor$4aut$4http://id.loc.gov/vocabulary/relators/aut$01226036 906 $aBOOK 912 $a9910483632103321 996 $aAusterity and the Public Role of Drama$92846587 997 $aUNINA LEADER 01085nam0 22002651i 450 001 UON00426728 005 20231205104850.106 100 $a20130613d1975 |0itac50 ba 101 $aeng 102 $aGB 105 $a|||| ||||| 200 1 $aˆThe ‰origins of modern leftism$fRichard Gombin$gtranslated from the French by Michael K. Perl 210 $a Harmondsworth$cPenguin Books$d1975 215 $a144 p.$d21 cm. 316 $aDono Prof. Chambers I.$5IT-UONSI TEORIA POL0891 606 $aSocietà$xSec. 20.$xPartiti di sinistra$3UONC067877$2FI 620 $aGB$dHarmondsworth$3UONL000315 700 1$aGOMBIN$bRichard$3UONV216885$0125979 712 $aPenguin Books$3UONV246450$4650 801 $aIT$bSOL$c20250926$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00426728 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI TEORIA POL0891 $eSI 5819 5 Dono Prof. Chambers I.$sBuono 996 $aOrigins of modern leftism$91336726 997 $aUNIOR