LEADER 04359nam 22007572 450 001 9910455055303321 005 20151005020622.0 010 $a1-107-11552-3 010 $a1-139-17596-3 010 $a1-283-34211-1 010 $a9786613342119 010 $a1-139-15974-7 010 $a1-139-15518-0 010 $a0-511-05094-1 010 $a0-511-15318-X 010 $a0-511-01282-9 035 $a(CKB)111056485648286 035 $a(EBL)157032 035 $a(OCoLC)179101072 035 $a(SSID)ssj0000158352 035 $a(PQKBManifestationID)11163051 035 $a(PQKBTitleCode)TC0000158352 035 $a(PQKBWorkID)10144902 035 $a(PQKB)10137509 035 $a(UkCbUP)CR9781139175968 035 $a(MiAaPQ)EBC157032 035 $a(Au-PeEL)EBL157032 035 $a(CaPaEBR)ebr5002295 035 $a(CaONFJC)MIL334211 035 $a(EXLCZ)99111056485648286 100 $a20111017d2000|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe French Revolution and the London stage, 1789-1805 /$fGeorge Taylor$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2000. 215 $a1 online resource (x, 263 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-03464-7 311 $a0-521-63052-5 320 $aIncludes bibliographical references (p. 249-256) and index. 327 $aCover; THE FRENCH REVOLUTION AND THE LONDON STAGE, 1789-1805; Title; Copyright; To Anna and Chris; Contents; Acknowledgements; Note on the text; Introduction; CHAPTER 1 England and France in 1789; CHAPTER 2 The Revolution; CHAPTER 3 From the Federation to the Terror; CHAPTER 4 Dramatizing (the) Terror; CHAPTER 5 Performance and performing; CHAPTER 6 The shadow of Napoleon; CHAPTER 7 Theatre and alienation; Reflections towards a conclusion; Notes; INTRODUCTION; 1 ENGLAND AND FRANCE IN 1789; 2 THE REVOLUTION; 3 FROM THE FEDERATION TO THE TERROR; 4 DRAMATIZING (THE) TERROR 327 $a5 PERFORMANCE AND PERFORMING 6 THE SHADOW OF NAPOLEON; 7 THEATRE AND ALIENATION; REFLECTIONS TOWARDS A CONCLUSION; Bibliography; Index 330 $aDuring the French Revolution most performances on the London stage were strictly censored, but political attitudes found indirect expression. New and popular genres like pantomime, gothic drama, history plays, musical and spectacular entertainment, and, above all, melodrama provided metaphors for the hopes and fears inspired by the conflict in France and subsequent European wars. This 2001 book looks at how British drama and popular entertainment were affected by the ideas and events of the French Revolution and Napoleonic Wars. He argues that melodrama had its origins in this period, with certain gothic villains displaying qualities attributed to Robespierre and Napoleon, and that recurrent images of incarceration and dispossession reflected fears of arbitrary persecution, from the tyranny of the Bastille to the Jacobin's Reign of Terror. By a cultural analysis of the popular entertainment and theatre performances of the eighteenth and nineteenth centuries Taylor reveals issues of ideological conflict and psychological stress. 517 3 $aThe French Revolution & the London Stage, 1789-1805 606 $aTheater$zEngland$zLondon$xHistory$y18th century 606 $aTheater$zEngland$zLondon$xHistory$y19th century 606 $aEnglish drama$y18th century$xHistory and criticism 606 $aEnglish drama$y19th century$xHistory and criticism 607 $aFrance$xHistory$yRevolution, 1789-1799$xInfluence 607 $aFrance$xHistory$yRevolution, 1789-1799$xForeign public opinion, British 607 $aFrance$xHistory$yRevolution, 1789-1799$xLiterature and the revolution 615 0$aTheater$xHistory 615 0$aTheater$xHistory 615 0$aEnglish drama$xHistory and criticism. 615 0$aEnglish drama$xHistory and criticism. 676 $a792/.09421/09033 700 $aTaylor$b George$f1940-$01041297 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910455055303321 996 $aThe French Revolution and the London stage, 1789-1805$92464745 997 $aUNINA LEADER 00875nam0-22003131i-450 001 990003338150403321 005 20230508134843.0 035 $a000333815 035 $aFED01000333815 035 $a(Aleph)000333815FED01 035 $a000333815 100 $a20001010d1968----km-y0itay50------ba 101 0 $aspa 102 $aES 105 $ay-------001yy 200 1 $aToponimia prerromanica hispana$fRamon Menendez Pidal 210 $aMadrid$cGredos$d1968 215 $a313 p., [3] c. di tav.$d20 cm 610 0 $aToponomastica pre-romana$aSpagna 676 $a467.01 700 1$aMenéndez Pidal,$bRamón$f<1869-1968>$0384516 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990003338150403321 952 $a864 MEN$bLINGUE 363$fDECLI 959 $aDECLI 996 $aToponimia prerrománica hispana$9298845 997 $aUNINA DB $aING01 LEADER 01321nam0 22003131i 450 001 UON00425555 005 20231205104845.689 010 $a20-303-6002-3 100 $a20130529f1972 |0itac50 ba 101 $afre 102 $aFR 105 $a|||| 1|||| 200 1 $aEssais de sémiotique poétique$eavec des études sur Apollinaire, Bataille, Baudelaire, Hugo, Jarry, Mallarmé, Michaux, Nerval, Rimbaud, Roubaud$fpar A. J. Greimas ... [et al.] 210 $aParis$cLibrairie Larousse$d[1972] 215 $a239 p.$d21 cm. 606 $aBAUDELAIRE CHARLES$3UONC039841$2FI 606 $aAPOLLINAIRE GUILLAUME$3UONC043161$2FI 606 $aHUGO VICTOR$3UONC046526$2FI 606 $aSEMIOTICA$xAnalisi del contenuto e del discorso$3UONC062529$2FI 620 $aFR$dParis$3UONL002984 676 $a801.95$cCritica letteraria$v21 700 1$aGREIMAS$bAlgirdas Julien$3UONV060443$0156484 712 $aÉditions du Seuil$3UONV254259$4650 801 $aIT$bSOL$c20240220$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00425555 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI Francese X 196 $eSI SFR9197 5 196 $sBuono 996 $aEssais de semiotique poetique$9220785 997 $aUNIOR