LEADER 04848nam 22008053u 450 001 9910547696903321 005 20250322110039.0 010 $a9780822376811 010 $a0822376814 024 7 $a10.1515/9780822376811 035 $a(CKB)3710000000092485 035 $a(EBL)1647711 035 $a(SSID)ssj0001113673 035 $a(PQKBManifestationID)12428928 035 $a(PQKBTitleCode)TC0001113673 035 $a(PQKBWorkID)11177111 035 $a(PQKB)10904157 035 $a(MiAaPQ)EBC1647711 035 $a(DE-B1597)552202 035 $a(DE-B1597)9780822376811 035 $a(OCoLC)868997656 035 $a(PPN)182144542 035 $a(ODN)ODN0011133857 035 $a(Perlego)1467308 035 $a(EXLCZ)993710000000092485 100 $a20140317d2014|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAnimating Film Theory 210 $aDurham $cDuke University Press$d2014 215 $a1 online resource (370 p.) 300 $aDescription based upon print version of record. 311 08$a0-8223-5640-6 327 $aContents; Acknowledgments; Animating Film Theory: An Introduction - Karen Beckman; I. Time and Space; 1. Animation and History - Esther Leslie; 2. Animating the Instant: The Secret Symmetry between Animation and Photography - Tom Gunning; 3. Polygraphic Photography and the Origins of 3-D Animation - Alexander R. Galloway; 4. "A Living, Developing Egg Is Present before You": Animation, Scientific Visualization, Modeling - Oliver Gaycken; II. Cinema and Animation 327 $a5. Andre? Martin, Inventor of Animation Cinema: Prolegomena for a History of Terms - Herve? Joubert-Laurencin (Translated by Lucy Swanson)6. "First Principles" of Animation - Alan Cholodenko; 7. Animation, in Theory - Suzanne Buchan; III. The Experiment; 8. Film as Experiment in Animation: Are Films Experiments on Human Beings - Gertrud Koch, (Translated by Daniel Hendrickson); 9. Frame Shot: Vertov's Ideologies of Animation - Mihaela Mihailova and John MacKay; 10. Signatures of Motion: Len Lye's Scratch Films and the Energy of the Line - Andrew R. Johnston 327 $a11. Animating Copies: Japanese Graphic Design, the Xerox Machine, and Walter Benjamin - Yuriko Furuhata12. Framing the Postmodern: The Rhetoric of Animated Form in Experimental Identity-Politics Documentary Video in the 1980s and 1990s - Tess Takahashi; IV. Animation and the World; 13. Cartoon Film Theory: Imamura Taihei on Animation, Documentary, and Photography - Thomas LaMarre; 14. African American Representation through the Combination of Live Action and Animation - Christopher P. Lehman 327 $a15. Animating Uncommon Life: U.S. Military Malaria Films (1942-1945) and the Pacific Theater - Bishnupriya Ghosh16. Realism in the Animation Media Environment: Animation Theory from Japan - Marc Steinberg; 17. Some Observations Pertaining to Cartoon Physics; or, The Cartoon Cat in the Machine - Scott Bukatman; Bibliography; Contributors; Index 330 $aAnimating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation practices, geographic and linguistic terrains, and historical periods. They delve deep into questions of how animation might best be 606 $aAnimated films -- History and criticism 606 $aAnimated films -- Social aspects 606 $aAnimation (Cinematography) 606 $aAnimated films$xHistory and criticism 606 $aAnimated films$xSocial aspects 606 $aAnimation (Cinematography) 606 $aVisual Arts$2HILCC 606 $aArt, Architecture & Applied Arts$2HILCC 606 $aDrawing, Design & Illustration$2HILCC 615 4$aAnimated films -- History and criticism. 615 4$aAnimated films -- Social aspects. 615 4$aAnimation (Cinematography). 615 0$aAnimated films$xHistory and criticism. 615 0$aAnimated films$xSocial aspects. 615 0$aAnimation (Cinematography) 615 7$aVisual Arts 615 7$aArt, Architecture & Applied Arts 615 7$aDrawing, Design & Illustration 676 $a791.43 676 $a791.4334 700 $aBeckman$b Karen Redrobe$f1971-$0925164 702 $aBeckman$b Karen Redrobe 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910547696903321 996 $aAnimating Film Theory$93005697 997 $aUNINA LEADER 01431nam0 22003011i 450 001 UON00420050 005 20231205104818.144 010 $a34-16-01069-8 100 $a20130307d1976 |0itac50 ba 101 $ager 102 $aDE 105 $a|||| ||||| 200 1 $aˆDie ‰Sprache der Emotionalität in den "Verwirrungen des Zöglings Törleß" von Robert Musil$eein Beitrag zur angewandten Textlinguistik$fvon Wolfgang Frier 210 $aBonn$cBouvier Verlag H. 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