LEADER 01380nam0 22003371i 450 001 UON00390071 005 20231205104607.489 010 $a97-564-4428-2 100 $a20110316d2006 |0itac50 ba 101 $aeng$aENG 102 $aTR 105 $a|||| 1|||| 200 1 $aˆThe ‰tulip in the 18th century$fEkrem Hakk? Ayverdi; Edited by M. Ug?ur Derman 210 $aIstanbul$cKubbealt?$d2006 215 $a66 p.$cill.,$d30 cm 311 $aOTT IX 013$9UON00390059 410 0$1001UON00390059$12001 $aKubbealt? nes?riyat?$v130 OTT IX 013 606 $aARTI DECORATIVE$xIMPERO OTTOMANO$xMOTIVI TURCHI$3UONC069678$2FI 606 $aARTI DECORATIVE$xTurchia$xMotivi tradizionali$3UONC077615$2FI 606 $aARTE TURCA$xMOTIVI DECORATIVI$xTULIPANO$3UONC077619$2FI 620 $aTR$dIstanbul$3UONL000077 686 $aOTT IX$cIMPERO OTTOMANO - ARTI$2A 700 1$aAYVERDI$bEkrem Hakk?$3UONV018856$0644628 702 1$aDERMAN$bUg?ur M.$3UONV022127 712 $aKubbealt?$3UONV277872$4650 801 $aIT$bSOL$c20240220$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00390071 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI OTT IX 013 $eSI SA 128851 7 013 996 $aTulip in the 18th century$91354764 997 $aUNIOR LEADER 03090nam 22006135 450 001 9910150193303321 005 20240322030321.0 010 $a9781137329936 010 $a1137329939 024 7 $a10.1057/978-1-137-32993-6 035 $a(CKB)3710000000942309 035 $a(DE-He213)978-1-137-32993-6 035 $a(MiAaPQ)EBC4738467 035 $a(Perlego)3486472 035 $a(EXLCZ)993710000000942309 100 $a20161109d2016 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aIrony in Film /$fby James MacDowell 205 $a1st ed. 2016. 210 1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2016. 215 $a1 online resource (XII, 220 p. 25 illus., 14 illus. in color.) 225 1 $aPalgrave Close Readings in Film and Television,$x2634-6141 311 08$a9781137329929 311 08$a1137329920 320 $aIncludes bibliographical references at the end of each chapters and index. 330 $a'An excellent, original, lucid and rigorous analysis of various dimensions of irony in film: highly recommended' - Geoff King, Professor of Film Studies, Brunel University London Irony in Film is the first book about ironic expression in this medium. We often feel the need to call films or aspects of them ironic; but what exactly does this mean? How do films create irony? Might certain features of the medium help or hinder its ironic potential? How can we know we are justified in dubbing any film or moment ironic? This book attempts to answer such questions, investigating in the process crucial and under-examined issues that irony raises for our understanding of narrative filmmaking. A much-debated subject in other disciplines, in film scholarship irony is habitually referred to but too seldom explored. Combining in-depth theorising with detailed close analysis, this pioneering study asks what ironic capacities films might possess, how film style may be used ironically, and what role intention should play in film interpretation. 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