LEADER 05046oam 2200673I 450 001 9910786335603321 005 20230801225256.0 010 $a1-135-72007-X 010 $a1-283-84353-6 010 $a1-135-72000-2 010 $a0-203-72081-4 024 7 $a10.4324/9780203720813 035 $a(CKB)2670000000277257 035 $a(EBL)1075077 035 $a(OCoLC)819378961 035 $a(SSID)ssj0000782891 035 $a(PQKBManifestationID)11426976 035 $a(PQKBTitleCode)TC0000782891 035 $a(PQKBWorkID)10752388 035 $a(PQKB)11154335 035 $a(MiAaPQ)EBC1075077 035 $a(Au-PeEL)EBL1075077 035 $a(CaPaEBR)ebr10628980 035 $a(CaONFJC)MIL415603 035 $a(OCoLC)1086438520 035 $a(FINmELB)ELB134613 035 $a(EXLCZ)992670000000277257 100 $a20180706d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe classical Hollywood reader /$fedited by Steve Neale 210 1$aAbingdon, Oxon ;$aNew York :$cRoutledge,$d2012. 215 $a1 online resource (483 p.) 300 $aDescription based upon print version of record. 311 $a0-415-57674-1 311 $a0-415-57672-5 320 $aIncludes bibliographical references and index. 327 $aFront Cover; The Classical Hollywood Reader; Copyright Page; Contents; List of illustrations; Notes on contributors; Acknowledgements; Permissions; Steve Neale: Introduction; 1. Patrick Keating: Prologue: Emotional Curves and Linear Narratives; Part I: Feature Films, Hollywood and the advent of the studio system, 1912-26; 2. Gerben Bakker: The Quality Race: Feature Films and Market Dominance in the us and Europe in the 1910s; 3. Richard Koszarski: Making Movies, 1915-28; 4. Kristin Thompson: The Limits of Experimentation in Hollywood 327 $a5. Karen Ward Mahar: "Doing a 'Man's Work'": The Rise of the Studio System and the Remasculinization of Filmmaking6. Lea Jacobs and Andrea Comiskey: Hollywood's Conception of its Audience in the 1920s; Part II: Sound and the studio system, 1926-46; 7. Douglas Gomery: The Coming of Sound: Technological Change in the American Film Industry; 8. Ginette Vincendeau: Hollywood Babel: the Coming of Sound and the Multiple Language Version; 9. Howard T. Lewis: Organization; 10. Thomas Schatz: Hollywood: The Triumph of the Studio System 327 $a11. Mark Glancy and John Sedgwick: Cinemagoing in the United States in the Mid-1930s: A Study Based on the Variety Dataset12. Tino Balio: Selling Stars: The Economic Imperative; Part III: Representation, technology, production and style, 1926-46; 13. Richard Maltby: The Production Code and the Mythologies of 'Pre-Code' Hollywood; 14. Helen Hanson and Steve Neale: Commanding The Sounds of the Universe: Classical Hollywood Sound in the 1930s and Early 1940s; 15. Kathryn Kalinak: The Classical Hollywood Film Score 327 $a16. Patrick Keating: Shooting for Selznick: Craft and Collaboration in Hollywood Cinematography17. Scott Higgins: Order and Plenitude: Technicolor Aesthetics in the Classical Era; 18. Mark Langer: The Disney-fleischer Dilemma: Product Differentiation and Technological Innovation; Part IV: Postwar Hollywood and the end of the studio system, 1946-66; 19. Janet Staiger: Individualism Versus Collectivism: The Shift to Independent Production in the us Film Industry; 20. Sheldon Hall: Ozoners, Roadshows and Blitz Exhibitionism: Postwar Developments in Distribution and Exhibition 327 $a21. John Belton: Glorious Technicolor, Breathtaking Cinemascope and Stereophonic Sound22. Janet Wasko: Hollywood and Television in the 1950s: The Roots of Diversification; 23. Brian Neve: Hollywood and Politics in the 1940s And 1950s; 24. Steve Neale: Arties and Imports, Exports and Runaways, Adult Films and Exploitation; Steve Neale: Epilogue; Bibliography; Index 330 $aThe Classical Hollywood Reader brings together essential readings to provide a history of Hollywood from the 1910s to the mid 1960s. Following on from a Prologue that discusses the aesthetic characteristics of Classical Hollywood films, Part 1 covers the period between the 1910s and the mid-to-late 1920s. It deals with the advent of feature-length films in the US and the growing national and international dominance of the companies responsible for their production, distribution and exhibition. 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