LEADER 02040nam 2200397 n 450 001 996393954803316 005 20200824121650.0 035 $a(CKB)4940000000117050 035 $a(EEBO)2248558409 035 $a(UnM)ocm12630782e 035 $a(UnM)12630782 035 $a(EXLCZ)994940000000117050 100 $a19851003d1688 uy 101 0 $aeng 135 $aurbn||||a|bb| 200 04$aThe Prince of Orange his declaration: shewing the reasons vvhy he invades England$b[electronic resource] $eWith a short preface, and some modest remarks on it 210 $aLondon $cPublished by Randal Taylor, near Stationers-Hall$dMDCLXXXVIII. [1688] 215 $a32 p 300 $aErroneously attributed to Gilbert Burnet. Burnet was actually the translator of the declarations written for William of Orange by Gaspar Fagel and not the author of animadversions concerning them. See J.E.S. Clarke and H.C. Foxcroft, "Life of Gilbert Burnet", p. 243. 300 $aA reprinting of and reply to: William III, King of England. The declaration of his Highness William Henry, by the grace of God, Prince of Orange, &c. of the reasons inducing him to appear in arms for preserving of the Protestant religion and for restoring the laws and liberties of England, Scotland and Ireland. 300 $aAlso reprints "His Highnesses additional declaration" and includes "Animadversions" on both declarations (p. 19-30). 300 $aReproduction of original in the British Library. 330 $aeebo-0016 607 $aGreat Britain$xHistory$yRevolution of 1688$vEarly works to 1800 700 $aBurnet$b Gilbert$0193326 702 $aWilliam$cKing of England,$f1650-1702.$4aut 702 $aBurnet$b Gilbert$f1643-1715, 702 $aFagel$b Gaspar$f1634-1688, 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bCu-RivES 906 $aBOOK 912 $a996393954803316 996 $aThe Prince of Orange his declaration: shewing the reasons vvhy he invades England$92318062 997 $aUNISA LEADER 03628nam 2200601Ia 450 001 9910792234003321 005 20230216180433.0 010 $a1-283-42289-1 010 $a9786613422897 010 $a0-19-977321-1 035 $a(CKB)2560000000296618 035 $a(EBL)3054477 035 $a(OCoLC)794925477 035 $a(SSID)ssj0000595939 035 $a(PQKBManifestationID)11387523 035 $a(PQKBTitleCode)TC0000595939 035 $a(PQKBWorkID)10556026 035 $a(PQKB)11065470 035 $a(StDuBDS)EDZ0000062047 035 $a(MiAaPQ)EBC3054477 035 $a(EXLCZ)992560000000296618 100 $a20110225d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAudacious euphony$b[electronic resource] $echromaticism and the consonant triad's second nature /$fRichard Cohn 210 $aNew York ;$aOxford $cOxford University Press$d2012 215 $a1 online resource (256 p.) 225 1 $aOxford studies in music theory 300 $aDescription based upon print version of record. 311 $a0-19-977269-X 311 $a0-19-993223-9 320 $aIncludes bibliographical references and index. 327 $aCover; Contents; Introduction; About the Companion Web Site; 1 Mapping the Triadic Universe; Three Ways to Calculate Triadic Distance; Triads in Chromatic Space; Remarks on Syntax and Maps; 2 Hexatonic Cycles; A Minimal-Work Model of the Triadic Universe; The Hexatonic Trance; Contrary Motion and Balance; Hexatonic Progressions, Tonnetz Representations, and Triadic Transformations; Near Evenness, Minimal Voice Leading, and the Central Role of Augmented Triads ; Remarks on Dualism; Triadic Structure Generates Pan-Triadic Syntax; Triads Are Homophonous Diamorphs; 3 Reciprocity 327 $aThe Historical Emergence of Augmented TriadsConsonance/Dissonance Reciprocity; Two Early-Century Examples: Beethoven and Schubert; Three Late-Century Examples: Liszt, Rimsky-Korsakov, Faure?; Reciprocity in Weitzmann's Der Uberma?ssige Dreiklang; 4 Weitzmann Regions; The Structure of a Weitzmann Region; Weitzmann Transformations and N/R Cycles; Remarks on the Tonnetz; Historical Origins of Weitzmann Regions; The Double-Agent Complex; Expanded N/R Chains; Weitzmann Regions without Sequences: Wagner and Strauss; 5 A Unified Model of Triadic Voice-Leading Space 327 $a8 Syntactic Interaction and the Convertible TonnetzSome Previous Proposals; The Diatonic Tonnetz; Horizontal Extensions; Vertical Extensions; The Convertible Tonnetz; Two Analytical Vignettes: Wagner and Brahms; 9 Double Syntax and the Soft Revolution; A Summary Example from Schubert; Double Syntax and Its Skeptics; Code Switching and Double Determination; Cognitive Opacity; The Soft Revolution; On Musical Overdetermination; Glossary; A; B; C; D; G; H; I; L; N; O; P; R; S; T; U; V; W; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Z 330 8 $aReconstructing historical conceptions of harmonic distance 'Audacious Euphony' advances a geometric model appropriate to understanding triadic progressions characteristic of 19th-century music. 410 0$aOxford studies in music theory. 606 $aHarmony 606 $aTriads (Music) 615 0$aHarmony. 615 0$aTriads (Music) 676 $a781.2/5 700 $aCohn$b Richard Lawrence$f1955-$055620 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910792234003321 996 $aAudacious euphony$93774303 997 $aUNINA LEADER 01154nam0 22002891i 450 001 UON00349135 005 20231205104333.741 010 $a08-606-8136-x 100 $a20091204d1983 |0itac50 ba 101 $aeng 102 $aGB 105 $a|||| 1|||| 200 1 $aˆThe ‰Judge$fRebecca West$gNew Introduction by Jane Marcus 210 $aLondon$cVirago$d1983 215 $a430 p.$d20 cm. 410 1$1001UON00176028$12001 $aVirago Modern Classics$1210 $aLondon$cVirago. 620 $aGB$dLondon$3UONL003044 676 $a823$cLetteratura narrativa inglese$v21 700 1$aWEST$bRebecca$3UONV194576$0168027 702 1$aMARCUS$bJane$3UONV166191 712 $aVirago$3UONV256708$4650 801 $aIT$bSOL$c20240220$gRICA 912 $aUON00349135 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI Angl VI A WES 6 bis $eSI LO 31518 5 6 bis 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI Angl VI A WES 6 $eSI LO 27205 5 6 996 $aJudge$91360188 997 $aUNIOR