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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aClassical form $ea theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven /$fWilliam E. Caplin
210  1$aNew York ;$aOxford :$cOxford University Press,$d1998.
215   $a1 online resource (xii, 307 p.)
300   $aDescription based upon print version of record.
311   $a0-19-514399-X 
311   $a0-19-510480-3 
320   $aIncludes bibliographical references (p. 289-292) and index.
327   $a1. Some Basic Formal Functions: An Overview -- 2. Fundamental Progressions of Harmony -- 3. Sentence -- 4. Period -- 5. Hybrid Themes and Compound Themes -- 6. Small Ternary -- 7. Small Binary -- 8. Subordinate Theme -- 9. Transition -- 10. Development -- 11. Recapitulation -- 12. Coda -- 13. Sonata Form -- 14. Slow-Movement Forms -- 15. Minuet/Trio Form -- 16. Rondo Forms -- 17. Concerto Form.
330   $aIntroducing a new theory of musical form for the analysis of instrumental music of the classical style. The book provides a broad set of principles and a comprehensive methodology for analysing phrases and themes to complete movements. Illustrated with over 250 annotated musical examples by Haydn, Mozart and Beethoven.
608   $aElectronic books.
676   $a784.18
700   $aCaplin$b William Earl$f1948-$0781762
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910458515203321
996   $aClassical form$91733656
997   $aUNINA

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200 1 $a Byzantium and the world around it$eeconomic and institutional relations$fRobert S. Lopez
210   $aLondon$cVariorum Reprints$d1978
215   $a352 p.$d23 cm.
410  1$1001UON00171385$12001 $aCollected Studies Series
606   $aCOSTANTINOPOLI$xStoria sociale$3UONC073333$2FI
620   $aGB$dLondon$3UONL003044
700  1$aLOPEZ$bRobert S.$3UONV023945$0569403
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