LEADER 04410nam 2200637 450 001 9910790986503321 005 20230803220831.0 010 $a0-8032-5385-0 010 $a0-8032-5349-4 035 $a(CKB)2550000001188934 035 $a(EBL)1598089 035 $a(SSID)ssj0001111730 035 $a(PQKBManifestationID)12499088 035 $a(PQKBTitleCode)TC0001111730 035 $a(PQKBWorkID)11158139 035 $a(PQKB)11483463 035 $a(MiAaPQ)EBC1598089 035 $a(OCoLC)873760021 035 $a(MdBmJHUP)muse43585 035 $a(Au-PeEL)EBL1598089 035 $a(CaPaEBR)ebr10829016 035 $a(CaONFJC)MIL568256 035 $a(OCoLC)869093883 035 $a(EXLCZ)992550000001188934 100 $a20140204h20142014 uy p 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDarkened rooms of summer $enew and selected poems /$fJared Carter ; introduction by Ted Kooser ; designed by A. Shahan 210 1$aLincoln, Nebraska ;$aLondon :$cUniversity of Nebraska Press,$d2014. 210 4$d©2014 215 $a1 online resource (436 p.) 225 0 $aTed Kooser Contemporary Poetry 300 $a"New and Selected Poems"--Cover. 311 $a0-8032-4857-1 311 $a1-306-37005-1 327 $aCover; Title Page; Copyright Page; Dedication; Epigraph; Contents; Acknowledgments; Introduction by Ted Kooser; From ""Work, for the Night Is Coming"" (1981); Geodes; Early Warning; For Jack Chatham; The Madhouse; Walking the Ties; Glacier; Mississinewa County Road; The Oddfellows' Waiting Room at Glencove Cemetery; The Undertaker; Monument City; Work, for the Night Is Coming; At the Sign-Painter's; Turning the Brick; Landing the Bees; The Measuring; Ginseng; Shaking the Peonies; Birdstone; From ""After the Rain"" (1993); After the Rain; Phoenix; The Gleaning; Scryer; The Shriving 327 $aMississinewa Reservoir at Winter PoolThe Purpose of Poetry; Poem Written on a Line from the Walam Olum; Foundling; Barn Siding; Cicadas; Interview; Drawing the Antique; For an Old Flame; Portrait Studio; Cecropia Moth; Seed Storm; Galleynipper; Changeling; Mourning Doves; The Believers; For Starr Atkinson, Who Designed Books; From ""Les Barricades Myste?rieuses"" (1999); Improvisation; Summons; Candle; Berceuse; Ditchweed; Cemetery; Interlude; Ford; Millefiori; Clavichord; Tankroom; Phosphorescence; Palimpsest; Labyrinth; Linen; Reprise; Hawkmoth; Comet 327 $aFrom ""Cross This Bridge at a Walk"" (2006)Covered Bridge; Visit; Recollections of a Contingent of Coxey's Army Passing through Straughn, Indiana, in April of 1894; Spirea; Picking Stone; From ""A Dance in the Street"" (2012); Prophet Township; Summit; Roadside Crosses; Fire Burning in a 55-Gallon Drum; In the Warehouse District; In the Military Park; The Pool at Noon; Plastic Sack; Wind Egg; Hidden Door; Cicadas in the Rain; Sphinx; War; At the Art Institute; Mourning Dove Ascending; Up in Michigan; Blank Paper; Under the Snowball Bush; Snow; What Is Dream?; New Poems; Clouds; Schoolhouse 327 $aDryadAwakening; Homestead; Gone; Web; Etruria; Boleyn; Vow; Cross-harp; Torc; Ariadne; Poetry; Perseus; Twilight; Question; Polyxena; Graveyard; Achilles; Mourning; Philoctetes; Adultery; Treadwheel; Priestess; Moth; Journeyman; Visitor; Prescription; Evergreen; About the Author; Series List; Other Works by Jared Carter 330 $aFor nearly half a century, Jared Carter has been quietly mapping the American heartland. Line by line, his poetry has shown us the landscape, sounded the voices, conjured the music, and tested the silence of the ever-changing and yet ever-constant Midwest that figures so prominently in the American story. And yet what we find in Carter's poetry is endlessly new. Here, in poems selected from his first five books, is the summer-long buzz of the cicada and the crack of the cue ball, the young rebel on his big Harley, and the YMCA secretary who backstrokes her way ac 606 $aAmerican poetry 615 0$aAmerican poetry. 676 $a811/.54 700 $aCarter$b Jared$01464489 701 $aKooser$b Ted$01464490 701 $aShahan$b A$01464491 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910790986503321 996 $aDarkened rooms of summer$93674145 997 $aUNINA LEADER 01231nam0 22003011i 450 001 UON00317747 005 20231205104126.825 010 $a978-18-417-1865-1 100 $a20081126d2005 |0itac50 ba 101 $aeng 102 $aGB 105 $a|||| 1|||| 200 1 $aˆThe ‰role of foreigners in ancient Egypt$ea study of non-stereotypical artistic representations$fCharlotte Booth 210 $aOxford$cArchaeopress$d2005 215 $a71 p.$d26 cm 410 1$1001UON00065568$12001 $aBAR international series$fGeneral editors: A.R. Hands, D.R. Walker$v1426 606 $aArte$xEgitto antico$3UONC018576$2FI 606 $aEgitto$xStoria$xOrigini-332 a.C.$3UONC022869$2FI 620 $aGB$dOxford$3UONL000029 676 $a709.32$cARTE - Egitto antico$v21 700 1$aBOOTH$bCharlotte$3UONV184040$0584277 712 $aArchaeopress$3UONV252460$4650 801 $aIT$bSOL$c20250530$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00317747 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI ARCH 208 $eSI AA 29568 5 208 996 $aRole of foreigners in ancient Egypt$9999737 997 $aUNIOR