LEADER 01308nam0 22002771i 450 001 UON00309454 005 20231205104048.539 010 $a34-281-1948-7 100 $a20080319d2006 |0itac50 ba 101 $ager 102 $aDE 105 $a|||| 1|||| 200 1 $aInternationally administered territories - international protectorates?$ean analysis of sovereignty over internationally administered territories with special reference to the legal status of post-war Kosovo$fby Daniel SvenSmyrek 210 $aBerlin$cDuncker & Humblot$d2006 215 $a260 p.$d23 cm. 410 1$1001UON00171714$12001 $aTübinger Schhriften zum international und européäischen recht $1210 $aBerlin$cDunc ker & Humblot$v80 606 $aKOSOVO$3UONC038607$2FI 620 $aDE$dBerlin$3UONL003157 700 1$aSMYREK$bDaniel Sven$3UONV178537$0697031 712 $aDuncker & Humboldt$3UONV249394$4650 801 $aIT$bSOL$c20240220$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00309454 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI IX DIR INTPUB O I 0124 $eSI SC 43649 5 0124 996 $aInternationally administered territories - international protectorates$91376857 997 $aUNIOR LEADER 03277nam 2200889z- 450 001 9910557529103321 005 20210501 035 $a(CKB)5400000000044287 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/68392 035 $a(oapen)doab68392 035 $a(EXLCZ)995400000000044287 100 $a20202105d2021 |y 0 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aMusical Instruments$eAcoustics and Vibration 210 $aBasel, Switzerland$cMDPI - Multidisciplinary Digital Publishing Institute$d2021 215 $a1 online resource (138 p.) 311 08$a3-03936-613-0 311 08$a3-03936-614-9 330 $aThe study of the acoustic and vibrational characteristics of musical instruments in terms of their mechanical behavior, sound emission, and characteristics started thousands of years ago, and among the physicists and mathematicians that addressed this matter, we should at least recognize Leonardo da Vinci, with his experimental water organ, and Ernst Chladni, who discovered nodal patterns on rigid surfaces such as soundboards. The growing awareness of our intangible cultural heritage and the need to better understand our roots in the field of music have contributed to increasing the efforts to extend our knowledge in this field, defining new physical parameters, extending the analysis to other musical instruments, and developing new methods to synthesize sound from musical instruments using a simple keyboard. 517 $aMusical Instruments 606 $aMusic$2bicssc 610 $a1176 compressor 610 $aacoustic holography 610 $aaudio mixing 610 $aauditory feedback 610 $aauditory perception 610 $aautoclave 610 $abinaural audio 610 $aCarabattola 610 $aCFRE 610 $aDivje babe I 610 $adynamic 610 $adynamic range compression 610 $afeature extraction 610 $aFET compression 610 $aintensity of acoustic radiation 610 $aintensity of acoustic radiation (IAR) 610 $akeyboard vibrations 610 $alistening experiment 610 $ameasurement 610 $amicrophone array 610 $amodal 610 $amodal analysis 610 $aMousterian 610 $amusic production 610 $amusical haptics 610 $amusical instrument 610 $amusical instruments 610 $an/a 610 $aNeanderthals 610 $aout-of-autoclave 610 $aPalaeolithic 610 $aPersian musical instruments 610 $apiano 610 $aplates 610 $aprocessing 610 $arecording 610 $asampler 610 $asemantic audio 610 $asound efficiency 610 $asynthesizer 610 $atactile feedback 610 $atimbre modeling 610 $atimbre space 610 $avacuum-bag-only 610 $awave field synthesis 615 7$aMusic 700 $aTronchin$b Lamberto$4edt$01303350 702 $aTronchin$b Lamberto$4oth 906 $aBOOK 912 $a9910557529103321 996 $aMusical Instruments$93026929 997 $aUNINA