LEADER 01611nas--2200493---4500 001 990002172000203316 005 20080206113439.0 011 $a0378-5092 035 $a000217200 035 $aUSA01000217200 035 $a(ALEPH)000217200USA01 035 $a000217200 100 $a20041115a----9999a--y0ITAy0103----ba 101 $afre 102 $aDE 110 $aaiaz---|||| 200 1 $aRevue européenne de formation professionnelle$fCEDEFOP 210 $aBerlin$cCEDEFOP 215 $av.$d24 cm 300 $aComincia nel 1974 300 $aDescrizione basata su: n.29(2003) 326 $aQuadrimestrale 451 0$10010049646 606 $aFormazione professionale$yPaesi della Comunità europea$xPeriodici 676 $a331.2592 699 $a06.03$bFormazione professionale 712 02$aCENTRO EUROPEO PER LO SVILUPPO DELLA FORMAZIONE PROFESSIONALE 801 0$aIT$bsalbc$gISBD 912 $a990002172000203316 958 $aCDE$bCDE / FOR$c(2003-2006)-$l2003, 39(2006) 959 $aSE 969 $aCDE 979 $aSIAV1$b10$c20041115$lUSA01$h1242 979 $aSIAV1$b10$c20041115$lUSA01$h1548 979 $aCDE$b90$c20041122$lUSA01$h1238 979 $aCDE$b90$c20041223$lUSA01$h1038 979 $aPATRY$b90$c20060718$lUSA01$h1748 979 $aMARIAS$b90$c20080205$lUSA01$h1658 979 $aMARIAS$b90$c20080206$lUSA01$h1123 979 $aMARIAS$b90$c20080206$lUSA01$h1124 979 $aMARIAS$b90$c20080206$lUSA01$h1134 979 $aMARIAS$b90$c20080220$lUSA01$h1232 996 $aRevue européenne de formation professionnelle$91038255 997 $aUNISA LEADER 00771cam2 22002531 450 001 SOBE00039314 005 20140121153956.0 100 $a20140121h1992 |||||ita|0103 ba 101 $aeng 102 $aGB 200 0 $a2 210 $aLondon and New York$cRoutledge$dc1992 215 $a564 p.$d23 cm 461 1$1001E600200016596$12001 $aJean Piaget : Critical Assessment / cur. Leslie Smith 702 1$aSmith, Leslie$3A600200035070$4070 801 0$aIT$bUNISOB$c20140121$gRICA 850 $aUNISOB 852 $aUNISOB$j150$m72948 912 $aSOBE00039314 940 $aM 102 Monografia moderna SBN 941 $aM 957 $a150$b000990$i-2$gSI$d72948$1rovito$2UNISOB$3UNISOB$420140121153905.0$520140121153929.0$6rovito 996 $a2$961340 997 $aUNISOB LEADER 05078oam 2200685I 450 001 9910778918603321 005 20230126202852.0 010 $a1-135-88950-3 010 $a0-415-96544-6 010 $a1-135-88951-1 010 $a0-203-92865-2 024 7 $a10.4324/9780203928653 035 $a(CKB)2550000000096399 035 $a(EBL)957664 035 $a(OCoLC)798533368 035 $a(SSID)ssj0000716255 035 $a(Au-PeEL)EBL957664 035 $a(CaPaEBR)ebr10545529 035 $a(CaONFJC)MIL500607 035 $a(OCoLC)787851193 035 $a(OCoLC)1162421551 035 $a(FINmELB)ELB133508 035 $a(CaSebORM)9780415965453 035 $a(MiAaPQ)EBC957664 035 $a(EXLCZ)992550000000096399 100 $a20180706d2012 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aGlobal television formats $eunderstanding television across borders /$fedited by Tasha Oren and Sharon Shahaf 205 $a1st edition 210 1$aNew York, N.Y. :$cRoutledge,$d2012. 215 $a1 online resource (409 p.) 300 $aDescription based upon print version of record. 311 $a1-299-69356-3 311 $a0-415-96545-4 320 $aIncludes bibliographical references and index. 327 $aGLOBAL TELEVISION FORMATS Understanding Television Across Borders; Copyright; Contents; List of Illustrations; List of Contributors; Acknowledgements; Introduction: Television Formats-A Global Framework for TV Studies; PART I Format Theories and Global Television; 1 More than Copycat Television: Format Adaptation as Performance; 2 "Calling Out Around the World": The Global Appeal of Reality Dance Formats; 3 Television Formats and Contemporary Sport; 4 A Political Economy of Formatted Pleasures; 5 Interpreting Cubanness, Americanness, and the Sitcom: WPBT-PBS's ¿Que? pasa U.S.A.? (1975-1980) 327 $aPART II Transnational Formats: Historical Perspectives6 From Discrete Adaptations to Hard Copies: The Rise of Formats in European Television; 7 "National Mike": Global Host and Global Formats in Early Italian Television; 8 Telenovelas in Brazil: From Traveling Scripts to a Genre and Proto-Format both National and Transnational; 9 Reversal of Fortune? Hollywood Faces New Competition in Global Media Trade; PART III Case Study: The Idol Franchise; 10 Idol Worship: Ethnicity and Difference in Global Television; 11 NZ Idol: Nation Building Through Format Adaptation 327 $a12 Global Television Formats in Africa: Localizing Idol13 We Are the World: American Idol 's Global Self-Posturing; PART IV Trans-Formats: Local Articulations and the Politics of Place and Nation; 14 The Social and Political Dimensions of Global Television Formats: Reality Television in Lebanon and Saudi Arabia; 15 A Revolution in Television and a Great Leap Forward for Innovation? China in the Global Television Format Business; 16 Global Television Formats and the Political Economy of Cultural Adaptation: Who Wants to Be a Millionaire? in India 327 $a17 Global Franchising, Gender, and Genre: The Case of Domestic Reality Television18 Reiterational Texts and Global Imagination: Television Strikes Back; Index 330 $aFor decades, television scholars have viewed global television through the lens of cultural imperialism, focusing primarily on programs produced by US and UK markets and exported to foreign markets. Global Television Formats revolutionizes television studies by de-provincializing its approach to media globalization. It re-examines dominant approaches and their legacies of global/local and center/periphery, and offers new directions for understanding television?s contemporary incarnations.The chapters in this collection take up the format phenomena from around the globe, including the Middle East, Western and Eastern Europe, South and West Africa, South and East Asia, Australia and New Zealand, North America, South America, and the Caribbean. Contributors address both little known examples and massive global hits ranging from the Idol franchise around the world, to telenovelas, dance competitions, sports programming, reality TV, quiz shows, sitcoms and more. Looking to global television formats as vital for various cultural meanings, relationships, and structures, this collection shows how formats can further our understanding of television and the culture of globalization at large. 606 $aTelevision program genres 606 $aTelevision programs$xSocial aspects 606 $aTelevision and globalization 615 0$aTelevision program genres. 615 0$aTelevision programs$xSocial aspects. 615 0$aTelevision and globalization. 676 $a791.45/09 701 $aOren$b Tasha G$0875322 701 $aShahaf$b Sharon$01499171 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910778918603321 996 $aGlobal television formats$93725026 997 $aUNINA LEADER 01238nam0 22003011i 450 001 UON00301254 005 20231205104005.664 100 $a20070927f |0itac50 ba 101 $ager 102 $aDE 105 $a|||| 1|||| 200 1 $aAusgewählte Werke. 2.: Ellernklipp ; Schach von Wuthenow ; L'adultera$fTheodor Fontane$gmit einer Einleitung von Walther Linden 210 $aLeipzig$cReclam$d[19--?] 215 $a384 p.$d19 cm. 464 1$1001UON00301257$12001 $aˆL'‰adultera$fTheodor Fontane 464 1$1001UON00301255$12001 $aEllernklipp$fTheodor Fontane 464 1$1001UON00301256$12001 $aSchach von Wuthenow$fTheodor Fontane 620 $aDE$dLeipzig$3UONL003218 676 $a830.8$cLetteratura tedesca. 1856-1899$v21 700 1$aFONTANE$bTheodor$3UONV112619$0131693 702 1$aLINDEN$bWalther$3UONV173230 712 $aReclam$3UONV260734$4650 801 $aIT$bSOL$c20240220$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00301254 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI TED 23 I FON 06 b $eSI LO 70958 5 06 b 996 $aAusgewählte Werke$91378500 997 $aUNIOR