LEADER 03111nam 22006495 450 001 9910795033203321 005 20191221113333.0 010 $a0-8135-8722-0 010 $a0-8135-8723-9 024 7 $a10.36019/9780813587233 035 $a(CKB)4340000000265012 035 $a(OCoLC)1031468734 035 $a(MdBmJHUP)muse65824 035 $a(MiAaPQ)EBC5348550 035 $a(DE-B1597)526302 035 $a(DE-B1597)9780813587233 035 $a(EXLCZ)994340000000265012 100 $a20191221d2018 fg 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Zoom $eDrama at the Touch of a Lever /$fNick Hall 210 1$aNew Brunswick, NJ : $cRutgers University Press, $d[2018] 210 4$dİ2018 215 $a1 online resource (1 PDF (vii, 213 pages) :)$cillustrations 225 0 $aTechniques of the Moving Image 311 $a0-8135-8721-2 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tCONTENTS -- $t1. Introduction -- $t2. Drama at the Touch of a Lever -- $t3. Take Me Out to the Ball Game -- $t4. Unlimited Horizons -- $t5. Creepers And Neck-Snappers -- $t6. The Zoom Boom -- $t7. Contemporary Zooms -- $tAcknowledgments -- $tNotes -- $tSelected Bibliography -- $tIndex 330 $aFrom the queasy zooms in Alfred Hitchcock's Vertigo to the avant-garde mystery of Michael Snow's Wavelength, from the excitement of televised baseball to the drama of the political convention, the zoom shot is instantly recognizable and highly controversial. In The Zoom, Nick Hall traces the century-spanning history of the zoom lens in American film and television. From late 1920s silent features to the psychedelic experiments of the 1960s and beyond, the book describes how inventors battled to provide film and television studios with practical zoom lenses, and how cinematographers clashed over the right ways to use the new zooms. Hall demonstrates how the zoom brought life and energy to cinema decades before the zoom boom of the 1970s and reveals how the zoom continues to play a vital and often overlooked role in the production of contemporary film and television. 410 0$aTechniques of the moving image. 606 $aZoom lens photography$xHistory 606 $aZoom lenses$xHistory 606 $aCinematography$xSpecial effects$xHistory 608 $aElectronic books. 610 $aAlfred Hitchcock. 610 $aAmerican. 610 $aMichael Snow. 610 $aVertigo. 610 $aWavelength. 610 $afilm. 610 $atelevision. 610 $azoom lens. 610 $azoom. 615 0$aZoom lens photography$xHistory. 615 0$aZoom lenses$xHistory. 615 0$aCinematography$xSpecial effects$xHistory. 676 $a790.2 700 $aHall$b Nick, $4aut$4http://id.loc.gov/vocabulary/relators/aut.$0251381 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910795033203321 996 $aThe Zoom$93683196 997 $aUNINA LEADER 00985nam0 22002651i 450 001 UON00298609 005 20231205103953.721 100 $a20070706d1962 |0itac50 ba 101 $aeng 102 $aGB 105 $a|||| 1|||| 200 1 $aThomas Nashe$ea critical introduction$fby G.R. Hibbard 210 $aLondon$cRoutledge and Kegan Paul$d1962 215 $axi, 262 p.$d23 cm. 606 $aNASHE THOMAS$3UONC039956$2FI 620 $aGB$dLondon$3UONL003044 676 $a820$cLetteratura inglese e antico inglese$v21 700 1$aHIBBARD$bGeorge Richard$3UONV140359$0193378 712 $aRoutledge & K. Paul$3UONV246770$4650 801 $aIT$bSOL$c20240220$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00298609 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI Angl II B NAS-HIB $eSI SI 1466 5 996 $aThomas Nashe$91380414 997 $aUNIOR