LEADER 02870nam 2200673Ia 450 001 9910958660103321 005 20200520144314.0 010 $a1-136-81298-9 010 $a1-283-10401-6 010 $a9786613104014 010 $a1-136-81299-7 010 $a0-203-82910-7 024 7 $a10.4324/9780203829103 035 $a(CKB)2550000000032632 035 $a(EBL)684019 035 $a(OCoLC)719558874 035 $a(SSID)ssj0000533699 035 $a(PQKBManifestationID)11359958 035 $a(PQKBTitleCode)TC0000533699 035 $a(PQKBWorkID)10504130 035 $a(PQKB)10423339 035 $a(PQKBManifestationID)16121243 035 $a(PQKB)21110003 035 $a(MiAaPQ)EBC684019 035 $a(Au-PeEL)EBL684019 035 $a(CaPaEBR)ebr10466422 035 $a(CaONFJC)MIL310401 035 $a(EXLCZ)992550000000032632 100 $a20101027d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acz 200 10$aActing reframes $ea guide to using NLP to make better decisions in and out of the theatre /$fRobert Barton 205 $a1st ed. 210 $aLondon ;$aNew York $cRoutledge$d2011 215 $a1 online resource (176 p.) 300 $aDescription based upon print version of record. 311 08$a0-415-59232-1 311 08$a0-415-59231-3 320 $aIncludes bibliography and index. 327 $aFront Cover; Acting Reframes; Copyright Page; Contents; Preface; 1. What is NLP?; 2. What is VAK?; 3. VAK in theatre; 4. Reframing; 5. NLP scene study; 6. Getting it done; Appendix A: Self-study form; Appendix B: Metaprograms self-analysis; Appendix C: Character analysis NLP-style; Appendix D: Finding anchors in the scene; Appendix E: Outcome form; Appendix F: Sample class syllabus and schedule; Glossary; Further study/Bibliography; Index 330 $aActing Reframes presents theatre and film practitioners with a methodology for using Neuro-Linguistic Programming (NLP) as a tool to aid their practice.Author Robert Barton uses the NLP approach to illustrate a range of innovative methods to help actors and directors, including: reducing performance anxiety enabling clearer communication intensifying character analysis stimulating imaginative rehearsal choices.The author also shows how NLP can used alongside other basic training systems to improve approaches to rehearsal and perf 606 $aNeurolinguistic programming 606 $aActing 606 $aPerforming arts 615 0$aNeurolinguistic programming. 615 0$aActing. 615 0$aPerforming arts. 676 $a658.4/063 700 $aBarton$b Robert$f1945-$0900112 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910958660103321 996 $aActing reframes$94380896 997 $aUNINA LEADER 01163nam1 22002891i 450 001 UON00286640 005 20231205103903.934 100 $a20070117d1986 |0itac50 ba 101 $apol 102 $aPL 105 $a|||| 1|||| 200 1 $aDziela$fWitold Gombrowicz; redakcja naukowa tekstu Jan Blonski 210 $aKrakow$cWydawnictwo Literackie$d1986 215 $a v.$d19 cm. 311 $aVol. 6°$9UON00225417 311 $aVol. 9°$9UON00225028 463 0$1001UON00225417$12001 $aDramaty$fWitold Gombrowicz$1205 $aKrakow : Wydawnictwo literackie$b1988$1210 $a326 p.$a20 cm$1215 $aInd. op.: Iwona, ksiezniczka burgunda$dSlub$dOperetka$vVol. 6° 463 0$1001UON00225028$12001 $aDziennik 1961-1966$fWitold Gombrowicz$1210 $aKrakow$cWidawnictwo Literackie$d1989$1215 $a260 p.$d20 cm.$vVol. 9° 620 $aPL$dKrako?w$3UONL000871 676 $a891.85$cLetteratura polacca$v21 700 1$aGOMBROWICZ$bWitold$3UONV132962$0257079 702 1$aBlonski$bJan$3UONV165294 712 $aWydawnictwo Literackie$3UONV271171$4650 801 $aIT$bSOL$c20250801$gRICA 912 $aUON00286640 996 $aDziela$91210063 997 $aUNIOR