LEADER 03363nam 2200709 a 450 001 9910461410703321 005 20200520144314.0 010 $a1-283-40284-X 010 $a9786613402844 010 $a3-11-026378-5 024 7 $a10.1515/9783110263787 035 $a(CKB)2670000000113768 035 $a(EBL)765947 035 $a(OCoLC)748242267 035 $a(SSID)ssj0000559772 035 $a(PQKBManifestationID)11376026 035 $a(PQKBTitleCode)TC0000559772 035 $a(PQKBWorkID)10567526 035 $a(PQKB)10374366 035 $a(MiAaPQ)EBC765947 035 $a(DE-B1597)172197 035 $a(OCoLC)763160631 035 $a(OCoLC)853238799 035 $a(DE-B1597)9783110263787 035 $a(Au-PeEL)EBL765947 035 $a(CaPaEBR)ebr10502323 035 $a(CaONFJC)MIL340284 035 $a(EXLCZ)992670000000113768 100 $a20110422d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aFunctional requirements for subject authority data (FRSAD)$b[electronic resource] $ea conceptual model /$fedited by Marcia Lei Zeng, Maja Z?umer and Athena Salaba 210 $aBerlin ;$aNew York $cDe Gruyter Saur$dc2011 215 $a1 online resource (80 p.) 225 1 $aIFLA series on bibliographic control,$x1868-8438 ;$vv. 43 300 $a"Members of the IFLA Working Group on the Functional Requirements for Subject Authority Records (FRSAR)"--p. 1. 311 $a3-11-025323-2 311 $a3-11-916338-4 320 $aIncludes bibliographical references. 327 $t Frontmatter -- $tContents -- $tMembers of the IFLA Working Group on the Functional Requirements for Subject Authority Records (FRSAR) -- $t1. Background -- $t2. Purpose and Scope -- $t3. Entities -- $t4. Attributes -- $t5. Relationships -- $t6. User Tasks -- $t7. Conclusion -- $tAppendix A. Modeling Aboutness -- $tAppendix B. Relationship of FRSAD with FRBR and FRAD -- $tAppendix C. FRSAD Model and other Models -- $tAppendix D. Examples from Subject Authority Systems -- $tReferences 330 $aThe purpose of authority control is to ensure consistency in representing a value - a name of a person, a place name, or a term or code representing a subject - in the elements used as access points in information retrieval. The primary purpose of this study is to produce a framework that will provide a clearly stated and commonly shared understanding of what the subject authority data/record/file aims to provide information about, and the expectation of what such data should achieve in terms of answering user needs. 410 0$aIFLA series on bibliographic control ;$vv. 43. 606 $aFRSAD (Conceptual model) 606 $aSubject headings 608 $aElectronic books. 615 0$aFRSAD (Conceptual model) 615 0$aSubject headings. 676 $a025.4/7 701 $aZeng$b Marcia Lei$f1956-$01044208 701 $aZ?umer$b Maja$01044067 701 $aSalaba$b Athena$01044209 712 02$aIFLA Working Group on the Functional Requirements for Subject Authority Records (FRSAR) 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910461410703321 996 $aFunctional requirements for subject authority data (FRSAD)$92469717 997 $aUNINA LEADER 02537nam 2200577Ia 450 001 9910782214203321 005 20230607222159.0 010 $a0-19-772893-6 010 $a1-280-83483-8 010 $a0-19-803193-9 035 $a(CKB)1000000000550114 035 $a(EBL)422524 035 $a(OCoLC)476257736 035 $a(SSID)ssj0000238156 035 $a(PQKBManifestationID)11924881 035 $a(PQKBTitleCode)TC0000238156 035 $a(PQKBWorkID)10222713 035 $a(PQKB)11487648 035 $a(Au-PeEL)EBL422524 035 $a(CaPaEBR)ebr10269078 035 $a(CaONFJC)MIL83483 035 $a(MiAaPQ)EBC422524 035 $a(EXLCZ)991000000000550114 100 $a20010606d2002 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe Richard Rodgers reader$b[electronic resource] /$fedited by Geoffrey Block 210 $aOxford ;$aNew York $cOxford University Press$d2002 215 $a1 online resource (369 p.) 225 1 $aReaders on American musicians 300 $aDescription based upon print version of record. 311 $a0-19-531343-7 311 $a0-19-513954-2 320 $aIncludes bibliographical references and indexes. 327 $aContents; Acknowledgments; Introduction; part I. Rodgers and Hart, 1919-1943; part II. Rodgers and Hammerstein, 1943-1960; part III. Rodgers after Hammerstein, 1960-1979; part IV. The Composer Speaks, 1939-1971; Credits; Index of Rodgers's Works; General Index 330 $aRichard Rodgers was one of America's most prolific and best-loved composers. A world without ""My Funny Valentine,"" ""The Lady is a Tramp,"" ""Blue Moon,"" and ""Bewitched,"" to name just a few of the songs he wrote with Lorenz Hart, is scarcely imaginable, and the musicals he wrote with his second collaborator, Oscar Hammerstein--Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music--continue to enchant and entertain audiences. 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